The Significance of Modernity
Throughout time, nations have attempted to become independent from one another by discovering means, which would help their citizens experience more fulfilling lives. The dilemma that troubled each of these countries is whether or not innovations, in technology and society, led to a higher quality of life. Modris Eckstein and Marshall Berman examine both, the damages and benefits of modernity. Eckstein looks at individual changes that lead to the overall acceptance of modernity. He examines Germany, and how the lives of every citizen was altered following the revolutionary changes of the first half of the 20th century. Marshall Berman, on the other hand, assesses modernity as an all-encompassing
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This newfound approach to German sexuality was due to a youth movement, which believed restrictions on sexuality were simply not warranted. “There was a new emphasis in general on leibeskultur, or body culture, on an appreciation of the human body devoid of social taboos or restrictions? Tolerance of homosexuals is a prime example of modernism because this approach was truly ahead of its time. One can make this deduction because homosexuals were shunned in all other European countries throughout this era. Although Germans did not collectively approve of homosexuality, their over-all measure of tolerance was unlike any other.
As opposed to Modris Eckstein, Marshall Berman looks at modernity as an encompassing characteristic of society, which affects every facet of its populace. Bermans text, All That is Solid Melts Into Air, is not a historical account (A contrast to Ecksteins novel) , but rather an assessment of what modernism achieved in the societies, which embraced it. “The broad and open way enables us to see all sorts of artistic, intellectual, religious and political activities as part of one dialectical process? Berman supports his argument by informing the reader of two specific incidents in Brazil and the United States, where modernism affected the whole population.
Lucio Costa and Oscar Niemeyer designed Brasilia (The capitol of Brazil) with the belief that a new age motif would bring prosperity to the city. According to Berman, this modern plan backfired
against homosexuality) no longer applied to those who were visiting Germany around the time of the
German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which
Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for
Kuiper, Kathleen. “Modernism.” Encyclopedia Britannica. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2015. Web. 02 DEC 15.
During the Interwar Period (1919-1939), many countries around the world underwent many ideological changes. Prior to World War I, imperial competition amongst the European countries led to patterns of constitutional and ethnolinguistic nationalism and patterns of industrialization. Members of a Bosnian Serb nationalist group assassinated Austrian heir Franz Ferdinand, which became the catalyst for the first World War that would last until 1919. With 20 million soldiers and civilians dead and another 21 million wounded, the countries looked for ways to recover from the results of the war. Three new patterns of modernity emerged after World War I; Capitalist democracy, Communism, and Supremist Nationalism.
Modernism is the heartbeat of culture, or as Clement Greenberg (1992:754) states, modernism involves of what “is truly alive in our culture” and it includes more than just art and literature. Western civilization began to interrogate their foundations and progressed into a self-critical society (Greenberg 1992:754). This notion began with the theories of the philosopher Immanuel Kant (1724-1804); he criticized the means itself of criticism (Greenberg 1992:754). Therefore, Greenberg (1992:754) perceived Kant as the first real Modernist.
Marshall Berman’s take on modernity is presented in his book All That Is Solid Melts into Air whereby he focuses on its issues and the cultural attitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established European artist who had fled to New York to escape fascist regimes in their homelands. More importantly these artists produced art that was at the heart of maelstrom Berman describes in regards to his experience of modernity. I aim to highlight the correlation between Berman’s experience of modernity and the emergence of a new American modernism. Modernity throughout this period was broken into two different compartments, hermetically sealed off from one another: "modernisation" in economics and politics, "modernism" in art, culture and sensibility. It’s through the lens of this dualism in which we recognise that both Berman and these artists try to make sense of the world around them by making their individual expressions that would re-conceptualise what it is to be modern in the twentieth century.
The mistrust of the world which is at the center of modernism can be attributed to the world wars and the psychological effect that it had on the individual. The horrors and violence altered public perceptions of life, a change that is evident within writers of the time period. The focus of writing shifted from the outward world to inner thoughts and feelings and overall representation of an individual’s stream of consciousness which are themes associated with modern text. In “Impact of Modernism”, focuses on the idea that world needed new outlets for expression and in finding them rejected the tradition that was already there with the quote, “Many modernists believed that by rejecting tradition they could discover radically new ways of making art.” (Impact) .The world no longer had the beauty it once did so a a discovery of new arts were needed. The mind of an individual became that new found inspiration and beauty that modern writers needed and for that reason it was one of the main focuses of modern
To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term
‘Modernism’ is derived from ‘modo’, a Latin word which means “just now”( Philosophy Basics. n.d.). Modernism, in its broad explanation includes the different movements related to art in the Europe, initiating from the end of the 19th century till the beginning of 20th century (Design History Mashup, Philip S. , 2008). These latest European movements developed to reject the conventional arts of the previous times. The public, who showed initial controversy to the new ideas, gradually acknowledged them. A major portion of these European movements and the public and political protests were
It is the new decade after the end of world war two and modernism is a well-established
Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.
"It was the sexologists… who were to define same-sex love, to give it a name. The term homosexuality was actually used for the first time in 1869 by Karl Maria Kertbeny, a German-Hungarian campaigner for the abolition of Prussia's laws that criminalized sexual relations between men. Homosexuality was not the only term that the late nineteenth century found to describe sexual relations between persons of the same sex. The term inversion was even more widely used. And in 1870, the German physician Karl Westphal invented the phrase "contrary sexual feeling," in detailing the history of a young lesbian. These expressions all had a
Both Modernism and Modernismo were movements around the turn of the 20th century which caused cultural upheaval and renovation in times where the society was, or needed to be, changing. Modernism took place throughout Europe and in the United States, while Modernismo was a Latin American movement. The two movements share several general characteristics, but were, without a doubt, two separate and distinct movements, and should not be confused. Therefore, it is useful to clarify the causes, characteristics, and effects of each movement, comparing their similarities and contrasting their differences.
The term Modernism, which refers to a literary movement must not be confused with Modern which refers to “being ahead of ones time or being ahead of ones contemporaries”