Robert Frost Tone

Frost’s various speaking tones can be shown in his well-known poem “Mending Wall.” Throughout the poem the speaker’s voice is open and relaxed, yet, inward and musing. It helps welcome the reader and at the time entices the reader into a riddle which becomes essential to the poem’s meaning. The speaker’s eventual speculation about what might not “love a wall” becomes a description of the struggle of wall-mending and begins to wonder why he and his neighbor have met to carry out the task in the first place. The speaker’s range of tone throughout the poem varies from seriousness to fantasy to glee.

Authors write poetry for many reasons including to prove a point, share life stories or to just make the reader think. Robert Frost is a great example of a poet influenced by his experiences. These influences show up in most of his poetry, but especially in “The Road Not Taken”, “Stopping by Woods On a Snowy Evening”, and “Birches”. Moving to the New England region the nature and people helped him become a poet of worldly fame.

Robert Frost is a pastoral poet. His love for rural life revealed in his work. He incorporates major themes: one's life choices, isolation, and nature in his works.

Frost uses several techniques in his poem, but perhaps the most significant is his use of the metaphor. First, he describes “Two roads diverged in a yellow wood” (1). The roads represent the different choices that people have to make in life and how there isn’t always one choice to be made. Each path is an important decision which he must make, so he has to choose carefully when examining each path. When he “looked down one as far as (he) could to where it bent in the undergrowth” (4-5), this represents him not being able to predict and see the future. The forest represents the unknown, and he cannot see or predict his unknown future. One may think that his choice

Can a cow be anything more than a cow, or a wall actually be something other than a wall? Robert Frost, who lived from 1874 to 1963 and was considered one of America’s most eminent poets, demonstrated metaphors frequently within his poems. Readers of Frost’s poetry are often faced with the question, “What is Robert Frost really trying to say?” It is without a shadow of doubt that the American poet had the capability of taking his poetry and turning it into something preternatural, but not without the help of metaphors. Frost elaborated the meaning of metaphor as, “Saying one thing and meaning another, saying one thing in terms of another….” Several pieces of his work provides images such as a cow, a flower, country roads, and a wall that serve as metaphors for larger ideas.

The poetic techniques were symbolism, imagery, and tone. Symbolism is the most powerfully used technique due to the fact a good number of lines located in this poem is used to signify a certain object or idea related to our life or today’s world. Imagery in the sense that you can visualize the path, the yellow wood, the undergrowth, the divergence; it is all made very vivid. Frost did this throughout; you know trying to stimulate the reader’s mood using one’s senses. In this poem, imagery permits the reader to imagine the scene that this poem takes place in resulting in an enhanced understanding of the theme. The tone Frost’s work presents is an insecure attitude which allows the theme to be brought out due to the fact the theme relates to a dilemma in one’s life. These techniques strongly aid in the revealing of this specific theme.

Frost also uses the trees in this poem to represent a way to get away from the cares and trials of life on Earth. He talks of getting away and coming back to start over as if climbing “towards heaven”. He desires to be free from it all, but then he says that he is afraid that the fates might misunderstand and take him away to never return. This is like most of us today. We want to go to Heaven, but we don’t want to die to get there.

Tone is generally conveyed through the choice of words or the viewpoint of a writer on a particular subject. It can make a poem sound sad, happy, mad, confused, or any feeling that you want to feel. In this poem “The Road Not Taken” has a tone of skepticism. He wants to choose a road but he’s wondering on which road would be best for him. Frost gives us a little insight on how he feels by the tone he set for this poem. In the stanza “And both that morning equally lay, In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back”, he shows how fascinated he is with these road that had not been taken yet. Poets have to use tone in order for us to know what they are

The mood in the poem seems a little dark and twisty. Since he is talking about the end of the world and his feelings after the major world war. The tone is serious because it is so dark as well as his thinking. The reader could tell these details because of the way Frost expressed his feelings.

In a poem known as Birches, Frost portrays an older man dreaming for a better life. He starts off with having this older man make his connection between realism and fantasy, setting the overall mood for this poem. The connection he makes is that he sees these trees have limbs that are bowed over and how that makes him think that a young boy has been swinging from those limbs. Although, he knows in reality that swinging will not cause that type of bend in a tree, but yet ice-storms do because of the build up from snow and ice on each limb. Frost then goes into detail about the surrounding area to create an image in the reader’s head, to set a scene, and to show how appreciative he is for the beauty of his surroundings. After the scene is set, he goes back into realism stating the real reason for the bending of the trees, which can have the reader make an insinuation that even with all the hardships faced in life, they have yet to give up, that they are still standing strong. Frost then has the old man shift back into fantasy where the old man states that he’d rather the trees have been bent from a little boys swinging amongst them. For he once was a swinger of trees and when the hardships of life become too much for he that he wishes to return to such. Frost also incorporate the use of religion in this particular poem, by having the old man state that he want to get away from earth for a while and then return to begin all over.

In this poem the first literary element that Frost uses is imagery. The use of imagery gives his readers a deep

Robert Frost used imagery throughout the poem. Starting off the poem Frost used the metaphor “Nature’s first green is gold.” The imagery in the poem illustrated the different states of nature. At the beginning of the poem, the author explained how nature was gold. Over time nature began to take its course and begin to change and the gold had begun to fade away. Which places a shift in the mood because nature isn’t as bright as it started off. Concluding the poem with the metaphor, “So

Frost uses personification by giving "Truth" human-like qualities such as interrupting the speaker. This personification alerts the reader that "Truth," or reality is a major part of the theme of this poem, by giving it

Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.