Restoration And Rehabilitation : Restoration

As a matter of fact, the system of entrance and exit of the Colosseum is another important aspect to explore how significant the impact caused by the Roman social structure on the architecture design is. Corresponding to strict arrangement of seating, after arriving at the Colosseum, the spectators are able to find out the specified entrance and exit routs for different social classes.7 Colosseum has an efficient network of vaulted passageways consisting eighty archways serving as entrance and exit.8 Without a doubt, it is certain that the entrance for the emperor is separated from the gates opening for the crowds. Among the eighty archways, there is only one special entrance used by the most powerful men with a great contrast to the public entrance. The walls leading to the special entrance have rich decoration, such as painting and stuccoes.9 Additionally, in order to achieve the efficiency as much as possible, the “admission tokens”10 with numbers of the seats are created to “enable the public spectators to go directly to the proper entrance for reaching their own seats”.

The Flavian amphitheater has gone through a substantial amount of transformation in the last two thousand years. This is because its function has changed through the years, affecting its structural composition and soundness. In its earliest years, it has served as a location for entertainment to the ancient Roman civilization and had fell into drastic neglect when Rome’s culture changed. People’s demand for bloody gladiatorial combats as well as wild animal fights grew less (History, 2009). Later, it transitioned into becoming widely used as a source of building materials and been scavenged to the point where two-thirds of the original

Archeologists all over the world work towards not only discovering the tracks left behind by societies millions of years ago, but also make an effort to save those footprints for future generations. However, conservation and preservation of archaeological sites can prove to be as arduous as discovering them, or may be more. As a historical site is discovered, it becomes the responsibility of the government and everybody who has to play a role, to secure that site and to not let it deteriorate. Doing so is now also made part of law in many countries and it comes as no surprise when preservation of historical sites is the prime goal of numerous international organizations. Pompeii is one of the most popular historical sites that have been a point of concern for not only Italy’s government but also UN itself. In this paper we try develop an insight of barriers that restrict the development of restoration. Pompeii is an ancient Roman town near the modern Naples, which was first discovered in the 18th century, after it had been destroyed by a volcanic eruption, courtesy of the close standing Mount Vesuvius during the first century. This area and the closer one of Herculaneum was covered in about 20 feet of ash when it was discovered but much of the objects had been able to survive, specifically the ones below the city, as there had been no exposure to air or moisture. This destination is of great importance for the present world as it provides a quality insight into the ‘Pax

Snøhetta are concerned with the social dimension of architecture and this design imaginatively reinterprets the traditional opera houses that “conventionally limit their public spaces to exterior plazas or grand lobbies, often only accessible during opening hours.” What is striking here is that their Opera House succeeds in giving back to the city a public space. The sloping rooftop becomes a new public area: a recreation space and viewing platform that you can walk on, sit on, sunbathe on, even snowboard on. As a result anyone, whether interested in Opera or not, can enjoy the space. The building has been called "a social democratic monument” by founding partner of Snøhetta, Craig Dykers – and one can see why. In a recent television interview, Dykers went on to remark:

Questions about Image Set 1: Acropolis, Athens 101. The gateway to this site, visible in the foreground at the lower right, is called the: a. Erechtheion b. Parthenon c. Temple of Hera d. Stoa of Attalus e. Propylaia 102. The main temple shown at the upper right is dedicated to: a. Athena b. Erectheus c. Portunus d. Aphrodite 103. The primary function of the main temple shown at the upper right is: a. an interior gathering space for worshippers b. a venue for religious games c. a house for the statue of a god or goddess d. a fortification high on a hill 104. The site shown in plan and reconstruction is known as the: a. Great

The mid August heat is blazing as crews break down the temporary stage from last night's concert. The stage was set in what looks to be almost a half mile long and football field wide dry river bed. I can see the appeal of placing a stage here with the Aventine and Palatine Hills on each side to accommodate hundreds of thousands of spectators who would be able to see the stage. Once the stage is broken down this prime real estate in the middle of Rome, Italy will serve as a large park, but it was not always this way, the same reasons this park is used for concerts today is why the Circus Maximus was constructed here in the Valley of Murcia, Rome.

And just as Gutzon set out to build a great feat, so will this paper and its interpretation and story-telling of the past. The history behind this monument, the artistry that is and was displayed, and the basic skills of location, environment, and factors that influence geography will also be discussed here. This work by Gutzon was not just mere sensationalism or commercialism, as has normally been the angle of reporters, but instead this will take on the historic aspect as it was originally intended to bring out.

