San Diego Museum Essay

When I visited the Orange County Museum of Art (OCMA), I was mesmerized by the beautiful sculptures, paintings, and many other works of art. This museum introduces many different exhibitions at different times and dates. The exhibition that I chose to visit is called the “Sandow Birk: American Qur’an”. The reason why I was very interested in this type of exhibition was because it displayed Middle Eastern artwork. Another reason was because I am Middle Eastern and that I can relate to it. Although I was so focused on this exhibition only, I did not realize the other works of art. However, as I walked deeper into the museum, another exhibition caught my attention. That exhibition is called the “Olga Lah: Amass and Swell”. If anyone decides to visit the Orange County Museum of Art (OCMA), I would recommend to look online about any appealing exhibitions that are being displayed as well as calling their office to plan a visit. Furthermore, in my opinion, there were some types of art that I did not fully analyze because they were not relatively fascinating as the rest. Moreover, the artworks that I examined displayed unique qualities and their messages were demonstrated in a significant, yet informative way.

The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks

I drew inspiration from the creative indigenous cultures and the drama of the scenery. I painted many impressionist works of art during our travels. On our journey back we traveled through Santa Fe. On this journey I made contact with the artist community within the Museum of Mexico.

For this museum paper, I went to the Heritage of the Americas Museum at Cuyamaca College. The Heritage of the Americas Museum is a cultural and educational facility featuring the prehistoric and historic art, culture and natural history of the Americas; North, South and Central America. Even though this museum is specializes in housing early inhabitants of the Americas art and artifacts, they do posses some non-western pieces, specifically Chinese, which coincidentally became my favorite item out of all the exhibits and is what I chose to do my research on for this paper. But before I getting into one specific piece out of literally hundreds, I want to rewind back and discuss the Museum’s as a whole, and why I chose this one in particular instead

Diego’s love of art started when he was just 4 years old. His parents always bought him colored pencils and pens, which he would draw all over the walls and furniture. By the time he was 9, he had made his decision that he wanted to be a professional artist. His mother enrolled him into art classes at the

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

I went to LACMA, Los Angeles Country Museum of Art with my eldest sister and my little three-year-old sister. Since we went with a toddler I wasn’t able to see all the exhibits and galleries due to my little sister being impatient and having an impulse of wanting to touch everything. The first exhibit we looked at was the Art of The Pacific that their art goes back to the 18th century from Hawaiian, Polynesian, and Melanesia. They have different objects that were used for example; they had a stool, feeding funnel and a female figure. The stool was used for cooking and made out of wood and fiber. The feeding funnel comes from New Zealand and the Mahaki tribes of it are made out of wood and Haliotis shell. The layout for this exhibit was simple

Since several tens of thousands of years ago, human beings have created art. From the simplest of cave paintings to the most advanced compositions of today, artwork has transformed. As time went on, the development of technology and techniques has allowed artists to express themselves to the viewer. This paper will analyze excerpts from Dr. James Cahill’s book, Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, and Dr. Kathryn Liscomb’s article, “The Power of Quiet Sitting at Night: Shen Zhou’s (1427-1509) Night Vigil.”

At the Detroit Institute of Arts, Mexican artist Diego Rivera murals are displayed all over the walls. His brilliance and talent is captured on the east wall of the gallery, where five separate photos hang for all eyes to view. The wall is filled with bright and beautiful photos sharing a unique special story. In the top left and right corner of the east wall, heavier women with big round eyes, sit in the nude with their arms filled with grain and fruits. While in the middle of the wall is a long rectangle painting of a small white baby nestled and cradled in the centre of a plant, being surrounded by two plowshares. Diego Rivera paintings represent beginnings and new life. In addition the sunrise shines on the east wall to help show his

The space between sections, the gallery provides, allows viewers time to reflect on Aguilar’s three sections of the exhibition. He captures his extended California Indian family in a romanticized and melodramatic light. There is unity, the feeling of harmony, between all parts of Agular’s way of honoring his California Indian community. When walking from left to back, the first series is titled, From the Heart of California Native Existence. Aguilar illustrates how he blends ancestral manners and beliefs into today’s California Indian People with black and white portraits of veterans and a buck. The following area is named, Ancestral Design with Nature as the Medium narrates the art of basket weaving. Lastly, In Song and Dance We Embody the Dreams of Our Ancestors honors the Native American Indians in the photographs. Their community is withstanding strong, along with ceremonial

I chose to virtually re-explore the McNay Art Museum which has been a part of history here in San Antonio as an endowment of founder Marion Koogler McNay. The McNay was noted as being the first museum of modern art in Texas. From the first modern oil painting, Diego Rivera’s Delfina Flores to over 20,000 works, the museum wide collection contained art from of the 19th- and 20th-century European and American paintings, as well as Southwest art from New Mexico.. The historic building designed by San Antonian architects Atlee and Robert Ayres, the 24-room Spanish Colonial-Revival has been updated to over 45,000 square feet gallery space for major exhibitions, a sculpture gallery and garden,

The exhibition that I viewed at the San Antonio Art Museum was called “28 Chinese”. This exhibit was based on the artwork of 28 contemporary Chinese artists. Throughout the exhibit, it was discussing the fall of communism, poverty, the essence of time, resistance, rebellion and the conservation of history. Some of the artwork I saw were created by Zhu Jinshi, Qiu Zhijie, Zhang Huan, and Shang Yixin, just to name a few. The exhibit was on two floors of the museum. When I first entered the exhibit, it led me to a big white room with art being displayed on all walls. The first room was based on the Coca Cola project in which there was a tall case of Coca Cola bottles being displayed right when you walk in. To the right was a clear box that held burnt down Coca Cola bottles. These items being displayed made me want to read about the project since it was a familiar company that most people know. Some of the other rooms were structured differently. Some had sculptures, audio visuals, interactive pieces and others had modified furniture but every piece of art had a description next to it which told who the artist was as well as the meaning of the art itself. The materials used for some of the art works included wood, bamboo, and rice paper. The second floor to the exhibit is mostly abstract art work. The overall theme of this was to express their preservation of Chinese culture being good and bad aspects through art.

Last week I visited the George Caleb Bingham Gallery to see an artist’s work. Her name was Mary Margaret Sandbothe and her collection of art was at the MFA Thesis Exhibition. Now, I am not one for looking at art and being able to interpret it easily, but when I arrived to see her work I was pleasantly surprised. I was in awe of artwork at first glance.

I visited the Museum of Latin American Art, which was founded in 1996 in Long Beach California, which expands the knowledge and appreciation for modern and contemporary Latin American art through its collections, exhibitions, educational programs, and engaging cultural events. It had a sculpture garden and expanded its permanent collection, from the works by Tamayo and Matta to Cruz- Diez, Los Carpinteros, and Tunga.

The field of art history, like any discipline, is a wide and varied area of study. There are seemingly thousands of ways to interpret works of art and their places in history. Each has their own pros and cons and can greatly help to understand art and art-objects. In this semester’s Introduction to Art History course, we learned three different approaches art historians take when interpreting works of art: an object-oriented view, an artist-centered view, and an approach through medium. These approaches generally fall within one of two categories. The approaches through object and medium focus on readily apparent cues and symbols in the art object being studied. These approaches rely less on a study of history and more on visual evidence. The