Similarities Between Monomyth And Osmosis Jones

Rebecca and Phillip Stein (2017) discuss monomyth, a hero’s journey, in their book “Anthropology of Religion, Magic, and Witchcraft.” In the text, they use the definition of a monomyth given by Joseph Campbell. Campbell defines it as when “A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.” (Stein & Stein, 2017.) According to the text, a hero’s journey has three stages: the departure, the initiation, and the return. (Stein and Stein, 2017.) The Disney movie, The Lion King, is a monomyth movie about a young lion who abandons his role as king of the Pride lands and must come back to save his family and his land when danger ensues. Simba is the son of Mufasa, the current king, therefore he is the rightful heir to the throne. This is the common day world that Simba lives in. His uncle, Scar, is filled with hatred towards both Simba and Mufasa, because he believes he deserves to be king. He comes up with an elaborate plan to kill them both. He tricks Simba into thinking that his father has a surprise for him, and he instructs Simba to wait inside of a canyon while he fetches his Mufasa. Scar deliberately starts a stampede of wildebeests to try and kill Simba. Mufasa arrives to the canyon to witness Simba clinging for his life, on a lone shrub’s branch, as thousands of

Do you ever wonder if your favorite movie follows the hero's journey? You might ask yourself what even is the hero’s journey. Well the Hero’s journey was made by Joseph Campbell. Joseph Campbell was born March 26 1904 and died October 30 1987. There’s 12 stages for the hero’s journey,which does not mean that all movies follow them,but most do. For example, one movie that follows the hero’s journey is Maleficent. In the movie maleficent, Maleficent displays the hero’s journey when Stefan cuts her wings, then later on she meets Diaval, and a few years later she gets to know Aurora and got to see her more than a monster.

The archetype of the Hero’s Journey holds a prevalent pattern in the works of “Initiation” by Sylvia Plath, “A & P” by John Updike, and “Everyday Use” by Alice Walker. These works all follow the 17 stages of Joseph Campbell’s Monomyth which are separated in three stages; separation, initiation, and return. The main characters have different characterizations; however, they all follow the basic structure of the Hero’s journey archetype. There are many similarities and differences between the stages that are shown through many context clues and literary devices in each work. The Hero’s Journey archetype expressed in these literary works follow a similar and direct narrative pattern.

The 2001 film, _"Osmosis Jones"_, focuses on the representation of the human organism and the daily conflicts a body faces in order to maintain function. The film _"Osmosis Jones"_ is a film that tries to capture the attention of children ages eight to fourteen, by exposing the mechanisms of the human body. It is able to reveal the dangers of maintaining an unhealthy diet and some of the consequences that are associated by doing so. The film illustrates that bacteria and viruses are found freely in the environment and that one must be cautious with the substances which one chooses to ingest into one's organism. "Osmosis Jones" is a film that tries to engage

During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.

The first stage of the monomyth is the departure. In this stage, the hero first receives “call to adventure,” either directly or sometimes unwittingly. In a real life example, this would be taking on a task, one that is assigned by someone else or one that is chosen by oneself. This could be an assignment at a job, or it could be the desire to pursue a new hobby. Campbell mentions the “refusal of the call,” or the turning away from the journey. In life, when taking on a task, it can seem too difficult or frightening, and the natural desire may be to turn away. Campbell warns that this “converts the adventure into its negative… [and] the subject loses the power of affirmative action and becomes a victim to be saved” (59). Though an adventure may be difficult, the hero will usually gain the assist of a supernatural aid. Many

But to fully grasp an audience, with twelve to fifteen steps is a lot to explain. Joseph Campbell gisted the essential components of the mononmyth as a whole, “The standard path of the mythological hero is a magnification of the formula represented in the rights of a passage: separation—initiation—return” (23). In these simple steps Campbell identified the foundation of all monomyths. In separation, the hero ventures astray from their later “prosaic” life into a region of supernatural wonder (23).Initiation, overzealous figures/forces are encountered and a decisive victory is won (23).Lastly,the now master of the narrative returns from the surreptitious journey with bestowed power

