Shrew Katherina Quotes

In essence, all Petruchio did was teach Kate not to be so brash and rebellious. He showed her how awful her actions looked, and on her own, she made the decision to change her demeanor. She could have remained bitter and feisty, but it would have been in vain, and I believe that she realized that her actions had been no worse than the vanity and shallowness she witnessed in the people of Padua.

Shakespeare brings us back to the sisters in act II scene 1. This is a

Petruchio wears the psychological mask of a guy who only has eyes for money. He makes his mask clear to the reader when he tells Hortensio to “wife wealthily” adding “you don’t know the power of gold.” after being told about Katherina’s bad behavior, not to mention her temper. It appears that Petruchio marries Kate for her money, but immediately starts to “kill her with kindness”. He begins going so by depriving her of food and sleep because he claims that neither the food from the kitchen nor the bed is good enough for her. Petruchio puts on a show of bad temper towards his servants for every fault, showing Kate what it is like to live with a bad-tempered person. For the first time in her life, Kate finds herself trying to get someone else to control their anger. Petruchio also shows Kate that she will get the things she wants when she learns to agree with what her husband says. By treating Kate in this manner, Petruchio seems cruel, but there is a reason for it. If he were truly interested only in money, he could have left Kate at home and gone out on his own. In the end, his efforts to improve his wife have worked. He improves Kate’s life, so that she does not continue to live an unhappy life. Because of Petruchio, Katherina the shrew is happily married in the end, and comes to be a good example to

Kate is also very tough and modest like most men, who are raised and taught to hide their emotions in public. However deep inside Kate is still a female. In the second investigation which Kate had with Ellen, Kate does end up allowing herself to break down with tears in the midst of her conversation about her dead lover Anne. Here, Forrest shows that even though some women are masculine, they are limited to an extent because they are in custody to the biological determinism which determines the limits for the advancing of success based on sex (Rubin Thinking Sex). It is important that Forrest was able to show both sides of Kate: the tough masculine side and the soft elegant feminine side.

In addition, Kate’s final monologue, also in Act 5, scene 2, tells the audience a lot; about the play itself, as well as the society in Shakespeare’s era. On face value, Kate’s final monologue seems to be a long lecture about serving your husband, no questions asked. “Then vail your stomachs, for it is no boot, / And place your hands below your husband’s foot” (v, ii, lines 92-3, page 221). However, Shakespeare gave Kate the last word in the play, a sign of her consistent power and control. As well, her monologue can be perceived as quite ironic. Kate is aware of the beliefs about how women in the household should act and, as clearly portrayed throughout the entire play, the role Petruchio has been trying to get her to fill. By playing along fullheartedly with society’s expectations, in front of the large audience of guests, Kate becomes “truly tamed” - or just incredibly

Ironically, they prove to be perfect for one another. Though Katharina seems heartless and unemotional, her one true fear is losing Petruchio. " It is surely worth remarking that Kate has only one true moment of agony, when Petruchio's deliberately tardy arrival for their wedding makes her feel jilted" (Bloom 30-31). Their mutual roughness seems to be their way of flirtation. Though Katharina feels that Petruchio is "a mad rudesby full of spleen," she realizes that she is truly in love and is lucky to have any husband at all, and will not, as the villagers say, "lead apes to hell" (Draper 95). The ironic counterpoint of their relationship is that while Katharina is easily tamed, Bianca, who needs no taming, is difficult for Lucentio to tolerate.

Petruchio also manipulates Kate psychologically by pivoting her thoughts in the direction of them being suited to each other for marriage. When he says “I am too young for you” (Act 2 Scene 1, 250), he starts making her feel old and unwanted. This comment makes her mad, and causes her to feel the need to prove that he is old, which she accomplishes in the next line by saying “Yet you are withered” (II, 1; 251). Thus she unconsciously admits that he is at least suited to her in age for marriage, if nothing else. By complimenting her, Petruchio is also able to play with her psychologically. He begins by saying she is beautiful, nice, and modest. Even though he may not mean it, and Kate probably suspects he is lying, it still has a positive effect on her. Complements boost her confidence and make her feel wanted, which is a new experience for her. Such complements eventually lead her to believe that he may actually love her, or that there is a possibility of love between them in the future. This method of manipulation does have its effects, because she only opposes their marriage once in front of her father, and after Petruchio announces that they have decided that she should “still be curst [to him] in company” (II, 1; 324), but they really love each other, she offers no counterarguments.

