Self-Discovery and the Pursuit of Truth in Sophocles' Oedipus

Oedipus is a very ignorant character. The play reveals that he killed his father and slept with his mother. To make matters worse, he has no idea that he has done either of these things. As the play progresses, hints of Oedipus’s wrongdoings pop up sporadically, yet he does not catch on until the end. Other characters realize what is going on before Oedipus does. It is Oedipus’s ignorance that prolongs his search for King Laius’s killer and his realization of his

However, in his attempts to escape the prophecy, Oedipus ran straight to it. At the time, he was unaware that he had been adopted. Instead of escaping his fate, Oedipus met Laius on the road and murdered him and four of his escorts out of anger and self-defense. This was the first event, though not actually shown in the play, that set Oedipus’s destiny into motion.

The entire play comes to a tragic end. And with dramatic irony is clearly seen in the entire play. Oedipus killed his father and murdered his mother, but Oedipus and Jocasta did not find out until the end, Tieresias ' warnings and prophecy clearly portray the use of irony. Rhetorical questions are seen questioning himself or fate. What, born as mine were born?”

Oedipus journey in search of Laius’ murderer has merely helped the prophecy become reality. His ignorance, pride and remorseless quest for the truth ultimately contributed to his destruction. An explicit example can be seen when Oedipus was told (after threatening Tiresias), that he was responsible for Laius’ murder. Oedipus became enraged and called the blind prophet a liar. Oedipus thought he could overcome the gods, but in fact, his every action moved him closer to his destiny.

Throughout the tragedy, Oedipus clearly exhibits a pursuit of knowledge to discover the truth behind the murderer of Laius. For instance, Oedipus invokes a curse, “Upon the

Oedipus’ foolish decisions ultimately lead to his downfall in the play. Oedipus chooses to kill Laios. He chooses to marry Iocaste. He chooses to forcefully, and publicly, assume the mission of discovering the identity of Laios’ murderer saying ironically, “I say I take the son’s part, just as though I were his son, to press the fight for him and see it won,” (633). He proceeds on this mission and chooses to ignore the warnings of Creon, Iocaste, Teiresias, the messenger, the shepherd, and anyone who attempts to stand between him and the truth; and, he chooses to blind himself. In the end, Oedipus’ most foolish choice prevails throughout the play; the choice of illusion over reality ultimately costs him his life.

Oedipus the King is perhaps one of the most famous and influential of Sophocles' plays. It is a tragic play which focuses on the discovery by Oedipus that he has killed his father and married his mother. On the surface of this drama there is, without a doubt, a tone of disillusionment.

The king of Thebes will decide to see this matter through on his own terms, no matter the cost. For Oedipus finding the truth becomes something of an obsession, and it is far more important than what that truth might actually reveal. It seems as if the more facts that are uncovered about the murder of Laios, the more determined Oedipus becomes, perhaps still unconvinced about his own possible implication in the death of Laios (even though he remembers killing a man at a crossroads). He relentlessly marches on, ignoring the pleas from his wife, Jocasta, to abandon the

In spite of his previous attitude, as the story goes on, Oedipus begins to hear the truth for its entirety to gain more knowledge about his past. He starts opening his ears and asking about Laius, out of fear that he was his killer, asking questions such as “Where did this thing happen?” (807), and “When? How long ago?” (811) referring to Laius’ murder. Then, when asked by Jocasta why he is suddenly so

When he learns from the oracle Delphi that he will kill his father, Oedipus runs away from Corinth to avoid the prophecy’s fulfillment. Unknown to him, he embarks on a journey that brings him closer to fulfilling the prophecy that he will defile his mother’s bed and murder the father who engendered him (951-954). It is while he is on the run from his foster father that he comes face to face with his fate; he meets and kills King Laius, his own father, at the three crossroads.

However, the driving force of Oedipus' fact-finding mission is an attempt to end the plague which racks his city. He does not realize the personal consequences his hunt will have for him, and his "loyalty to the truth" (23) is based on his ignorance of it. In fact, if we examine the events leading up to Oedipus' revelation, the incidental nature of his "quest for identity" becomes apparent. First, he summons Tiresias to name the killer, whom Oedipus does not at the time believe to be himself. Then a messenger arrives from Corinth, unbidden by the king, revealing that Oedipus is not truly Polybus' son. Finally, the shepherd reveals all of Oedipus' past, after having been called for the purpose of providing more information about Laius' death. The coincidental nature of these events is somewhat at odds with Dodds' vision of Oedipus as a sort of Greek private detective who relentlessly ferrets out clues in a self-destructive search for his parents. Oedipus is eager to find the truth, but the most pivotal witnesses for the true story of his birth either come to him of their own volition, or are convened by Oedipus in the hopes that they will tell him something entirely different. In the end, he resigns himself to the truth which would have been clear much earlier (as it was to Jocasta), had he

Throughout the play Oedipus is given clues to his past and the fate that is to come, the moment that he gouges his eyes out shows these clues that he has missed. Jocasta says wildly, “In the name of heaven, don’t proceed! For your own life’s sake, stop! And I’ve been tortured long enough.” (59) This shows a moment of caution for Oedipus to not continue to seek the truth. The dramatic irony of this situation illuminates the horrors that are to come because of fate as well as Oedipus’ free will. Oedipus: “Laius was killed—I thought I caught the words—where three highways meet?” Jocasta: “So they said. That is how the story goes.” (41) Oedipus is first hearing the true story of the late king’s murder and seems to be beginning to realize that it was he who did the killing. Even though this could be his illuminating moment, Oedipus is unwilling to accept this fact and must hear

In the Oedipus the King, Sophocles hides the true cause of tragedy, victim and murder behind the word, indicating a larger crime under the surface. Firstly, he conceals the degenerated entity of Thebes under the prophet. Fate, as the inseparable element, forms a smooth circle of Oedipus’ life. The tragic ending had been

As the story continues on, it is as if Oedipus life is unraveling to him and to the audience. Throughout the remainder of the story, bits and pieces of Oedipus life are revealed to him, in some cases by

Oedipus’ intense amount of self confidence is so great that Oedipus actually curses whoever the killer is, this is an example of irony, because Oedipus later finds out that he was the killer all along, and that he ended up cursing himself. Another clue of this is a quote from Oedipus while he was talking to the prophet Teiresias, “Yea, I am wroth, and will not stint my words, But speak my whole mind. Thou methinks thou art he, Who planned the crime, aye, and performed it too, All save the assassination; and if thou Hadst not been blind, I had been sworn to boot That thou alone didst do the bloody deed.” (Sophocles 345-350). In this quote, Oedipus’ ego is once again affecting him, as he refuses to even consider what the prophet Teiresias is saying about not looking into who the murderer is, but Oedipus ironically does accuse him of being the killer. These quote help the reader realize that the mystery of Oedipus Rex for Oedipus is to discover who Laius’ killer