Reviving Tamburlaine Research Paper

Before the explosion, Tambora stood over 4000 m (13000 ft) high. Starting in 1812, 3 years before the huge eruption, the volcano started spewing steam and ash, and creating small tremors in the Earth. What people didn't know is what was coming next...

In April of 1815, the Tambora Volcano produced one of that largest volcanic eruptions of all time and caused mass devastation around the world. In the evening April 5, 1815 the Tambora Volcano, located on the north coast of Sumbawa Island, Indonesia erupted, killing tens of thousands of people as well as creating climatic aftermath that affected the world for years to come. The Tambora volcano eruption was one of the largest of all time, affecting the people around it, climate change, and art as well as the literature of the time. When looking into the 1815 eruption of the Tambora volcano the first thing a person should research is the effects it had on the people in surrounding areas.

Theater was expected to raise spirits of people, an escape from life. Musical theater brought the

Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

However, I believe that theatre is an entirely different beast, since the arts evolve like living beings. With theatre, training passes the line from beneficial to necessary. A quote I consider often, attributed to athlete Kevin Durant, is “hard works beats talent when talent fails to work hard”. There is such an immense, ridiculous amount of talent in the world that if you are not constantly pushing yourself to work harder and study new techniques, no matter how much talent you think you have, someone else will be ahead of you. Conversely, it’s a reminder that even if you think you don’t have much natural talent you can work as much as possible and surpass someone who does. A unique thing about theatre is that you don’t pause your training when you’re in a show- not only do you have to learn to act, you learn while acting as well. Anyone who’s ever been in a show can tell you that closing is a better quality performance than opening. Through the process of performing the show, you acquire new ways for your character to react, grow in complexity, and get engulfed in the story. There’s always room for improvement and change as an actor, and that’s something that has been true since the art form of theatre began, and will continue to be true forever. So many acting techniques have developed and changed just in the last century, such as the Method, the Uta Hagen, Viewpoints, Meisner, and more. Every one of these

After the Revolution the theatre changed to help people deal with what was going on in the world. “Many European playgoers, like their counterparts in Paris, also sensed that the older forms of comedy and tragedy could no longer accommodate what they were reading about in their newspapers” (Zarrilli, 247). To adjust to the changing events, Melodrama had much to offer their new audiences. .“ Melodrama elevated nature and intuition over reason as better guides to morality and possible utopia. “The first melodramas presented a traditional utopia of order and happiness was just around the corner if only the good people used their intuition to root out and banish the bad people from society” (Zarrilli, 247). There was a high demand for melodramas,

Plays take you to a new world and make you ask about life. They establish additional questions. These enduring questions are never-ending, but the amazingly make us think of our world in a newfangled, exciting, and intimidating way. Plays tell stories of the people of the past or people from the writer minds probably based off someone. Does social prejudice and expectations, cover up genius and innovation, but that shows how great these individualities and other people of advancement are that the genius shows through the prejudices and discrimination of the time.

During the dawn of the Second World War, a new era began for women across America. As men departed to fight the war, women were left to fill their void in the workplace. Familiar role models such as “Rosie the Riveter” radiated strength and know-how traits historically emphasized only in men. As woman’s role in society broadened, new visions of attractiveness developed to accommodate this unprecedented aspect of femininity. Raymond Chandler’s portrayal of women in The Big Sleep (1939) highlights these changes in social construction of female sexuality and appeal in the setting of a male dominated society.

“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”

The timeless, genius, iconic writer Shakespeare, still to this day has his stories and plays executed and performed. Throughout decades the writer's stories stand strong. Now for nearly five-hundred years, his work of tales and stories remain and are idolized. Shakespeare's many plays still are relevant even with how immensely the time has changed. Then again, today's time has evolved and grown very far from what William Shakespeare's knew in his life time. Many such topics such as, marriages and how our society views them. How theaters are meant to be, and how they are structured with rules. Our entertainment coming from actors and actresses, and how we respect them. And even how we see music and acting is our industry. Times have changed and spiraled into a very different direction.

Christopher Marlowe is known to be one of the best historical playwrights in his and even my time. Most of his works were in fact historically true. In his most famous play “Edward II,” he not only brought into question the corruption within the royal household, but also Edward II act of sodomy, which leads him to neglect his nation. Although Derek Jarman’s who is an English film director, artist, writer, and political activist, adopted Marlowe’s play and tried to convey to the audience the reason for Edwards II downfall, Rakshita Patel, a writer for “Vada Magazine” did not do the film justice in her review

The history of theatre in the 18th, 19th, and 20th centuries is one of the increasing commercialization of the art, accompanied by technological innovations, the introduction of serious critical review, expansion of the subject matters portrayed to include ordinary people, and an emphasis on more natural forms of acting. Theatre, which had been dominated by the church for centuries, and then by the tastes of monarchs for more than 200 years, became accessible to merchants, industrialists, and the less privileged and then the masses.

In an article titled, “Why Study History?” history professor Peter N. Stearns outlines numerous reasons as to why people should study history. One such reason is that to understand the present and predict the future, we must first learn about the past. Similarly, we must understand the history of theatre to be most effective as actors. Benedetti chronicled the history of theatre and introduced three different approaches to acting in an effective manner, which helped me start to formulate my own approach to acting.

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

“In roughly built playhouses and cobblestone inn yards, an extraordinary development took place in England in the 1500s.” (Yancey, 8). At that time, an opportunity combined to produce literature achievement never before witnessed in the history of drama and theater. The renaissance, helped spark this movement by inspiring scientific and artistic creativity throughout the land. Models began writing dramas that portrayed life in both realistic and imaginative ways. This created work later captured the attention of the world that changed the English drama. The many aspects of Elizabethan theater helped to shape the acting and theater world forever.