In the Arthurian legend/romance known as Sir Gawain and the Green Knight, readers are given insight to Gawain’s (the protagonist) struggle to choose whether his knightly virtues are more significant than his own life. Sir Gawain proves himself to be a commendable knight, for he is tested by Bertilak of Hautdesert (the green knight) and passes most temptations. Still, Gawain did not complete his “covenant” truthfully, and therefore chastises himself. In Medieval works such as Sir Gawain and the Green Knight, figures like Gawain are idealized and expected to embody the morals and conduct of perfection—perfection that may be unattainable by even the holiest of people. Gawain may not have abided by the courteous social conduct that a knight should obey in the instance when he took the green girdle from Bertilak’s wife, but the fact remains that he is still fit to be recognized as an honorable knight because of the way he acknowledges and repents over his mistake and because of his punishment by the blow he is given by Bertilak. However, the story demonstrates that expecting appearances of perfection and courtesy has a toll on those who seek to embody such an image, which leads to emotional suppression.
While Sir Gawain resides in the lord’s (Bertilak) castle, both men engage in an exchange of winnings for three consecutive days, where the Lord hunts and brings back his kill, while Gawain remains in the castle engaged in dialogue with the lord’s wife, who in fact attempts to
Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.
Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.
Sir Gawain and The Green Knight is considered not only a most brilliant example of Middle English poetry but one of the jewels in the crown English Literatures, and sits in the British Library under conditions of high security and controlled humidity. In the anonymously written story, Sir Gawain And The Green Knight shows Sir Gawain’s chivalry form his loyalty to his King, being testing by Green Knight, and his behavior during game playing.
“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.
In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.
As an avid recreational reader I enjoy reading books of all types, however, one of my favorite genres is fantasy. This love began in my reading of George MacDonald's Phantastes, and continued throughout the past year as I have been working my way through C.S. Lewis’ The Space Trilogy. What is so interesting, and simply enjoyable, for me about reading Sir Gawain is that it is a more original and classic take on the typical structure and plot of a fantasy/fairytale. In the beginning you already get a general idea of how the story is going to go, yet the story has its own quirks that keep it interesting.
In the medieval poem Sir Gawain and the Green Knight, translated by Brian Stone, the idea of righteousness pervades Sir Gawain’s quest. The poem was first written in Arthurian England, where the knights are expected to follow the code of chivalry, which tells them how to behave. Sir Gawain, the main character, is no exception, as every decision he makes follows that code of chivalry, save one. He is then punished for that one foolish choice, suggesting that a man must strive to be chivalrous, even when faced with a choice between chivalry and life.
Honor is a trait that is hard to come by; it is a trait that is earned not given out as a prize. During the fourteenth century, the knightly virtues were built upon a singular trait; honor. This factor makes up a knight’s worthiness, honor comes through respect. In the poem Sir Gawain and the Green Knight, the protagonist has to come to terms with his character and virtues as a knight, and weather or not he deserves what his title.
In Sir Gawain and the Green Knight by J.R.R. Tolkien, Gawain, a knight of the round table, expresses love and respect to aid his journey. These forms of love, from the beginning to the end, play key roles in demonstrating and maintaining the dignity of his knighthood. The manifestation of Gawain’s love forms a number of relationships over the course of the poem. Accordingly, these relationships test his true vow of chivalry and sustain his credibility as a true knight of the round table.
When Sir Gawain is offered the girdle, his knightly principles are questioned. The honorable thing would be to reject the offer or bring it to the lord of the castle, but Gawain places the preservation of his life ahead of chivalry. The knight has withstood the lady’s
The challenge of maintaining virtues becomes a psychological game as Gawain is separated from his peers. He battles foul enemies including “dragons/ ...wolves, and satyrs, / And forest trolls, / And bulls, and bears, and ivory-tusked boars, / And giant ogres” (lines 719-723), but his physical monsters are glossed over in comparison to the mental turmoil that Gawain faces during this segment of his journey. In his “friendless” (line 714) time “nowhere near home” (line 714), Gawain lacks the support system of his compassionate friends of the court. The only backbone he has is in his faith, leading to his prayers to Mary “To end his grief, / To guide his weary / Steps to relief” (lines 737-739) in an act of piety, another knightly virtue that Gawain embodies. Coincidentally, the pious act that grants him the salvation of discovering the castle and brings the joys of having human companionship again also leads him to his greatest challenge: the seduction of the Lady Bercilak.
An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.
Society expects ultimate perfection of all people. Due to this people are pressured to act a certain way that they would otherwise not act. The journey of obtaining perfection and maintaining it leads to success and failure. But what is considered failing while trying to become a different person? This topic is addressed in the poem, Sir Gawain and the Green Knight, written by Pearl Poet. The main character Sir Gawain finds himself on a journey that will test his knightly integrity and the true nature of his personality. Sir Gawain fails his quest when he responds to the challenge in an aggressive way; by doing so he shows his lack of concern for human life, he fails to uphold his agreement with Lord Bertilak, and succumbs to fear when the
Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.
“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.