Richard Wright's Life

In his autobiographical work, Black Boy, Richard Wright wrote about his battles with hunger, abuse, and racism in the south during the early 1900's. Wright was a gifted author with a passion for writing that refused to be squelched, even when he was a young boy. To convey his attitude toward the importance of language as a key to identity and social acceptance, Wright used rhetorical techniques such as rhetorical appeals and diction.

Michael Wright was in the World Trade Center on September 11, 2001 at 8:48 in the morning. He is an account executive. Wright was a thirty-year-old man who witnessed the crash at the tower. It was Tuesday morning when Wright and his coworkers felt an “earthquake” when they were inside the men’s room. He then opened the door and was surprised by the fire gushing into the building. From there he tried to evacuate and get to a safe place if possible. Wright’s information was reported in Esquire News “My Escape From the 81st Floor of the World Trade Center”. The following is a narrative of what Wright ‘s day on September 11, 2001 could have been. He was in a good mood when this tragic event happened.

The personal essay “A Visit to the Library” (1945), written by Richard Wright suggests that reading can change the way racism is interpreted and its connection to the personal life of the Negros in the south. Wright supports his theses by explaining and giving details about his experience with co-workers, a librarian, and other white men. Wright purpose was to let people know that reading was important in order to be able to help understand racism and why it is so frowned on in the south.

“Whenever my environment had failed to support or nourish me, I had clutched at books.” –Richard Wright, Black Boy. The author suffered and lived through an isolated society, where books were the only option for him to escape the reality of the world. Wright wrote this fictionalized book about his childhood and adulthood to portray the dark and cruel civilization and to illustrate the difficulties that blacks had, living in a world run by whites.

During the twentieth century, many African American writers wrote several texts that tell the story of their lives and experiences in the society that they had lived. This includes the author, Richard Wright who often wrote gruesome poems, criticisms of other African American writers, and short stories. Many of Wright’s text, like “Between Laughter and Tears,” “Between the World and Me,” and “The Library Card,” has challenged and reflected the brutal discrimination of African-American, socially, politically, and philosophically.

Wright was one of the first American writers to confront racism and discrimination (Fabre 102). Through the book Eight Men, which includes this story, Wright alienated impoverished black men who

Richard Wright was born after the Civil War but before the Civil Right Era. If he were writing an autobiography titled Black Boy today (2016) about a black boy growing up in the United States, he would write about racial profiling against African Americans, the wide education gap between black and white, and the unequal job opportunity for African American.

Undoubtedly, Richard Wright was a patient who was anything but stagnant. Almost every aspect of the youth was fickle, especially the world surrounding him. However, there was one significant feature of Richard that was not prone to transition: his frame of mind. After my first session with Richard, I perceived almost instantaneously that Richard was the sufferer of major depressive disorder. On the disposition spectrum, Richard lingered at the bottom with perpetual melancholy. His frame of mind was virtually static, with episodes of mania and normal mood few and far between. I took Richard under my wing with the sole intention of helping him contend with this monster of the human psyche. Let us review the progress Richard and I have made in that psychological strife.

2. The novel “Black Boy” by Richard Wright is structured into twenty chapters and two parts. Part one is about Richard Wright childhood and growing up in a difficult time where whites are cruel to all African Americans. Part two focuses more on Richard’s life as an adult and how he struggles to maintain a good job. The story starts from when he is a young child and to when he is an adult.

Richard was born, raised, and grew up in a difficult period of life. However, when Wright was sixteen, a short story of his was published in a Southern African American newspaper. After leaving high school, Wright worded a few odd jobs, but still showed his true love for writing. In 1927, Wright decided to pack up his belongings and head to Chicago. A short ten years later, Richard moved to New York City, where he was told it would be easier getting published. One year later, Wright’s first book was published. Since then, Wright has wrote a number of books, series and short stories until he died in 1960. With that being said, Richard Wright’s short stories, The Man Who Was Almost A Man and Big Boy Leaves Home were both written to show what coming with age and responsibility truly mean.

While in the Communist Party, Richard's writings began to have a direct influence on many people. He was a leading contributor to the magazine and newspapers -"Daily Worker" and "New Masses" which held very controversial beliefs for the time. His novels, Uncle Tom's Children (1938) and Native Son (1940) were written while he was in the party. Richard was one of a few black men in the Communist Party and it was because of him that many black American's began to look to the Communist Party. Because of a lack of results and his outspoken militancy, Wright broke away from the party in 1944. The essay, "The God that Failed", gives an oversight to why Richard disagreed with the Communist party. According to the Communist Party, Richard was not writing about what they wanted such as ways to come together and fight against others,he was reflecting the life of the black American and the Communists found this to have little importance to what they were trying to portray.

Richard Wright, wrote the fictional novel Native Son, using three intellectual forces, which include: Naturalism, Existentialism, and Communism. He uses these forces, along with racist ideology, to shape the life of a young black male, Bigger, living in the ‘Black Belt’ of Chicago in the 1940’s. Wright refers to the ‘Black Belt,’ as a ‘black world’ where violence is directed towards other American Americans, and warns that this violence will be aimed at white people. Bigger, is used to depict the criminal actions that come along with living in racial confinement under the fear of white people during this time.

no matter how hard Richard made their lives they still manage to keep their faith in Christ. And although, later on Aunt Addie and Grandma Wright give up on Richard, they still managed to keep their faith.

Since Richard exited his mother’s womb, he had to undergo bigotry and unseen detestation from white southerners because of his color (Hart 35). Starting his first day of life on September 4, 1908, Richard Wright overcame several impediments and later became one of the first famous African-American authors. The Wright family lived in Natchez, Mississippi, and his parents worked, during his toddler years. Nathaniel Wright, Richard’s father, was a sharecropper. He labored for the rich plantation owners, while Richard’s mother was a school teacher. (Shuman 1697)Because of the constant beatings, Wright was obedient to all types of authority but anxiety and distrust formed in his mind. Richard unintentionally set his grandparents’ house

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).