Roles Of Women In Homer's Odyssey

Throughout the epic poem “Odyssey” we see many great characters who all bring a different feel to the story. “Odyssey” is a story that has a male main character and many male side characters, but it also has several female characters found in it. Each one of these females have an important role within the story and it would not be the same without them. Athena, Penelope, and Eucycleia are a few examples of female characters.

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

      Circe and Calypso, while very tricky and sly, are still very strong feminine characters.  Circe takes Odysseus' crew and turns them into swine; when Odysseus is able to resist her spell, due to the Moly he had been given by Hermes, she is dismayed and takes him as her lover. She is mysterious and seductive and is strong even up against Odysseus.  Calypso is a sea nymph who keeps Odysseus captive for nine years, hoping to make him her husband.  She is a strong-willed temptress whose sultry ways are able to reel in even the most determined man.

The Odyssey, by Homer, was written with the Greek mindset that women were supposed to be submissive. If the woman in question was not submissive enough, she was depicted as cruel, selfish, a monster, or a whore. This is true for both mortal women, such as Penelope, and immortal goddesses, such as Calypso. Mortal women were expected to be good faithful wives who listened to everything the head of the household said, while goddesses were expected to follow the gods every order and were called sexist slurs if they ever got involved with a mortal man.

Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.

Does Homer exhibit gender bias in the Odyssey?  Is the nature of woman as depicted in the Odyssey in any way revealing? Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions.  One, differences in treatment reflect the underlying Homeric thesis that  women are "different but equal in nature,"  Two, different treatment  of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too. Three, the different treatment reflects simple ignorance. How much do we attribute what we discover to male authorship -- or

Another example of how the rules and expectations for women did not apply to men in The Odyssey is when Eumaeus, the loyal swine herdsman of Odysseus, recounts how he came to Ithaca as a captive of a slave woman, Phoinikia. This woman was seduced by a roaming seafarer who, '…made such love to her as women in their frailty are confused by, even the best of them.'; The god Artemis later kills Phoinikia for her 'treachery.';

Penelope: In the opening chapters of The Odyssey Penelope is angry, frustrated, and helpless. She misses her husband, Odysseus. She worries about the safety of her son, Telemakhos. Her house is overrun with arrogant men who are making love to her servants and eating her out of house and home, all the while saying that they are courting her. She doesn't want to marry any of them, and their rude behavior can hardly be called proper courtship. She has wealth and position; she has beauty and intelligence; most of all she has loyalty to her husband. But against this corrupt horde who gather in her courtyard shooting dice, throwing the discus, killing her husband's cattle for their feasts, and drinking his wine, she is powerless.

The next and less benevolent role is that of the seductress. Two stories about such women referred to in The Odyssey are those of the half-sisters Helen and Klytaimnestra. The entire Trojan War was caused by Helen's unfaithfulness to Menelaos; her affair caused many deaths and Odysseus would not have had to leave home if she had not run away with Paris. The other sister also caused pain and suffering by having an affair and then killing her husband, Agamemnon, with her lover on his homecoming day. The seductress is always looked upon as dangerous and harmful to mankind. The Seirenes symbolize this role; their song seduces and compels anyone listening to linger until death. Kirke tries to seduce Odysseus before she helps him, and the beautiful Kalypso entices him with sex and immortality and will not release him to go home. It is the hero's job to resist the temptation of the seductress or it will lead to his downfall.

Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the

The Odyssey includes many women characters, differing from strong, powerful women to women that don’t have a meaningful role in the story. Some women in the story include Penelope, Athena, and Leucothea. These women play a role in Odysseus’s journey and life.

Women are portrayed as seductresses. Odysseus and his crew arrive on the island of Circe, lured in by the sound of her voice. Homer describes her as "Low she sang/ in her beguiling voice,

Ravana kept Sita despite the warnings he received and the lust he felt for her and his belief that he needed her was his downfall (Ramayana, Bk 6, 485). Even when his family died as a result of his actions, he saw Sita as the one who ruined his life instead of his actions being the cause of their death (Ramayana, Bk 6, 467). Another example of his stubbornness was how he knew he was going to be destroyed by Rama, as he was warned several times previously, but his pride was wounded and he was seeking revenge. Rama gave him a chance to recover during their battle ((Ramayana, Bk 6, 419), but instead of taking advantage of that opportunity and fleeing, he shot down Laksmana (Ramayana, Bk 5, 473) in hopes that would deter Rama, but it gave Rama a greater reason to fight as he wanted revenge for his

In the history of Indian and Sanskrit writing, Ramayana shines bright. Ramayana mirrors the Indian society and in addition the perfect quality within human instinct. Our customary Ramayana begins with the visit of Narada to Valmiki's ashrama and describes him about Rama and his trip. Through Valmiki, we came to think about Rama the avatar of God and his life as a human.

suppressed them. So women told that if Sita (the main woman character of Ramayana) dies, pain will dissolve”