The Forum dates back to the 2nd century BCE. It underwent numerous alterations during the city’s history and at the time of the eruption was in the process of receiving an

One of the more inspiring and brilliantly conceived and constructed dome structures in the world is the Pantheon of Rome. This example imposes a magnificent strength of ingenuity and dominance over their surrounding landscape, and the Pantheon deserves to be researched and admired for its architecturally innovative and bold design of its time. The building was accommodated with serious technical impediments that required a thorough and scrutinizing attention to detail in order to overcome. It is because of the prevailed obstacles by the various designers, architects and builders of this building that captures the consideration of those interested in the development of building technology and progress throughout the

The Amphitheatre of the Three Gauls is a famous sanctuary which was dedicated to the cult of Augustus and Rome. It was celebrated by many Gallic tribes who had gathered at Lugdunum, the Roman name of the region of Lyon in ancient times. There are many things to do in France as a tourist which must include seeing all the designated historical monuments such as the Amphitheatre of the Three Gauls. The amphitheatre was built at the foot of a hill which was then placed at a point where the two rives of the Rhone and Saone met. A recent find in 1957 allowed the origins of this place to be confirmed as the part of the sanctuary of Rome and Augustus. The recent find dates the building to around 19 AD. The Amphitheatre

Towards the city’s heavily trafficked center the Roman Forum was constructed for convenient easy access of all the citizens. The foreground of the forum was occupied by a paved square with monuments to famous citizens. The temple to the Divine Julius, dedicated in 29 BCE to the deified Caesar, built in a Hellenistic style, is located in the background on the left; to the right is the temple of Vesta and the house of the Vestal Virgins, guardians of the everlasting flame; further to the right is the temple of the Dioscuri, Castor and Pollux dedicated in 6 CE Here the office of weights and measures was situated. The podiums of the temples of Caesar and the Dioscuri were often used as orators' platforms and it is in this part of the Forum that the meetings of the comitia took place. On the far right is the Basilica Julia built by Caesar. Its long façade occupies the entire south side of the Forum. (Owens, 154) Semi-circular in plan and having consisted of a tall stage building, theaters were a semi-circular orchestra and tiered seating area. Unlike Greek theatres, which were built on natural slopes, they were supported by their own framework of piers and vaults and so could be built anywhere and not where nature dictated. Amphitheatres (literally, ‘double theatres’) were elliptical in plan; with a central areana. (Bowra, 38)

From the observation tower the horizontal building’s three parallel bands can be seen that extend into the lush landscape. The architects’ concept was to immerse the museum in nature by creating a set of three bracketed pavilions under one roof surrounded by gardens. The roof can be seen as

Agrippa, Augustus’ right-hand man, constructed this building as a temple to all the gods; however, a fire destroyed this temple in 80 CE and so Domitian built the reconstruction. The Pantheon we are familiar with has a significantly different design than the original one, and this is why this specific temple is so dislike to the rest of the Roman temples. Before it was burnt, the Pantheon stood in a podium at the end of a large rectangular court. The surroundings of this temple have changed in order to provide a unique experience to its visitors. For example, the temple has en enormous dome with a 27-foot oculus that opens to the sky. This oculus lets a shaft of light come through creating an emphasis wherever the reflection is. Visitors were driven nowhere but to the light at the center of the dome. This building was built for greeting foreign embassies, adjudicating disputes and hold court (Janson). Moreover, the Pantheon is extraordinary because of the potential and strength of concrete. Some other materials used in the process of building the temple include travertine, tufa, brick, and pumice. These materials varied in order to reduce its weight. The colored marble on the wall symbolized imperial authority. The sphere is though to symbolize eternity and perfection and the bronze panels symbolized a starry night sky.

‘The Colosseum’ is regarded as one of the best work of the Rome architecture and engineering. It is situated in the centre of the city of Rome in Italy and is also known by the name of ‘Flavian Amphitheatre’ (Origins of the Colosseum, 2015). ‘The Colosseum’ is considered as one of the largest amphitheatre in the Roman Empire and also in the world. The building of ‘The Colosseum’ is highly impressive and is an important landmark for signifying the past history of Roman culture. The amphitheatre

The book of Nehemiah is about the physical and spiritual restoration in Jerusalem. Nehemiah is viewed as one of the great leaders in the Old Testament. He led a group of Jews to rebuild the walls in Jerusalem. He shows his leadership through his prayers, sensitivity, boldness, and many other characteristics.