Essay Revenge in Shakespeare's The Tempest

The Tempest is about an ousted Duke of Milan ,Prospero, who has been living in exile on a remote island for the past twelve years with his daughter Miranda. He is a powerful magician, who happens to be the master of Ariel and Caliban, and a guy who really likes his books. When Prospero's enemies wash up on shore, he uses his black magic to seek revenge and restore himself to power. The Tempest belongs to the genre of Elizabethan romance plays. It combines elements of tragedy with those of romantic comedy, and like one of Shakespeare's plays previously, it asks deeper questions that are not completely resolved at the end. The tone that seeps into the play is one of wonder, amazement, and admiration. Mystery is still present , but the magic performed is not black and scary. The version that seems to grasp my attention more, would have to be the Utah Valley University interpretation because it takes Shakespeare’s main purpose and tone but shows it in its own unique way. Furthermore, with its silly drunkards, the play has a certain lightness to it and even the so called killers of the King tell hilarious jokes and are lighthearted. But there is also the tone of revenge and reconciliation in the play. We feel a revenge burning in Prospero while, at the same time, a wish for forgiveness and reconciliation with those who have wronged him.

Prospero's intent throughout the course of The Tempest is neither to revenge himself upon his enemies, nor to reconcile himself with his estranged brother. It is, rather, to orchestrate the reclamation of his lost duchy, Milan, through both his magic and a shrewd manipulation of both the shipwrecked party and the islanders (Caliban and Miranda).

In 'The Tempest' Shakespeare presents parent and child relationships as an emotional process that eventually ends in a sacrifice, leaving the parent and child happy. Through the characters of Miranda and Prospero, Shakespeare shows that for parents to make their children happy they need to sacrifice what they like but can live without.

Dictionary.com states that revenge is “to exact punishment or expiation for a wrong on behalf of, especially in a resentful or vindictive spirit.” The novel, Frankenstein, and the play, Hamlet, are two works of literature that revolve around the notion of revenge. The main conflicts of the stories are Prince Hamlet attempting to avenge the murder of his father and Frankenstein’s monster hunting down Victor Frankenstein for abandoning him in an empty and lonely existence. The novels use other themes to tie together the underlying theme of revenge, such as death, madness, and learning and “un-learning.”

Prospero learnt from his mistake in treating Caliban kindly and realized that the only way to treat such an immoral creature was to be strict and threaten or else Caliban will take advantage of his kindness. He understands that the only fair way to treat Caliban is to be strict with him because this is the only form of treatment that Caliban can respond to well.

Prospero uses his status as the father of Miranda to enact his own self-righteous deeds. Furthermore, Prospero uses his position of power within the patriarchal system with leisure. Prospero hides behind a powerful woman and declares all deeds in the name of his daughter. In actuality, all Prospero's actions are to advance his quest. Prospero uses Miranda to regain favor with the king and become Duke of Milan, yet again. Finally, Prospero is a symbol of all that is wrong with the patriarchal system, which is used to legitimate the deeds of evil men. Prospero inflicts great harm upon the female gender, who must live under its immense societal oppressive

Without magic, Prospero is a sweet father figure to Miranda. In this passage, Prospero has just instructed Ariel to burn down the ship with the nobles on board. Miranda is freaking out to Prospero and berating him on why he did what he did. Lend thy hand And pluck my magic garment from me.

Antonio's dethroning of Prospero is not only the reason why Prospero is alienated but it also is a great example about the theme of betrayal that is prominent in the book. Antonio's betrayal in particular, serves as the source of conflict for the play. Prospero creates

He seeks for control in his nemesis towards his brother Antonio, control of the fate of his daughter Miranda, and the control of his servants Ariel and Caliban. Prospero uses force and debt to have greater authority over the spirit Ariel. When Ariel asks for his freedom and “liberty,” Prospero brings up the “damn’d witch Sycorax” from whom he saved him (1.2.247-264). Sebastian and Antonio also abuse their powers by plotting an attack on Alonso, the King of Naples, so they could gain even more political power in the real world. Eventually after all the words of encouragement from Antonio, Sebastian finally says, “Thy case, dear friend, shall be my precedent. As thou got’st Milan, I’ll come by Naples. Draw thy sword,” (2.1.270-272). The desire for political power and authority becomes the core from which other minor themes develop in this play. This improper use of power eventually only harms everyone, not benefit.

Yet her compassion, as real as it is, also has a certain element of shallowness, or at least inexperience about it. She has lived the majority of her life in isolation, on an island known with her only companionship being that of her father. Growing up on this deserted island, Miranda learns to live and abide by the example set by Prospero. He is her only contact with the humanity and therefore he is her only friend and teacher. She knows no other woman and therefore had no female figure to aid the process of raising her. She is naïve and unaware of life's experiences, having been shielded from the rest of the world.      

Prospero stirs up a huge tempest. It is very windy and violent such that Miranda sees the ship “dashed all to pieces.” She, therefore, laments that the storm is risking the lives of the people within it. Miranda is sure that her father, Prospero—a wizard caused the storm. As such, she asks Prospero to stop it saying she would stop it herself if she could. However, her father, admitting to causing the tempest, says he stirred it up not for any harm but for her.

Revenge can be defined as “the act of retaliating for wrongs received”. William Shakespeare 's “Hamlet” is considered one of his greatest plays and the plot is centered on revenge. Euripides ' Medea also shares a theme of revenge. While both central characters have been betrayed, resulting in their impending revenge, there is more than one theme of revenge in Hamlet, and there are differences in the ways all decide to handle their betrayals and the outcomes of their actions.

    In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island.  On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda.  On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.  He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect.

Prospero's vengeance against those who wronged him helps to show that people never forget the pain and may seek revenge on those who hurt them; therefore, the struggle to gain power over another person remains within. Stephano and Caliban's conspiracy to kill Prospero symbolizes the desperation for gain power can forever change a person's character. Even though people may get hurt by someone, vengeance is not the way to go because not only will it drive a person crazy and consume them through greed and hatred, but may forever change not only their life, but also who they

William Shakespeare’s “The Tempest” speaks about multiple authoritative relationships throughout the play and the abuse of power and authority. The main character Prospero lives on a deserted island with his daughter Miranda. Prospero used to be the Duke of Milan until he has been usurped by his brother Antonio with the help Alonso the King of Naples and his brother Sebastian. Prospero and Miranda were banished to sea in a rotten boat and eventually lands in a deserted island who was once ruled by a witch named Sycorax but is now only inhabited by her son Caliban and a spirit named Ariel. Since arriving at the island, Prospero has been ruling the island and enslaved Caliban and Ariel by the use of magic. He acts as if he is God by creating a storm in order to shipwreck the King of Naples and Antonio. Prospero uses his powers to get revenge on his brother for having been exiled to the island. Prospero is a controlling character who seems to be obsessed with getting revenge in order to regain his status. He abuses his authority and takes advantage of his slaves and his daughter Miranda to fulfil his evil plan.