Roman Gods Were Known For Their Outrageous Behavior

Many historical and mythological accounts of Graeco-Roman history in the classical period, involved tales of magic, worship of the gods, and emphasised the value society placed on devotion to religion. These societal beliefs and practices became evident in the literature of Greek and Roman societies, where its use, reach, and consequences was illustrated. In the only surviving Roman novel of the 2nd century AD, Apuleius’ Metamorphoses, readers encounter a Greek nobleman, named Lucius, whose insatiable curiosity leads him to explore magic. His over-enthusiasm to intimately experience and learn about magic, accidentally causes his transformation into an ass, causing him to be subjected to a range of vulgar, exploitive, and lustful debaucheries on his path to become human again.

In Ancient Rome, there were an abundant amount of myths that involved the gods and the religions of the Romans. These myths told stories of the gods’ interactions with the humans, which the Romans took seriously. Some examples of these myths were the story of Aeneas and his eventual role in the Trojan War in The Aeneid and the story of Lucius and his transformation into an ass in The Golden Ass. An important text that involved many myths is Metamorphoses, written by Ovid. This epic involved many stories of different gods and different humans and their interactions. The main theme in this epic is the theme of change and transformation, which is the center of most of the myths that are told in the epic. One myth that is significant is of the

It has been known that the Romans and the Greeks have had many interactions with each other, whether it would be due to trading or just plain traveling, the stories of their myths have crossed each other in one way or another. This is may be the reason why there are many similarities between Greek and Roman Mythology. Even though a Greek god or goddess may have a different name in Roman Mythology they still performed similar tasks and were worshiped for similar reasons. I will compare and contrast Greek gods with their Roman equivalences to see how similar they truly are to each other. Probably the most famous Greek god, Zeus, was the god of all gods. Born to Cronus and Rhea, he was the ruler of the sky, and had

Greek and Roman mythology is well know. The people of that time period were passionate about the gods and did everything in their power to please them. Like most religions the goal is be like one of the gods in order to achieve good fortune or to gain everlasting life. One of the most interesting characteristics about the Greek and Roman Gods is how the gods are not perfect in that they make the same mistakes that the average human would make. These characteristics were put into place to allow ancient Greeks and Romans to effectively relate to the gods making them more believable. This is unlike other religions where the god(s) are shown as the all perfect character making no mistakes. These characteristics relate back to the family and

As Hephaestus is notified of Thetis’ arrival, he explores what their relationship has meant to him. Hephaestus recalls that “Thetis saved my life when the mortal pain came on me after my great fall…” (P. 480) After Hephaestus falls out of Zeus’ good graces, Thetis is able to lend her helping hand, displaying the hierarchical dynamic between the gods. The gods are indebted to each other, the likely reason that Hephaestus felt as though he needed to make Thetis the ornate shield. The duty and obligation to each other fuels the mutualistic relationships between the gods. Thetis’ motivation to help Hephaestus was not solely out of kindness; rather Thetis saw the opportunity to make a strategic move and put Hephaestus in her debt, knowing that she very well could use his services in her future. Hephaestus describes the pain that he felt as “mortal pain” signifying a distinction between the discomforts and vulnerability of mortals and gods.

In Greco-Roman Culture, humans imagine the deities of mythology to be and act certain ways, due to the needs they must fill. People invented certain deities for reasons that align with what they needed from them. To examine how a deity has a certain purpose, one must first examine what they are like. Athena and Ares are examples of deities invented for very specific purposes. One must first look at Athena and Ares’ similarities and differences in relation to their characteristics, their sexuality and physical appearances, as well as their different powers and how they are worshipped, to discover why they were created.

The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.

The definition of arrogance is overbearing pride. I see arrogance almost everywhere I go: the store, church, school, and on the street. Arrogance could be disguised as self reliance, but you need to be able to know when you need help, and be able to accept it. Those who do not accept help and are too arrogant, which is a sin. Many of the Greek myths, some of my family members, and myself sometimes have arrogance.

The Greek and Roman societies were a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the many pieces of literature involving Greeks and Romans we will see that the roles women portrayed are very different from women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the qualities of Greek and Roman female gods and looking at the roles women play in the myths.

In Ovid Metamorphoses, the Roman literature described the ruthless act of Pluto of rape, to seize and carry away Proserpine without the consent of Ceres and in parallel in the Homeric Hymns of Demeter; Persephone was seized and carried away by Hades without the consent of Demeter. The invariant theme that was identified in both the Greek and Roman literature was the loss of innocence of Persephone/Proserpine. Despite the various differences the story was presented, it reinforced the innocence that was stolen from the god of the underworld, Hades or also known as Pluto. Throughout this paper, it will discuss the similar characteristics of the two myths such as the motive that led and encouraged the god of the underworld to kidnap

“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of

Greco-Roman mythology is rich in names, characters, and events. Dozens of gods, goddesses, and mortal women and men participate in a variety of activities that reflect or exemplify behaviors and power relations in Greek and Roman societies. A wealth of literature was written about the relationships between mortals and immortals in Greco-Roman mythology. Much was written and said about the place humans occupy in the complex mythical hierarchies. However, the role and place of women remain the topic of the hot literary debate. In Greco-Roman mythology, the image of woman is always

The sculpture Apollo and Daphne, created by Gian Lorenzo Bernini, is based off a story from Book 1 of Ovid's Metamorphoses. It is a portrayal of when Daphne is turned into a tree when trying to escape Apollo after they were both shot with an arrow by Eros. The sculpture is a powerful visual of Daphne and Apollo’s emotions as Daphne was captured by him. To evaluate the photo further I will discuss the feeling of empathy the sculpture made me feel and two connections the sculpture has to Ovid’s story.

While Gian Lorenzo Bernini’s sculpture “Apollo and Daphne” depicts a Romanian story of forbidden love, Ron Mueck’s “Two Women” portray two elderly women hyper-realistically. By analysing the meaning behind the two sculptures, evidence is given that the two artists had different intentions for their work. The story “Apollo and Daphne” is from a roman poem named “Metamorphoses” by a man named Ovid. In the story, Apollo is hit by a magical arrow from a god of

Both Homeric hymns to Apollo and Aphrodite feature classic mythology that explains various situations between the god and goddess and the mortals. In particular how each god and goddess elude mortals into behavior that both favors each party and has negative consequences. Apollo and Aphrodite have similarities and differences in which they manipulate the humans in the stories that lead to very different outcomes. A similarity between the manipulation on Apollo’s and Aphrodite’s part is that they each have a clear motive before their actions begin and some differences are that they have very different intentions and methods of the manipulation.