Small Town In Emma Research Paper

The central argument that Emma uses to justified her actions is based on the fact that she has depression, but instead of communicating it immediately at the beginning of the play, she looks for an easy way to evade her problems manipulating Shelley and Oscar to get their affection at any price. In the scene 12, she confesses that she “was depressed” and for this reason deserves compassion (Schreck 96, 97). Nevertheless, this confession occurs until she is yet in problems due all the previous lies that she uses to evade all the problematic situations she must face. For instance, when Shelley starts scolding her, she spontaneously tries to avoid it by lying saying she has cancer (Schreck 18) and lies about her mother is driving her “like crazy” (31). So, Shelley takes a more compassioned attitude to her. Later, to redeem her lack of self-esteem, get Oscar´s attention leading Oscar to be unfaithful to his girlfriend. Then, when he has troubles with Rosa, Emma just evade the situation by lying again saying, “since I´ve been sick Everything feels so out of my control.” (Schreck 78) This way, Emma achieves to feel better about herself and fix

Cher is one of the most popular girls at her school with a father that is a litigation lawyer, a prestigious occupation in one of the most wealthiest cities in the world. Cher has everything a young lady dreamed off: money and a huge wardrobe (Clueless 1:00-1:30). However, both Emma and Cher shares the same situation where both mothers passed away. Emma and Cher's lack of maternal figure resulted from them to think highly of themselves. Emma's arrogance can be seen when she brags about being successful in matching couples. Emma believes that she has control over fate and must play matchmaker in order for couples to discover true love. Austen states that "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little well too of herself" (Austen 5). Emma and Cher seemed to have endless power and wealth, in which they acquire the idea that they are the perfect model for everyone in the

Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.

The ensuing disconnect between Emma’s perception and the reality of her surroundings forms the crux of Austen’s novel. Just as Cher convinces herself that Elton loves Tai and Christian loves her, everything that Emma imagines is occurring in her small village turns out to be wrong, and she manipulates people and events with disastrous results. Emma suffers little limitation as she goes to the Cole’s party, to the ball at the Crown, and to the excursion at Box Hill, "provided all was safe at Hartfield." The fact that this represents Emma 's change of response to her father rather than being a change in Mr. Woodhouse himself is made clear by details which would have felt inconceivable in book three, for instance, we casually hear that Emma had replaced the small uncomfortable table at Hartfield with a modern round table sometime in the unspecified past.

The novel's limited scope of action gives us a strong sense of the confined nature of a woman's existence in early- nineteenth - century rural England. Emma possesses a great deal of intelligence and energy, but the best use she can make of these is to attempt to guide the marital destinies of her friends, a project that gets her into trouble. The alternative pastimes depicted in the book — social visits, charity visits, music, artistic endeavours — seem relatively trivial, at times even

Amy Heckerling’s 1995 teen comedy Clueless is a cinematic transformation of Jane Austen's novel 19th century novel Emma. It reworks the primary themes of Austen's novel to comment on 20th century teen culture. Emma is set in the village of Highbury, a microcosm of 19th century agragrian England, while Clueless takes place in the consumerist American society of Beverly Hills in the 1990s.

Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.

We first meet Emma in Jacks apartment in New York. She just got out of prison. She was arrested for handing out pamphlets on birth control, which was illegal at that time. Jack is trying to persuade her to be more careful. He wants her to join the anti-war effort and put her agenda – birth control- on hold, because

Jane Austen depicts people attracted to their opposites, but, ultimately, they end up with those who share similar values; she shows that the happiness of the character depends on their morality.

Through her motivation, it collectively grants women to seek their imagination while exceeding boundaries of society's traditional values. Jane Austen introduces readers to Highbury, a provincial town located sixteen

Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and

Jane Fairfax plays a significant role as a rival towards Emma in terms of intelligence and beauty in the novel Emma by Jane Austen. Jane Fairfax is born to Mrs. Bates youngest daughter and Lieut. Fairfax. Jane’s father Lieut. Fairfax died and Jane was left with a widow mother who also died when Jane was three years old. After the death of Jane’s parents, Jane was took care by Colonel Campbell who was a good friend to Mr. Fairfax where Mr. Campbell believed that Mr. Fairfax has saved his life (p.128). Jane was loved by Mrs. and Miss Bates but if she lived with them, she would have had limited opportunities through her education and her social level. From Campbells kindness Jane was educated at high standards in London by Campbells support

Ironically, Austen's heroes and heroines, such as Elizabeth and Darcy, establish themselves as the protagonists through their blatant disregard for courtesy

Austen reveals how self-transformation is necessary in maturing and establishing self-awareness. Emma Woodhouse possesses qualities that many would envy: beauty, intelligence, wealth, and youth. However, the positive aspects of Emma are equally contrasted by her personality. The novels begins with a description of the protagonist, "The real evils, indeed, of Emma 's situation were the power of having too much her own way, and a disposition to think a little too well of herself: these were the disadvantages which threatened alloy to her many enjoyments."

towns in which Emma lives, places which by their very simplistic natures are anathema to a romantic such as Bovary. It is only through Emma’s depiction of these villages that they are cast as mundane and drab. Though the image exists of the small and backward town with its town gossips and town idiot, it can be seen that it is simply a town, one in which a person can be content—that is, if she is not the always-unfulfilled Emma Bovary. Thus the setting and the stereotypical characters add to the realistic atmosphere that confronts Emma.