When Robert Frank published his photographic masterpiece, The Americans, his collection of images was met with widespread criticism. Challenging not only the documentary tradition and the aesthetic of photography, Frank’s blurry exposures uprooted the very fabric of America. Traveling the roads of the United States from 1955-1957, Frank took over 28,000 images, depicting every strata of American society, from the assembly line of Detroit, to the opulence of Hollywood. Overall, through the lens of Frank’s camera, the viewer is given a collection of images, which directly undermine popular understanding of 1950s America. In a mere eighty-three images, Robert Frank tells a story of renewal and rebirth, of struggles, and hope, and of the very nature of America.
Emerging from the Second World War, and amidst the Cold War, America during the 1950s, projected itself as a unified country seeking to be the forbearers of Western democracy. Saturating television, radio, newspapers, and magazines with images of suburban neighborhoods, wholesome families, and middle class success, society crafted a sense of conservativity, unity, and safety. However, as seen in Frank’s, The Americans, 1950s America was anywhere near the image it projected itself to be. Rather than supplying his audience with images of cookie cutter homes, doting mothers, and loving fathers, Frank floods the viewers minds, with stirring photographs of violence, alienation, and loneliness. “...he’s always taking
While political issues like these were slowly demoralising the soldiers fighting the war, the media were still telling a heavily rose-coloured version of the ‘truth’. When the television images were shown in America before 1968, the editors had policies about what to show: More specifically, there were guidelines that were designed to
In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.
In the duration of one year, 1968, the American national mood shifted from general confidence and optimism to chaotic confusion. Certainly the most turbulent twelve months of the post-WWII period and arguably one of the most disturbing episodes the country has endured since the Civil War, 1968 offers the world a glimpse into the tumultuous workings of a revolution. Although the entire epoch of the 1960's remains significant in US history, 1968 stands alone as the pivotal year of the decade; it was the moment when all of the nation's urges toward violence, sublimity, diversity, and disorder peaked to produce a transformation great enough to blanket an entire society. While some may superficially disagree, the evidence found in the Tet
The television gave much of the country something to do. It reflected the homogenization of the United States. People began to envision a futuristic nuclear world after the start of the Space Race between the United States and Russia to land on the moon. The United States launched Alan Shepard into space after the Soviets launched “Sputnik” in 1957 as we launched our first man in 1961. Meanwhile, computers were developed into large room size machines to do simple computations and made things portable. One of the characteristics of the mass media during the 1950’s, as the T.V., was that the sitcoms was directed to make viewers think about the idea of the perfect family living the American dream. The only problem with those T.V sitcoms was that not every American family fitted into that mold. For example, Jews, Hispanics, African-Americans, Asians, and other minorities were not portrayed as part of that image that most people wanted to imitate because these T.V. families were white-collar, middle class, and Caucasian.
During the post WWII period in America, the face of the nation changed greatly under the presidency of Truman and Eisenhower. America underwent another era of good feelings as they thought themselves undefeatable and superior over the rest of the world. Communism was the American enemy and American sought to rid the world of it. Because of the extreme paranoia caused by Communism, conformity became an ideal way to distinguish American Culture from the rest. Conformity became a part of every American Life to a large extent. It became evident through the medium of culture, society and politics throughout the era of the 50s.
