Shylock in William Shakespeare's The Merchant of Venice
By the end of Act 4 scene 1, my view of Shylock is a man who wishes to get revenge at society by trying to take the flesh of a Venetian merchant because of the prejudices that are thrown at him. Shylock is a rich Jewish moneylender and a widow whose daughter has eloped with a Christian, Lancelot. Shylock is treated with the lowest kind of integrity and respect in Venice this was normal for Jews in the Victorian period since most of Europe was greatly Anti- Semis-tic.
Shakespeare first introduces Antonio then Shylock, in Act 1 scene 1 Antonio is presented as a rich merchant who is a kind and loyal friend, as he has no money, Antonio goes to
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Antonio naively signs it because he is secure about his ships. Shylock has the upper hand because he now has a chance to contract his revenge. From this introduction of Shylock, the audience would probably perceive him of having a negative character in contrast to Antonio as Shylock is seen to act in a strongly revengeful manner constructing him to be villain but the audience at the same time feel sympathy for Shylock because he has been abused and the abuser has no regret or isn't dishearten about, this is verified when Antonio quotes in act scene 2 "To spet on thee again, to spurn thee too" this produces Shylock to be a victim.
In Act 2 Scene 3, Jessica states, "I am a daughter to his blood I am not to his manners" this sentence would give the audience the impression that Jessica is embarrassed of her father's behaviour. This would probably lead Jessica to feel that Shylock is irritable and unbearable to live with; this is evident when Jessica cries, "Our house is hell, and thou, a merry devil, didst rob it of some taste of tediousness", and the audience ponders if Shylock is a victim because of the way his daughter feels towards him. Then again when Shylock locks Jessica in the house ordering her "hear you me Jessica, Lock up those doors and when you hear the drum---nor thrust your head into the public street to gaze on Christian fools", (Act 2 Scene 5 line
This makes Shylock, Jessica’s dad very angry because when Jessica marries Lancelot she becomes a Christian.
Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited
Her life with Lorenzo is one full of carefree fun and no material possessions. While her life with her father was one full of rules and restrictions. Once Jessica enters into this relationship with Lorenzo, the notion of what it means to be a Christian and what it means to be a Jew is questioned. Jessica’s two different lives represent the different stereotypes of the two religions. The Jewish people in this play are portrayed through Jessica and Shylock as being an old worldview of life. Shylock’s house is very strict, rule abiding, and oriented in hard work. While on the other hand, Lorenzo represents the New Testament, Christian view of the world where people are much more about living carefree and denouncing material possessions. When Jessica marries Lorenzo and becomes a Christian through marriage she also brings up another question about religion and what makes a person a Jew. Jessica is a Jew by birth but converts to Christianity through marriage. This brings about the question of is it birth or decision that makes a person a certain religion. Lancelot first brings this about when he claims that Jessica is damned because she was born Jewish in that he is referring to the fact that there is nothing she can do to undo being Jewish. The audience also sees many lines where the image of blood is brought up. Shylock refers to his daughter as “my own flesh and blood” (3.1.32) and Jessica states, “I am a daughter to his blood” (2.3.18).
Shylock is a character famously known as being the antagonist of Shakespeare’s play merchant of Venice. In this play, Shakespeare portrayal of Shylock the moneylender is one of anti-Semitic stereotype. Shylock is depicted as a typical bloodthirsty Jew who lives a life void of any depth or meaning. His sole purpose for living seems to be to amass wealth and vengeance as seen from his adamant claim for his “pound of flesh”. Despite Shakespeare’s attempts to humanize Shylock at points in the story, it appears that his primary focus is to steer the audience against Shylock, painting him as being a cruel, bitter and inaffable figure. It is clear that in both Shakespeare’s merchant of Venice and Grace Tiffany’s Turquoise Ring, Shylock exposes
It is ironic that Jessica’s actions should prove to be the catalyst that hardens Shylock’s attitude towards Antonio; she has turned Christian just as Antonio believed that Shylock’s bond turned him Christian.
1190 the Jews in York were massacred and in 1290 all the Jews were to
In a book or play, it is usually very easy to distinguish who the victim is and who the villain is. The villain usually causes all the problems in the story line and the victim is the one who suffers in result of the villain’s actions. In the play The Merchant of Venice by William Shakespeare, we examine the life of Shylock as a victim. It is seen through three main events in the play. Shylock is ridiculed by his community and his family, he is betrayed by his daughter and the community he lives in, and he is forced to lose all his wealth.
Shakespeare’s The Merchant of Venice is so alike to our financially afflicted world. The rules of law and commerce are subject to deceptive manipulation, fear of "the other" overwhelms respect for a common humanity, duplicity is the norm, sexuality is a vehicle for ambition, and money drives and wraps almost every action. It is a classic tale that includes important details of the financial crisis in the United States during 2007-2009. Shakespeare’s Venice, like the New York of his time - and the financial capitals of ours - is a city based on borrowing, on market speculation and greed masquerading as wealth and sophistication. Behind the curtains of the practice of lending and borrowing money in Shakespeare’s play lay the transition to capitalism: the rise of banking system; the scarcity for credit in developing industrial enterprises; and the growing dispute of default facing both aristocratic landlords and, above all, small, independent early entrepreneurs on trading ventures. Even though almost 600 years apart from each other, both Shakespeare’s tale and the financial crisis in the United States during 2007-2009 have a similar financial dilemma, each has its unique Shylock, Bassanio and Antonio- people who were responsible for causing the meltdown of their days.
Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with
The Merchant of Venus, is a play written by William Shakespeare and is a majority of the time remembered for its scene with Shylock and Antonio. As intricate as the play wove itself, the word that seemed to occur a majority of the time “bonds”, had multiple meanings occurring throughout the play. Oxford English Dictionary (OED) tells us that Bonds can mean the bondage of a marriage, the ways of which a thing is bound or tied down, agreement or engagement binding to him of which who makes it, and a deed, by which binds himself, his heirs, executors, or assigns to pay a certain sum of money. In this play, we see a strong connection between bonds and goods reoccurring from start to finish. The term “bond”, is
William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.
In William Shakespeare’s The Merchant of Venice, Shylock is instantly portrayed as a villain. Shylock, while making a deal, crucially demands a pound of Antonio’s flesh as interest. It is revealed that Shylock’s villainous behavior stems from a history of constant torment from characters in the play. In The Merchant of Venice, Shylock is a villain who acts out of revenge when he wants pay back for all the pain he endured. Evidently, Shakespeare created the character Shylock with a sympathetic past in order to have the audience question Shylock’s true nature.
In Act 2 Scene 4 Jessica decides to leave her father and her home to elope with a Christian man Lorenzo. This strengthens the concept of Shylock being a heartless villain because his child feels she must leave without a word of her desires. This shows that Jessica knows that her father would not listen to or consider her feelings for Lorenzo so she must steal and run away from him. On the night she leaves she says with little remorse ‘Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.’ This shows that her childhood was not happy and that she was ‘ashamed to be her father’s daughter’. This is further evidence of Shylocks heartlessness.
did this through Shylock. In Act 3 Scene 3, Shylock tells of how he is
Shakespeare characterised Shylock in such way that he highlights the inequalities of him, them being ungrateful, vengeful, and religious intolerance. As each is explored Shylock is directed towards a harmful act to deem his vengeance upon his greatest rival, Antonio. Shakespeare’s idea in the play tells us mercy is preferable to revenge. In Act 1, Scene 3