Sir Gawain And The Green Knight

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

Society expects ultimate perfection of all people. Due to this people are pressured to act a certain way that they would otherwise not act. The journey of obtaining perfection and maintaining it leads to success and failure. But what is considered failing while trying to become a different person? This topic is addressed in the poem, Sir Gawain and the Green Knight, written by Pearl Poet. The main character Sir Gawain finds himself on a journey that will test his knightly integrity and the true nature of his personality. Sir Gawain fails his quest when he responds to the challenge in an aggressive way; by doing so he shows his lack of concern for human life, he fails to uphold his agreement with Lord Bertilak, and succumbs to fear when the

I personally believe that Sir Gawain is one of the best known knights. Sir Gawain is honest, loyal, and believable throughout the poem. However, his words and actions within the poem defined his personality. Also, his actions and honesty were test in many ways whiles he stayed in the caste with the host and his wife. The host was well known as the Green Knight. Sir Gawain has good manners and is loyalty throughout different scenes while staying with the Green Knight and his wife. In the seduction scene, the Green Knight sent his wife to seduce him. The wife strongly force flirtation upon Sir Gawain, but he turned her down and did not give into her foolishness. Furthermore, Sir Gawain had a small fault of not being completely honest and trustworthy

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

As an avid recreational reader I enjoy reading books of all types, however, one of my favorite genres is fantasy. This love began in my reading of George MacDonald's Phantastes, and continued throughout the past year as I have been working my way through C.S. Lewis’ The Space Trilogy. What is so interesting, and simply enjoyable, for me about reading Sir Gawain is that it is a more original and classic take on the typical structure and plot of a fantasy/fairytale. In the beginning you already get a general idea of how the story is going to go, yet the story has its own quirks that keep it interesting.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

In his book The Discarded Image C.S. Lewis states that “the Middle Ages depended predominantly on books…reading was one way of the total culture.” To illustrate, imagine a young heroic knight, holding his sword in one hand and his shield in another. Standing in confidence, with a determined look upon his face before confronting his next challenge. Bravery is found in many interesting stories throughout the medieval ages. It is defined by Oxford Dictionaries as “courageous behavior or character” (Oxford Dictionaries). The use of bravery in medieval times can be determined as a sort of motivation for the people during Protestant movement in Britain. Bravery was also used as an example to people of a moral standard. Below, quotes by C.S. Lewis and from the poems of Sir Gawain and the Green Knight, Beowulf, and Judith predominantly showcase the theme of bravery in medieval concepts.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Upon first Reading Sir Gawain and the Green Knight, I noticed that it comes off as a romantic normative poem about chivalric ideals and traditions of the ruling class with covertly Christian Images. The protagonist character Sir Gawain stands out as the role model of the chivalric ideals of the 14th century while displaying Christian images on his armor. The combination of Gawain’s armor and actions throughout the poem exemplify his characteristics of Christian perfection and chivalric ideals. The very first scene with Bertilak of Hautdesert known as the Green Knight begins to mold your perception of how chivalrous Sir Gawain is by portraying him as valiant, humble, and virtuous knight to Arthur. I felt that the interruption of Arthur

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of