Significance of Names in Flannery O’Conner’s Good Country People

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her

The two most important souls in the story "Good Country People" belong to Joy-Hulga and

“Good Country People” by Flannery O’Connor is a short story told in third person omniscient point of view. The story contains a lot of irony, symbolism, imagery, and many more literary devices. Flannery O’Connor’s purpose was to demonstrate how “good country people” are not so “good.” Instead, they were categorized as “trash” and “good.” The short story interprets how the characters are contradictory and how women are portrayed in 1955 as well as today’s society.

Everyone wants to believe that they are beautiful. For this reason, we tend to seek out that approval from others including our parents, friends, and other loved ones. Flannery O'Connor's story, "Good Country People," focuses on this particular theme. In her narrative, a young girl named Joy Hopewell longs for her mother's approval. When she does not find it, Joy begins to believe that she is unworthy of anyone's admiration. This basic premise allows for Manley Pointer to easily win Joy's trust. Flannery O'Connor includes this string of events in order to show the significant role parents play in developing their children's self-esteem, as well as reveal that even though Joy Hopewell begins to believe that she is not beautiful, she

Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.

Flannery O’Connor uses his description of characters to show that people are not who always who they say they are. When we start reading the story we are introduced to Mrs. Hopewell, who is the mother to Joy/Hulga, who is stuck up and thinks that she is superior to everyone else and is an independent woman. She is a patronizing woman that does not care about anybody except for herself. She is a rude lady that is two faced when it comes to new people that she is meeting. Then we meet Joy who is thirty-two-year-old woman with a doctor's degree in Philosophy, who changed her name to Hulga at the age of twenty-one, she lives at home with Mrs. Hopewell because she has health conditions that have to deal with her heart and she needs to be taken care of. Also, with her health conditions she has a fake leg that got shot off in a hunting accident. Hulga always thought of herself superior to everyone because she had a doctor's degree and because she went to school to get an education. She thought that she could outsmart everyone that she lives with because she reads many books and has a lot of knowledge. Next is Manley Pointer, who is a traveling Bible salesman, he is portrayed as a good country folk with good intentions. He plays an act and tricks everyone into thinking that he is a nice and kind person, but him selling Bibles and believing in God is what catches Hulga’s and Mrs. Hopewell's attention because Hulga does not believe in anything but Mrs. Hopewell does believe in God. Lastly, we have Mrs. Freeman, who has worked for Mrs. Hopewell for the past few years because her husband is the farmer. The story does

Changing her name was a very arrogant action. Her arrogance is a major part of her personality. This is evident in her interactions with Mrs. Hopewell. She obviously looks down upon her as ignorant - she stands up in the middle of a meal and says “do you ever look inside and see what you are not?” (637). The arrogance is evident to the reader, because if Hulga were to really look at herself she would see all that she is not. She obviously thinks of herself as above all the good country people, saying “she would be in a university lecturing to people who knew what she was talking about” (637).

“Good Country People,” is a classic example of the use of irony as a technique for imbuing a story with meaning. Irony works on many different levels through the piece. Examples of this range from O’ Connors use of clearly ironic dialogue to the dramatic irony that unfolds between Manley and Joy-Hulga. However the most obvious examples can be found in O’Connor’s characterization of these, “Good Country People.” The technique of irony is applied prominently to the character’s names and behaviors to present the contradictions between their expectations and their reality. O’Connor uses her characters to explore common notions regarding, “good” and “bad” people. Using their expectations for one another, O’Connor ultimately expose their

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

Good Country People by Flannery O’Connor is a story with a lot of ironic elements in it. These are mostly found in the way that the characters depict themselves in contrast of how they truly are. For example, Mrs. Hopewell says that she has no bad qualities of her own, but she is a constant liar is an how she happened to hire the Freemans in the first place and how they were a godsend to her and how she had them for four years. The reason for keeping them for so long was because they were not trash” (O’Connor 247). Mrs. Hopewell is not the only hypocrite in this story; Manley Pointer is also incredibly hypocritical, fake, and manipulative. He depicts himself as a “Bible salesmen”, but in reality he is a con artist. When Hulga opens up his Bible, she sees a flask of whiskey, cards, and condoms in it. This would be seen as incredibly offensive and sinful to a Christian. According to Thomas F. Gusset, “Joy/Hulga begins to discover that the Bible

Manley Pointer is introduced as a good country simple young man who is going around selling Bibles. He tries to sell Mrs. Hopewell a bible but she does not buy one, because she has one already so she invites Manley to stay for dinner. As she talks to him she is under the impression that he is a good country person, which she believes is a person who is a person from the

The omniscient narrator allows the reader to see that Hulga?s stereotyping of the other characters is flawed; she never bothers trying to get to know the others as real people. If she had, she would have realized that there was more to them than meets the eye. Hulga?s lack of interest in the other characters effectively isolates her character from any meaningful relationships with other people. Her superior attitude towards the other characters is manifested in her disrespect for all of them. It never occurs to her to do unto others, as she would have others do unto her. Another theme emerges from her contemptuous behavior: Treat others with disrespect and eventually you too will be treated that way. This might also be stated through two well-known clichés: ?you reap what you sow? or ?what goes around comes around.?

Hulga did not care about anyone else but herself. She lived in self-pity. There are many disabled kids, adults and veterans in the world. There are professional runners and people without limbs that work and do amazing things. Even though she had these issues she thought she was better and too good for everyone else. Mrs. Hopewell states that Hulga, “was brilliant but she didn’t have a grain of sense.”(O’Connor 558) Hulga even

Joy-Hulga, who had grown cynical and cold as she grew up with only one leg and heart ailment, creates an image that she is smarter and better than the rest of the characters in the story. Her education and self-absorption seemed to instill this attitude in her to greater extent than if she hadn’t studied and read so much. Her weakness is the feeling of power she believed she gained from her studies. She refers to herself as a person who “sees