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Shooting An Elephant Rhetorical Analysis

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Throughout Orwell’s essay he utilizes many rhetorical devices that help enhance his writing and express a point vividly. Arguably one of the most profound statements within Orwell’s essay, ‘Shooting an Elephant’, was the paradox used when trying to find the elephant’s location. Orwell describes; “A story always sounds clear enough at a distance, but the nearer you get … the vaguer it seems” (Orwell, 150). This paradox illustrates how events can seem clear and definite at a distance. However, as one begins to look closer, uncover more facts, and integrate themselves into the situation - the clarity is replaced by blurring and confusion. The once dull and simple situation becomes skewed by the introduction of reality and perspective. While this …show more content…

Orwell uses alliteration effectively during moments of great tension and to exaggerate the situation. Particularly, during the death of the elephant, George uses the letter ‘s’ repeatedly when describing what is occurring. He details that the elephant appears “suddenly stricken, shrunken ...sagged … slobbered” (154). This series of adjectives create a general mood for the reader and increases the impact of the elephant’s demise. It is evident that this incident had a profound effect on George and it seemed to cement itself into his memory. He describes in vivid detail the “long rattling gasps” (155) and how the elephant’s “breathing did not weaken” (155). Overall the event is detailed as if in slow motion and the repetition of ‘s’ sound mimics the slowness, like a snake slithering through the grass. Orwell chose an emotional approach for the essay and the use of alliteration in this context communicates the excruciating death of the elephant which connects with readers. The passage is almost painful to read, which causes readers to consider the consequences of their lifestyle, ignorance and …show more content…

He exemplifies this through a metaphor used when approaching the elephant with the rifle, describing that he “was only an absurd puppet pushed to and fro by the will of those yellow faces” (152). Orwell explains that “the Burmese population had no weapons and were quite helpless” (149) and yet, even with the rifle in his hand he feels equally as powerless. This metaphor details the true nature of imperialism and the reliance on the perception of power rather than actual possession of it. In this situation, Orwell is forced to maintain the perception of power as he cannot “trail feebly away, having done nothing … [as] the crowd would laugh at [him]” (152). This crowd of people dictates his actions because he must constantly project the image of power and confidence. Any doubt threatens the strength of Orwell and in turn the empire. Each of these yellow faces holds a string and with their expectations and desires moves Orwell to shoot the elephant. This metaphor creates a vivid image for the reader of Orwell’s helplessness and the obligations that bind him to take action. One may assume that those obligations lie with the Empire, as he is their officer, however it’s the Burmese who pull his strings. Specifically, Orwell is emphasizing to readers the fragility of British power and how the role of power pressures one to act according to the will of those

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