"I'm a working-class person, working with class." - Karl Lagerfeld A working-class person, struggling to climb up the soaring social ladder. This is exactly one of the main aspects Cheese, written by Willem Elsschot and Pygmalion, written by George Bernard Shaw. Both being written in the 1910s and 1930s respectively, it’s inevitable to find connections between the novels themselves and the general society of those periods. We are presented with main characters Frans Laarmans in Cheese and Eliza Doolittle in Pygmalion, with social, cultural and religious aspects. In Cheese and Pygmalion, the culture and background of the authors are presented to the audience through the characters. In both novels it's clear from the very beginning that the characters are not from a wealthy background. Laarmans, only a mere plebeian from the working …show more content…
Laarmans as a clear example, “sells his soul to Hornstra”, which is a form of biblical imagery. Not only does the name Hornstra ring a bell of the generalized image of the devil, but the act of selling one’s soul is definitely something biblical as well. Despite Elsschot claiming that he was an atheist, he made countless biblical references. Religion was undoubtedly of great significance for many in the 1930s. Elsschot took advantage of the situation and was not only able to tell his story more effectively, but the passage also shows that he was still aware of the time he lived in. Exactly the same goes for Shaw’s Pygmalion, where Mrs. Pearce tells Higgins is, “tempting the girl”. Shaw also showed biblical interest, not only in the plot itself, but in real life also. Shaw also described himself as a person of no religion, however he still showed interest in the study and concepts behind religion throughout his life. Again, this also shows that Shaw consciously integrated biblical references to please his own audience, which at the time were dominantly
In the novel, wealth displays happiness and success of the characters. Even with the large amounts of money they have, it can affect what really matters the most to them: marriage, how they act, their lifestyle, and search for happiness. One of the characters was born into the money, but was raised so he doesn’t display his wealth off to other people.
Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life
Education in “Pygmalion” is depicted as a stepping stone into a better life, but it is how one puts one’s knowledge to use that determines their satisfaction with life. The main message of “Pygmalion” is appearances can be deceiving. Higgins, a high middle class man who studies phonetics--the science of speech-- with a proper education, conveys a persona of being cold, stern, proper, conventional, and intellectual. Eliza, on the other hand, grew up on the streets, which resulted in her hideous accent. She was “...not at all an attractive person…[She] wears a… hat… exposed to
George Bernard Shaw and John Edwards seem to share some quite similar beliefs regarding language and identity. More specifically, how language alters one’s identity. Edwards uses discussions involving class, gender, and dialect; while Shaw uses his character, Eliza Doolittle to discuss these connections between language and identity. Both authors debunk the stereotypical perception about language and groups, just in two separate ways. Edwards explains it over several chapters of his text “Language and Identity”, whereas Shaw demonstrates it through one person.
First, the wealth of someone is often judged by other people. The characters who work at the mill have a very low wage. Every member of a mill family has to work in order to get the basic necessities. Will Tweedy, the main character, says about the mill workers, “Just being around
Money in each story is scarce, but how the characters in each story cope with this shortage is very different. In Graham Greene’s “The Destructors” the children know that they are not part of the “upper class” but it has minimal affect to there ego or there self esteem. The need for money is not there. In D.H. Lawrence’s “Rocking Horse Winner” the affect is completely opposite. The family in “Rocking Horse Winner” is part of the “upper class” but the money is not there to uphold this status for much longer. This is known by the children but there is little or nothing they can do to help. The children start to
Although they werent wealthy, they were still not
This sudden change in character shows that an upgrade in social class not only changes the way that people look at you but that it can also have many benefits as well. Going against the thesis, there is one character, Colonial Pickering. Colonial Pickering is a friend and a safe haven to Miss Doolittle. She trusts him, and with good reason, from the beginning to the end of the play, he treats her the same, like a lady. ?Colonial Pickering is a compete contrast to the character of Henry Higgins in terms of manners and behaviour. Colonial Pickering is Shaw?s evidence that wealth and poverty can mix.? (Galens and Scampinato, 245). Most characters in Pygmalion expect the rich and poor to stay separate except for the open hearted and minded, Colonial Pickering.
The manner in which an individual is raised can impact their lives forever. This idea is proven to be true with two characters from the works that were studied this semester. Although they come from completely different worlds, the similarities between these two characters and the manner in which they face the world can be associated with the relationships they had with their families. These two characters are Walter “Rorschach” Kovacs, from Alan Moore's graphic novel which is called Watchmen, and Antoinette, from Jean Rhys' novel which is called Wide Sargasso Sea. First, there is the character of Rorschach. Rorschach is a very angry character, who has a lot of psychological baggage that influences the way that he views the world around
Since they are not they both did not have lots of things they make due of what they have.
Pygmalion, by George Bernard Shaw, describes Shaw’s viewpoint on social class distinctions in the 1900s by describing characters of the upper, middle, and lower classes in the play. Through the characters’ descriptions, language, and actions, the distinction between classes becomes very prominent. Similarly, Galileo, by Bertolt Brecht, describes Brecht’s take on the social class structure during Galileo’s time and how the differences between classes affected Galileo’s opportunity to do scientific research. Both plays depict a society ruled by the upper-class and a lack of coherence among the upper, middle, and lower classes that leads to eventual conflict. In both Pygmalion and Galileo, the authors highlight the advantages and disadvantages of the different social classes in order to critique how the relationships between people from different classes affect their interactions with each other.
Wealth and it’s relationship to poverty figures in heavily in two of the plays we have read thus far in class. In both Antony and Cleopatra and The Tempest we are treated to characters and situations that deal with wealth and poverty. Specifically however, both plays have visions of an abundance of wealth that seems at times both corruptible and foolish. In Antony and Cleopatra we have their excessive behavior and flaunting, which proves to be a vice that grips them much to tightly. In The Tempest, characters stranded on a deserted island have their own unique versions of achieving that said abundance. Shakespeare treats the topic similarly in both plays, and
In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.
In Pygmalion, by George Bernard Shaw, regionalism, or local color, progresses throughout the story. Shaw utilizes setting, dialogue, and dress to illustrate this progression and emphasize class distinction and character development within the play.
Social standing is central to the plot of George Bernard Shaw’s play “Pygmalion”. The portrayal of class identity in Shaw’s play appears to be a criticism of the distinctions between high society and the poorer classes in Victorian England. Shaw’s aim was to portray how the upper-crust of Victorian society viewed the lower classes, as evidenced by Higgins’ treatment of Eliza upon her first visit to his laboratory; Higgins treats her as though she is too stupid to understand that he is insulting her. The assumption is that the wealthy view the lower classes as being somehow lesser. So what is it that Shaw is trying to impart upon the reader? Shaw appeared to show open disdain not just for the upper class of society but for society in general, and Pygmalion may be interpreted as an open criticism of class distinctions in Victorian England.