Script Analysis of Oedipus the King Essay

In the play, Oedipus Rex, written by Sophocles, an honourable and admirable Greek king named Oedipus rules the town of Thebes. He is left in mental turmoil and decay as his unknown, corrupt and immoral past is slowly revealed during his quest to find the culprit who murdered King Laius. The newly exposed past suddenly transforms his glory and respect into shame and humiliation. After he learns about his wicked past he stabs his eyes, which lead to his blindness. During the course of the play, references to blindness and vision constantly recur, giving the reader an enhanced and more insightful look into the themes of the play. Some themes that are expressed through these references include truth and knowledge, guilt, and freewill versus

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

You can’t hurt me or anyone else who sees the light-you can never touch me.” (10) Here Oedipus is suggesting that Teiresias is inferior to anyone who can see, including himself, and is not a threat to them. Oedipus is wrong because the fact that Oedipus has the advantage of sight over Teiresias is not comparable to the knowledge that Teiresias has. This is yet another example of dramatic irony. It may seem that Oedipus has the advantage over Teiresias because Teiresias is blind, but the knowledge of who Oedipus really is is far more important. A lot of the irony of Oedipus’ blindness also occurs at the end of the play, when Oedipus makes himself physically blind. “…, he digs them down the sockets of his eyes, crying, 'You, you'll see no more the pain I suffered, all the pain I caused! Too long you looked on the ones you never should have seen, blind to the ones you longed to see, to know! Blind from this hour on! Blind in the darkness-blind!'" (46) At this point, Oedipus is confirming a line said early by Teiresius that “to see the truth when the truth is only pain to him who sees!” (6). Oedipus is now in exactly the same position that Teiresius was when he mocked him, physically blind but seeing the truth.

“Well then! Alright! I will leave nothing unsaid in my wrath. And I say to you then, old man, that in my mind I have you as one of those who has helped in Laius’ murder! Yes, old man! You have worked with them. Perhaps even you, yourself, have committed the deed! Indeed, if you had eyes that could see I would have said you did the deed all alone!” (Sophocles 346-350). When engaging with the blind prophet, Oedipus attempts to pry the truth out of Tiresias by accusing him, Tiresias of the murder. He thinks that if he starts making accusations towards Tiresias, he will in turn tell the truth so that people don’t start hearing this rumor.

In the beginning, Oedipus is told by Teiresias that he lives in shame. Of course, Oedipus feels that Teiresias is blind of not only sight, but knowledge:

Unwillingly, Teiresias the blind seer provides Oedipus with the hurtful truth. Although before the truth is announced, Oedipus describes Teiresias as a "seer: student of mysteries." Oedipus looks to Teiresias for help in finding the murderer of the former king. He is trusted and respected by everyone in the city as evidenced by his introduction as "the holy prophet In whom, alone of all men, truth was born." Yet, when Teiresias speaks, reluctantly but honestly to Oedipus, he is shunned and his credibility and motives are attacked. Oedipus

Oedipus intelligence could not see the truth, but the blind man, Teiresias, saw it plainly. Sophocles uses blindness as a theme in the play. Oedipus was uninformed and as a result blind to the truth about himself and his past. Yet, when Teiresias exposes the truth he is in denial. It is left to Oedipus to conquer his blindness, accept the truth, and realize fate. But instead Oedipus ridicules Terirsias blindness and accuses him of being on the side of Kreon and helping him become King. He accuses Teiresias for being paid to tell a fraudulent prophecy to him. Quickly Teiresias answers him back and tells him he is BLIND, and tells him about his past of who his actual mother and father was.

Another trait Oedipus and Odysseus have in common is their relentless persistence. Persistence is the key for both characters to find out imperative information from other characters. For example, Oedipus questions Teiresias about his knowledge of the late King Laius's murder. Fearing that the information he possesses will upset the new king, Teiresias refuses to say what he knows. Teiresias also recognizes that even if he does give Oedipus the information that he longs to hear it will not change the final result. Teiresias says, "The future will come of itself though I shroud it in silence," (Homer 120). Oedipus persists by saying, "Then seeing that it must come, you on your part tell me of it, " (Homer 120). Teiresias finally gives in and says, "Your are the accursed defiler of this land…I say you are the slayer of the man whose slayer you seek,"

During the conversation between Oedipus and Teiresias, Oedipus’ perpetual denial and rebuttal of Teiresias’ truthful claims causes the audience to experience frustration towards Oedipus, resulting in the reveal of his selfish character. When Teiresias refuses to tell Oedipus of his knowledge regarding the situation in order to protect him, his rage provokes him to say, “You planned it, you had it done, you all but killed him with your own hands” (lines 331-332). Even though Oedipus is unaware of the full truth, he immediately becomes defensive once his character is questioned. Not only does he deny everything Teiresias says, which the audience knows to

The next stage on his of the journey to self-awareness is doubt. Oedipus demonstrates the puerile arrogance by refusing to accept the truth even as more and more proof of his inadvertent sins. He uses many common coping strategies to avoid the cruel truth of his fate. For instance, when he invites the distinguished prophet Teiresias to help him cure Thebes, he begins respectfully but quickly turns impatient and insolent when the prophet refuses to answer his questions, threatening to use his power as king to punish this disobedience, though by doing this Oedipus himself displays the same defiance toward the will of the gods being channeled through Teiresias. Eventually, Teiresias angrily reveals: “I say you are the murderer of the king/whose murderer you seek.” (Oed. 362-363) Oedipus, of course, orders him away and quickly returns to his state of denial, albeit somewhat disturbed. To dismiss the idea completely, he uses another coping strategy, blame, scapegoating

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

In the play, “Oedipus Rex”, many ironies took place, as well as fate playing a huge part in the story. “Oedipus Rex” is a story about a man that tries to overcome adversity but cannot escape his prophecy. His parents took him to a hillside as an infant, sliced his Achilles tendons and left him there. A shepherd soon came to his rescue. “King and Queen of Thebes, gave their infant to a shepherd in with orders that he be left on the side of the mountainside to die” (Johnson 1205). As he grew older and much wiser, he went to see the Oracle of Delphi. The Oracle informed him that his destiny was to kill his father and marry his mother. The main ironies in the play are the killing of Oedipus’s biological father, the odd relationship with his mother, and the inability of Oedipus to avoid his fate.

However, pride is not the only characteristic, which contributes to their tragic end.  For Oedipus, there exists his temper, his unrelenting pursuit of the truth and his suspicion.  His temper is exhibited in the argument between Teiresias and himself, where Teiresias states the truth and Oedipus replies, "Do you think you can say such things with impunity?"(p.36) and later calls Teiresias a, "Shameless and brainless, sightless, senseless sot!"(p.36).  His suspicion was also shown in this exchange where he says, "Creon! Was this trick his, then, if not yours?"(p.36).  Lastly his unrelenting pursuit of the truth is demonstrated when he believes he is the murderer and that Polybus was not his

       A different man might well stop at this point, calm down, and ask Teiresias what he meant. That is to say, a different man might have stopped hanging onto his own certainties; confident that they were the truth, and have listened carefully to what someone else had to say but Oedipus is not that sort of person.  In fact, rather than listen to Teiresias, Oedipus reminds everyone of his previous triumph over the Sphinx, stressing that Teiresias failed to help Thebes then.

Oedipus believed Teiresias was making the accusation because he was bribed by Creon. Jocasta attempts to calm Oedipus as well, citing that oracles are nonsense. She tells of an example where an oracle prophesied to her that her first born son would one day murder his father and sleep with her, Jocasta. Believing that prophecy ridiculous, Oedipus decides not to heed