Coontz analyses both the weakness and strengths of the period and takes a ‘sarcastic’ approach. She is able to indicate the ideal time for the Americans pointing positive outlooks such as education, birthrate, economic expansion, jobs, family oriented culture and social environment. Her weakness about the myth of the 1950s includes teen pregnancies, poverty, marital problems, discrimination, racial and gender inequalities. She attacks the political system who continues states the goods of the 1950s but the politicians have not created and advanced the ideals and optimism of the 1950s. She categorically attacks the perceptions of people saying the 1950s was good even though when compared to the freedoms and engagements of these days, the 1950s’ thinkers are misplaced. The following quote summarizes her perspective, “This confidence that almost everyone could look forward to a better future stands in sharp contrast to how most contemporary Americans feel, and it explains why a period which many people were much worse off than today sometimes still looks like a better period for families than our own” (p. 40). Based on the historical and available information, Coontz argument may suffice because currently, nobody thinks about the future since the economic and social challenges are immense. The optimism is absent while challenges of discrimination, prejudice are fading. Hence, the article cleverly covers the
During the years between 1920 and 1960, America saw change in many aspects of life. The United States was a part of two major wars and a crash of the banking system that crippled the economy greater than ever seen in this country’s history. Also the country had new insecurities to tackle such as immigration and poor treatment of workers. These events led to the change of America lives socially, economically, and politically. The people of America changed their ideas of what the country’s place in the world should be. The issues challenging America led the country to change from isolation to war, depression to prosperity, and social change. The threats to American way of life, foreign and domestic, were the changing forces to the
Terry H. Anderson The Sixties takes us back to that controversial decade where citizens not only believed change was important but demanded it to occur. The author beings his discussion on the Cold War era and how it seeded the growth of the sixties. The conventional and orthodox of the fifties was a vast improvement for many of the old-generation who lived through the great depression. The decade was referred to as “Happy Days,” however, it was only truly happy for white American males. The rest of the population was tired of the unfair treatment and the lack of national problems being addressed by the government. This anger was beginning to manifestation and would eventually take center stage in the era of the sixties.
While emotions were extremely high in the sense of angst for a better life, photography provided a new sense of reality to Americans and for others around the World. Photography all around the World is unlike anything else of its kind. People are able to tell stories and elicit emotions that bring the audience to that desired response. Throughout the 1930’s, photography from governmental institutions or advancements alone brought a new beginning to the end of a terrible time that Americans all around the nation
The 1950’s in the United States of America were characterized by a strong fear of communism, growing consumerism due to a healthy and fast growing postwar industry and the belief that the nuclear family is the heart of the American society. If we examine these three ideologies closer and oppose them to Stephanie Coontz opinion expressed in her essay “Leave It to Beaver and Ozzie and Harriet: American Families in the 1950s,”, we see that many myths existed about the 1950’s.
Elaine Tyler May's Homeward Bound weaves two traditional narratives of the fifties -- suburban domesticity and rampant anticommunism -- into one compelling historical argument. Aiming to ascertain why, unlike both their parents and children, postwar Americans turned to marriage and parenthood with such enthusiasm and commitment, May discovers that cold war ideology and the domestic revival [were] two sides of the same coin: postwar Americans' intense need to feel liberated from the past and secure in the future. (May, p. 5-6, 10) According to May, "domestic containment" was an outgrowth of the fears and aspirations unleashed after the war -- Within the home, potentially dangerous social forces of
During the 1950s, a sense of uniformity and conformity was prevalent in the American society, as the young and old alike followed the mainstreams norms rather than striking out on their own. The 1950s was a time of unprecedented wealth for many Americans. Many people enjoyed lives of comfort and convenience. By the end of the decade, however, some of the young people in America began to become dissatisfied with the dullness of their everyday lives. They started searching for something more meaningful.
The decade of the 1950s represents an era where life was balanced, simple, and innocent. A time in the American history where a high school education promised a comfortable living and where family values were presented to audiences through television shows. In the article, Coontz argues that the simplicity and innocence that the people who lived in this time period enjoyed came at a high price. Coontz claims that generally those who felt that the 1950s was the "best time for children to grow up" would show their dislike for the treatment of women. They also would add that they would not particularly enjoy living with the most "of the fathers they knew in their neighborhoods." She also points out the economic and social reasons why the 1950s is so appealing to quite a lot of people. There were lower divorce rates, federal economic expansion programs, corporate tax programs, and
The 1950’s were a decade of great change in various ways. For example the American minorities, the women, and other outspoken ethnic and other groups of society, decided to stand up and fight for their rights. The Great War had ended, and men were coming back home. As this happened the demand for economic homes increased, and families began having children due to the economical stability and prosperity in which the United States of America was amidst. The nationwide home demand gave birth to one of the most comfortable and affordable ways of living: The suburban home. These neighborhoods were planned for young middle-upper class families who wanted to have, or already had children. These families were living the
Although war has been portrayed as a uniting factor among much of suburban America during the 1960’s, the use of