Firstly, Kate is noticeably affected almost immediately after the death of her mother and father. We see this by her descriptive quotes about how she was feeling and the observations she made about others in her life. Some instances include “I remember being rigid with fear, not daring to look at him” (19), “it was like being at the bottom of the sea” (53), and “...there was a whirlwind howling through me” (54). These quotes represent how Kate felt overwhelmed by unmanageable emotions; she felt almost numb and empty. She even ends up cutting her finger just to feel something and it hardly hurt at all. This is a confused, traumatized little girl. Next, Kate is affected by the basic principles her parents taught. The simple memory of her parents provoked thought of the Presbyterian Commandments they would follow. These principles shape who she is and represent a background where people do not talk about problems or share emotions. “No, you swallow your feelings, force them down inside yourself, where they feed and grow and swell and expand until you explode, unforgivably, to the utter bewilderment of whomever it was who upset you” (36). Lastly, the trauma she has endured has made her scared. Scared of sharing feelings, scared of commitment, scared of loving someone. Daniel, Kate’s boyfriend, feels he is in the dark when it comes to Kate’s past and her emotions. This is because Kate is simply scared to love him. She proves this and it’s connection to her past by saying, “people I love and need have a habit of disappearing from my life” (89). The death of her parents has definitely shaped who she is but some may say, it helped her show resilience and strength to embrace her past and move

In the play Taming of the Shrew, written by William Shakespeare, many characters are reshaped and given new personality traits. Petruchio is known as being a cocky man who intends to help tame a shrewish young lady named Kate. There are many critics that believe Petruchio is solely obnoxious and a bully but through out his interactions with Kate it is shown that he truly cares about the well being of others. Of course at the beginning of Petruchio’s plan to tame a young lady he is acting off of his confidence and trying to impress those around him but this soon changes once he begins to interact with Kate. Petruchio proves that his ways have changed and he is only taming Kate to make her feel better about herself, “Petruchio uses psychological methods, not aggressive or barbaric ones, to tame Kate, which alls her to still be witty and intellectual, but also happily married, at the end of the play”(Natale,98). Petruchio truly believes that by taming Kate he is preforming a good deed and helping her accept herself in this process.

Petruchio may have been mean to her in order to tame her but by the end; he shows how he truly loves her. “Come, my sweet Kate/Better once than never, for never too late” (Shakespeare Vi 149-150). Kat’s sonnet about her feelings towards Patrick show that she has accepted that she can be in love. This is her version of being “tamed” because she can rely on someone other than herself. Patrick uses the money he made dating her to buy her a guitar and beg for her forgiveness. He has fallen for her though that was no his original intention. “I thought you could use it. You know, when you start your band. Besides, I had some extra cash, you know. Some asshole paid me to take out a really great girl but I screwed up. I fell for her” (10 Things I Hate About You). Besides the story, the filmmakers have used several exact lines from the play in the movie. Cameron echoes Lucentio’s line, “I burn, I pine, I perish”(Shakespeare Ii 155) when he sees Bianca for the first time. Kat, like Kate, tells her sister “You don't always have to be who they want you to be” (10 Things I Hate About You). The filmmakers kept Shakespeare’s story of love and deceit intact in the modernization.

In contrast to this, Kate is very angry and frustrated by the Petruchio, and immediately becomes "shrewish," resorting to insults, 'A joint stool,' and violence. This gives the effect of Kate being much less in control of what is going on, and perhaps reflects the direction their relationship is going to take, that Petruchio will be the one in charge, and Kate will not have any control. This could however also demonstrate Kate's intelligence and wit, that she is able to keep up and match Petruchio's wordplay. However Kate feels the need to resort to violence, again demonstrating Petruchio's intelligent wordplay and calm attitude, as he does not react violently towards Kate, but simply

This story also depicts that a woman is not suppose to be strong and opinionated. Kate is viewed by most suitors as undesirable because she speaks her mind and doesn't let the male population walk all over her (Dolan 32). She is very precautious of the intentions of the men that claim they would like to marry her. Throughout the story it's made clear that Petruccio's objective is to "tame" Kate so that she will be suitable to be a wife. It's not that it's in her nature to be mean but she has a different that on the role of a wife. She indeed believes that she should be good to her husband and do all that things that are expected of her but feels that it should be deserved. Her husband needs to be worthy of all of her affection and attention. Not only that, he needs to love her in such a way that makes her want to be a good woman to him (33).

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

As the play continues, we learn even more about Kate. For example, when Kate and Petruchio go back to Baptista’s, Kate begins to see how Petruchio operates. She learns that if she does what Petruchio says, even if she knows it is not true, she will get something she wants out of it, like going back to her father’s house. Petruchio test Kate when they meet the real Vincentio on the road and he asks Kate if she has ever seen a finer young women. Knowing what he is up to, Kate shows her amazing wit and decides to play his game. She has figured out that Petruchio has a method to his madness and if she plays her cards right, their relationship can be a partnership with a series of actions and rewards.

The above passages can also be seen as placing an emphasis on the degradation Baptista inflicts on Katherine for coming across as the opposite of an ideal woman. Unlike Bianca, who comes across as mild-mannered and respectful to others, Katherine is established as an antagonistic woman who lashes out at those around her on the slightest provocation. But while her threat to "comb [Hortensio's] noodle with a three-legg'd stool/And paint [his] face, and use [him] like a fool" accentuates her fiery personality, it also suggests that her shrewish behavior is a statement that condemns the