Sandra Cisneros Four Skinny Trees

In "My Name, "She looked out the window her whole life, they way so many women sit, with their sadness on an elbow". Abuse to Rafaela, again subtle because she does not go out, in fear of husband. Poverty on Loomis, Keeler and Paulina; poverty is a way of life. The impact is for all generations, the parents who cannot get out, the children that see it and the little ones who cannot know any better. The opportunities are limited in the barrio. Esperanza was embarrassed when she pointed to her house "there". "There?", as if there was no place for a girl to live. But survival is instinctive and there is a certain amount of barrio pride "Those who don't know any better come into our neighborhood scared. They think we are dangerous. They think we will attack them with shiny knives. They are stupid people who are lost and got here by mistake." The victim of being called a "rice sandwich". Hurt by the sister superior as she points to a row of ugly houses reminding Esperanza of the sin of being poor.

Esperanza is new to the neighborhood, and was never proud of her previous houses, but the negative intonation that the nun uses on her makes her feel like she is being judged, not on who she is, but what her family can afford. There is the place Esperanza now has to call home and the degrading presumption that the neighborhood already has causes her to accept that she can’t change her image without money and let her personality shine through. She seems to accept her label as poor in the story, “A Rice Sandwich”, where she believes the special, also known as rich, kids get to eat in the canteen and she wants to be part of that narrative, so she begs her mother for three days, to write her a note to allow her eat in the canteen. When she couldn’t endure her daughter’s nagging anymore, she complied. Thinking this would be enough affirmation, Esperanza went to school the next with the note and stood in the line with the other kids. She wasn’t recognized by the nun who checks the list, and has to face Sister Superior, who claims that she doesn’t live far enough to stay at school and asks Esperanza to show where her house is. “That one? She said, pointing to a row of ugly three -flats, the ones even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that wasn’t my house,”(45). Esperanza was compared to the most raggedy men, and had to accept

Ever since that faithful day they moved onto Mango Street, Esperanza has always wanted more. At a young age, she recalls moving quite a bit, and never finding a place that screams home. Her new house on Mango Street is an improvement, yet it doesn’t satisfy her. It is small and red, with tiny windows, crumbling bricks, and everyone in her family has to share a bedroom. Esperanza remembers when a nun drove by her old home on Loomis and said “You live there”, in a quite disgusted manner. She recalls feeling sheepish, as she looked up at her raggedy house and longed for it to just vanish. At this point, Esperanza wrote

Thesis statement: Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their power to overcome them.

To begin, Cisneros uses metaphors of classism to express Espernaza’s views of classism and how it causes those of a lower class to be devalued. Throughout the novel, Esperanza dreams of moving into a new house, a house on the hill because “people who live on hills sleep so close to the stars that they forget about [those] who live on earth” (86). The house on the hill is a metaphor for those who are higher up in the social class. Those who live on the hills live their live their entire lives so easily and “[do not] look down at all except to be content to live on the hills” (86). Esperanza critiques that the higher class are happy with their own lives and ignorant to their privilege, therefore, they do not care about the less fortunate. This metaphor of

The vignette “Beautiful and Cruel,” conveys the impact it has on Esperanza. In this vignette, Esperanza feels that she is “an ugly daughter” and “the one nobody cares about” (Cisneros 88). She does not need, or want, a man to lead her life, unlike the women she knows. She does not need, or want, a man to make decisions for her. Unfortunately, she still feels the pressure to look gorgeous and stunning: “Nenny has pretty eyes and it’s easier to talk that way

Esperanza has become more ashamed of her home because of the way the nun that

Esperanza is forever marked by the house and neighborhood she lives in. She wants to be like other kids who are allowed to eat their lunch at school instead of having to go home everyday. These students live father from the school than she does. Esperanza assumes these children live in better houses and neighborhoods. She is embarrassed by her house and angry that she must be identified by it. As said by Sister Superior, “I bet I can see your house from my window. Which one? Come here. Which one is your house?” The sister points to an ugly row of houses in the general direction of Esperanzas address.

In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became

This relates to the theme of the struggle for self definition, because at first Esperanza was under the impression she could change a man, but as she’s exposed to these horrible encounters she comes to the conclusion that boys and girls live in different worlds.

In Sandra Cisneros’s The House on Mango Street, Esperanza’s main goal is to one day have a house of her own that she can be proud of. Of course this is many people’s dream, but for Esperanza it means everything. It’s such a big deal to her because she’s ashamed of where she lives now, so she wants something better for herself in the future. While shame plays such a major role in the novel, this theme has received little attention from critics. Many critics focus mainly on how literacy and writing help Esperanza to find herself and to help her with her problems. In fact,

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

In the beginning of the introduction, Cisneros describes what she was like when she was a young. Cisneros writes, “As a girl, she dreamed of having a silent home, just to herself…” (Cisneros xii). This desire is reflected through Esperanza, the narrator, in the

Esperanza is not like the other girls on Mango Street. She believes that she is an ugly daughter and that her physical appearance will keep her trapped at home forever. She thinks

In the chapter, The House on Mango Street, Esperanza has a very negative and unsatisfied outlook on her life, mainly centered around her house. She wishes and dreams for a life in which she can live without feeling ashamed or embarrassed about what neighborhood her house was in. Her parents told her “ For the time being… (and) temporary“ (5) when they moved into the shabby and crowded house on Mango Street. Esperanza has grown accustomed to a life where she has been let down and disappointed, this shapes her attitude towards Mango Street and her personal viewing of herself. Esperanza is a character where the way she feels about herself is based upon the opinions of others and judgemental nuns, for example have put her into a place where she feels insecure and dissatisfied about her family and where they live.In Chanclas Esperanza receives shiny new clothes that boost her confidence until she realizes that her shoes remain shabby. In this chapter, we see the recurring theme of Esperanza's dissatisfaction, even though she receives more than she had before. During the dance, she forgets she is wearing ordinary shoes (47) and by having a good time with her family, she is satisfied in the moment. This