In the late 1940’s a man named Joseph Campbell shared his Mythic principal with the world. He explains that there is a three-stage formula that he calls a Hero Journey which is the structure of every story. Though most stories are completely different on the outside, the stories are almost structured around these three stages. Stage 1 is the hero leaves the everyday world and enters another world. While Stage 2 the hero is challenged by opposing forces and must pass a series a test throughout the movie. That will then determine who will be victorious, either the hero or the opposing forces. Stage 3 is tied into Stage 2 because if the hero is victorious, they will return to the ordinary world with a gift for the world.

It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.” The 12 stages of this are ‘the ordinary world’, ‘the call to adventure’, ‘refusal of the call’, ‘meeting with the mentor’, ‘crossing the threshold’, ‘tests, allies and enemies’, ‘approach’, ‘the ordeal’, ‘the reward’, ‘the road back’, ‘the resurrection’ and finally ‘return with the

There is one archetype, the hero, which recurs so frequently in stores, that a certain basic pattern has developed and been used for many centuries. American scholar Joseph Campbell described this pattern as twelve stages telling the story of the hero, and he gave it the term “monomyth.” The movie “O Brother, Where Art Thou” follows this pattern. Despite some variations on the archetypal hero, Ulysses Everett McGill is still a dynamic hero in his own right, following Campbell’s stages.

In 1949, Joseph Campbell popularized his version of the monomyth, or the hero’s journey. In this version, there were seventeen stages which were split into three distinct categories including the Departure, the Initiation, and finally, the Return. Over the course of several years, there have been numerous versions of the hero’s journey; most of them derived from Joseph Campbell’s initial version. After watching “The Perks of Being a Wallflower”, I was able to categorize the events in the movie into Christopher Vogler’s version of the hero’s journey which consists of twelve stages. The twelve stages are 1. The ordinary world, 2. The call to adventure, 3. Refusal of the call, 4. Meeting the master, 5. Crossing the threshold, 6. Tests, allies, and enemies, 7. Approaching the dragon’s den, 8. The ordeal, 9. Seizing the treasure, 10. The road back, 11. Resurrection, and finally, 12. Return with the treasure. However, modern film tends to stray from the typical hero’s journey more than the usual traditional epic poem.

The Hero’s journey, or in its more correct terminology the Monomyth is an object from the area of comparative mythology. Its definition in the most basic of forms, it is a pattern or outline that is used in storytelling, usually the myth. This pattern is found in many famous pieces from all around the world. In the book The Hero with a Thousand Faces from 1949 by author Joseph Campbell, this pattern is described in detail. Campbell describes that numerous myths from different times and areas of the world seem to share an identical structure in their storytelling. He summarized this with a well-known quote found at the intro of his book:

The Monomyth is a common template used by Disney since Vogler proposed and drafted the memo that summarizes the different aspects of the hero’s journey in the mid – Eighties. Christopher Vogler was a story consultant at Walt Disney pictures who recognized the power of the monomyth or the hero’s journey. Shortly after the release of the memo, Disney had started using his seven – page memo in the development of the many Disney films we have come to know and love. As Volger states in The Writer’s Journey: “Stories built on the model of the Hero's Journey have an appeal that can ,be felt by everyone, because they well up from a universal source in the shared unconscious and reflect universal

Differences, Diffusion is capable of using active transport. Osmosis only in a semi permeable membrane and moves water only

Osmosis is when water passes through a cell membrane, it is also form of a diffusion, which is a form of passive transport. Osmosis will continue to until an equilibrium is reached which is when the solutions are isotonic. This means that the solution has the same amount of solute on both sides. If the solution is hypertonic, it has more solute in the solution. In this situation water will move towards it. if the solution is hypotonic, it has less solute in the solution. Whereas in this situation, water will move out of the solution.