I believe that Baz Luhrmann has created a very effective prologue and version of Act 1 Scene 1 of Shakespeare's Romeo and Juliet, using visual images and landmarks along with the language to aid the audience in understanding the story. Using the media throughout, Luhrmann makes the situations easier for the audience to grasp, and in turn, relate to. The film begins with the camera zooming in on a television. The prologue is spoken by a black female news reporter. Using a coloured female reporter is effective as it shows how universally important the story is. This indicates the importance of the Montagues and the Capulets for their frays and fights to shown on national television. Using the media makes the situation seem more real, …show more content…
All of this suggests their apparent immaturity, and fun attitude. The Montague boys pull into Phoenix petrol station. The name Phoenix is significant as it shows that often good things are born from the ashes, in this case, Romeo and Juliet's love for each other, and an end to all the fighting. As they pull in, there is a clear shot of the cars' number plate, which reads Mon 005'. The Capulets then pull into the petrol station, in a more suave, sophisticated car; however they have a matching number plate, this time reading Cap 005'. This again shows competition between the two families. One of the Montague boys climbs out of the car, and shows a sexual attitude towards some nuns. This indicates that they have little respect for people. The Montague has a black eye, which shows that he has been in a recent fight, most probably with a Capulet. Abra and Tybalt then step out of their car. Immediately there is an obvious difference in the two families, and their attitudes. The Capulets are more sophisticated, whereas the Montagues are immature and up for anything. As soon as the Montagues spot the Capulets, there is tension between them. This indicates how much hatred has built up in the rift between the two families. Abra looks towards the Montagues in a threatening way. The Montagues are quick to respond, and bite their thumbs at the Capulets, a gesture that was
In Act 1, scene 1, lines 68-69 You can imagine the intensity of the feud when Shakespeare writes, “clubs, bills and partisans! Strike! Beat them down! Down with the Capulets! Down with the Montagues.”
In the beginning of the story, the Montagues and Capulets break out fighting in the middle of the street and they are told to stop their fighting or the punishment will be death. Soon after the fight, Capulet
The Hostility Between the 'Montagues' and the 'Capulets' in Romeo and Juliet by Shakespeare William Shakespeare’s play ‘Romeo and Juliet has a major theme of conflict. The main conflict in the play is the feud between the two wealthy families: the ‘Montagues’ and the ‘Capulets’. Shakespeare does not state the reason for the hostility between the two families. Shakespeare may have done this to indicate how long the feud has been going for. Shakespeare creates conflicts between characters in the play.
In the play Romeo and Juliet, the parents expect hatred between both families. Growing up, the Montagues were always taught to hate the Capulets and the Capulets were always taught to hate the Montagues. The kids were always told that the other family is a bad family and that they would never
The movie heads straight into the Montagues and Capulets unexpectedly meeting each other at a petrol station. Before the fight begins the Montagues pull
The play starts with Sampson and Gregory, two of Capulet’s servants, beginning a quarrel with two servants of Montague. This shows that from the working-class to the upper-class in the two families, they still hold a grudge against the opposite family. Tybalt arrives at the scene, speaking of his loathing of the Montagues, “I hate hell, all Montagues, and thee”. A furious riot develops with Lords Capulet and Montague joining in and officers clubbing both sides of the fight, only for it to be stopped by the neutral Prince Escales. The riot further emphasises the vast level of hate between the two families.
To relate to a modern audience further, Lurhmann shows the families as gangs. When you see the Montague boys driving in their car they are all dressed the same and acting the same. You then come across the Capulet’s who again are dressed the same and acting the same. Both gangs meet up in the petrol stations and start having a fight. The fight resembles gang warfare in the modern society. By showing the families as gangs, Lurhmann can relate to the younger modern audience even more because they understand the hatred between two gangs in a big city and how if they meet up, there is always a fight.
In William Shakespeare’s play Romeo and Juliet, about two love struck teenagers whom aren’t able to be together due to their families feud/ social situation. There are two key themes that of love and hate. Before Romeo and Juliet meet, the audience is only aware that he is a Montague and that she is a Capulet. This adds to the scene being so dramatically effective as do other happenings throughout the length of the scene. These include the speech of Capulet and the happy and joyous mood of the party, The romantic speech of Romeo, The hatred and harshness of Tybalt’s speech, a direct contrast with that of Romeo’s and the drama when the two lovers, Romeo and Juliet first meet.
When Juliet says, “O Romeo, Romeo, wherefore art thou Romeo? / Deny thy father and refuse they name, / Or if thou wilt not, be but sworn my love, / And I’ll no longer be a Capulet” (2.2.36-39), this displays the feuding hate between the two families, Montague, and Capulet. In William Shakespeare’s play, Romeo and Juliet, Ignorance and hate play a significant role. Without these two main aspects, the tragedies, would have not occurred. Three characters, Capulet, Lady Capulet, and Tybalt are directly and indirectly accountable for the deaths of Romeo, and Juliet. Capulet, is the father of Juliet, in which arranges her to marry Paris. Juliet does not like this, thus, caused dispute between both of them. Capulet displayed a very demanding character, being strict on rules. Lady Capulet, is of course the mother of Juliet, but started the whole topic of marriage at the beginning of the play. This was comparable to when Romeo liked Rosaline, but did not get the love back, as for now, Paris loved Juliet, however Juliet did not return the love back. Tybalt, is a member of the opposite family, the Montagues, in other words, the family hated by the Capulets. Tybalt also plays a character of hatred, as he kills Mercutio, first causing a fight, in who Romeo, liked very much, initiating trouble in the end. When this occurred Romeo said, “Why then, O brawling love, O loving hate, / O anything of nothing first create! / O heavy lightness, serious vanity, / Misshapen chaos of wee-seeming
difficulty that the Capulets and Montagues would not have to face were they not so
6. What do Lord Montague and Lord Capulet o at the end of the play?
The audience sees this in Act I, Scene I when Gregory and Sampson pick a fight with the Montague servants, Abram and Balthasar, which eventually turns into a nasty brawl with Benvolio, Tybalt, and the citizens of Verona. The absolute insanity of the feud is shown when both old men join the fray and Capulet asks for his sword. Lady Capulet says, “A crutch, a crutch! Why call you for a sword?” This means that even though Lord Capulet is old, his everlasting hatred for the Montagues is still burning
Within the play, Romeo, a young Montague boy, and Juliet, a youthful Capulet, meet at a party thrown by the Capulets. The two quickly fall in love, only finding out later that each belonged to a family that has been despised by their own family for years. Nonetheless, the two lovers continue to see each other after the party, and within the span of a day they have decided they want to get married. But for this to work, they both know
3. When Montague and Capulet enter and see the disturbance, they want to fight, too. What do
To begin with, both Capulet and Montague have problems in their parental styles. They should have resolved the