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Romeo And Juliet : Adulthood, Power, And The Lack Thereof

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Romeo + Juliet: Adulthood, Power, and the Lack Thereof When picking a scene to analyze in Shakespeare’s Romeo and Juliet, it is easy to go straight to the temptingly classic and romantic balcony scene. Especially in the case of Baz Luhrmann’s film adaptation Romeo + Juliet, the director gives viewers plenty to talk about with his innovative staging that puts Romeo and Juliet on the same level. However, a more brief scene that gives way to important insight about the film is Romeo and Juliet’s wedding. In Shakespeare’s play the audience does not actually witness the wedding, so Luhrmann had total creative freedom in what he wanted this scene to look like. When the two young lovers finally reach the end of the aisle together, they quickly evoke the image of children playing dress up. Romeo’s suit is old-fashioned and too big for him, as if he borrowed it from his father’s closet. Juliet wears a 1950’s style halter dress, hanging on her like a costume. Her hair is messily pulled into an updo with strands hanging down by her face, making her look like a kid who has tried to do a fancy new hairdo but does not quite know how and could probably use a haircut besides that. Attire aside, Romeo and Juliet just have very young-looking faces. The actors portraying them, Leonardo DiCaprio and Claire Danes, are ages 21 and 17 and you can tell by their bright faces and softened features that they are still quite young to be getting married (Rolling Stone). Their clothes and faces combined

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