I’ve only heard the name Sally Mann a couple of times, and when I searched her up more I found myself liking her works because of the controversial themes and morbid imagery, not to mention I am a fan of black and white photography. I delved deep into her photos, one of her works titled “Candy Cigarette” soon being my favorite. After again looking into her works a new piece has caught my eye, it being from her “Immediate Family” photobook collection. At first, I liked the photo because the soft contrast
adult early in life. While other kids could only think of what to play, I was thinking on how to help the economic situation of the family. Through much pondering I became a realist, staining myself black with the knowledge and worries of adults. Sally Mann's “candy cigarette” through its symbolism, setting, and characters shows just how someone who tries to grow up too fast can get left behind by others. Trading their childhood for just a glimpse at an adult life. Many like I, later in life realize
Art is subjective and everyone has a different perspective on different works of art. Because of this, ethics, morality, and aesthetic value in art are all also subjective to the individual. While some may look at a piece of art like Piss Christ by Andres Serrano and see a claim of religion’s lunacy, others saw it as a portrayal of how we have constrained Jesus and limited his power. In “Painting and Ethics”, A. W. Eaton points out that paintings are valuable in many ways. They can have “economic
1989” is one of the most iconic photographs of the 20th century. Showing a minor girl staring directly into the camera, while cigarette in hand mirroring of adult actions within the innocence and youth of children. Although there might be diverse analysis related to the picture, my interpretation is either she promotes a message to the people to turn away from the path used by most and find their own way, or stay in the same path which is considered a good path and has been used by all successful
Overview Winogrand took photos of everything he saw; he always carried a camera or two, loaded and prepared to go. He sought after to make his photographs more interesting than no matter what he photographed. Contrasting many well-known photographers, he never knew what his photographs would be like he photographed in order to see what the things that interested him looked like as photographs. His photographs resemble snapshots; street scenes, parties, the zoo. A critical artistic difference between
has been intertwined in Canada’s social, legal, and political system for over half a decade, with the issue really gaining traction in the 1960’s as policing began more heavily enforcing the law on marijuana (Fischer, Ialomiteanu, Russell, Rehm, & Mann, 2016). Currently, approximately 10-12% of Canadian adults partake in the use of marijuana, with the percentage increasing for adolescents, of whom 25-30% report use (Fischer et al., 2016; Health Canada 2014; Ialomiteanu et al. 2014). Similar numbers
Enabling strategies enact academic integrity policy. Without long-term, sustainable and practical support resources, a policy will not be enacted, no matter how well it is articulated. The cases in this resource cover a range of academic integrity issues in Australian universities with application for a wider audience. These case studies have been developed by the Academic Integrity Standards Project. “…I suspect that every senior manager needs to have some training in the issue of academic
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Introduction Aditya Birla Group: Aditya Birla group is a US $41 billion multi-billion conglomerate; headquarter in Worli, Mumbai, India. It is third largest Indian private sector conglomerate after Tata group and reliance group. It is having an employee force over 120000, belonging to 42 nationalities, over 50% of its revenue comes from overseas and it operates in about 36 countries. The group has interest in sectors like viscose staple fibre, metals, cement, viscose filament yarn, branded apparel