Night Every author has a different ways to portray a certain scene and the different elements used can be identify in Elie Wiesel and Art Spiegelman’s ‘hanging’ scene. For example, in Night, the reader uses his imagination to create the images of the horrific events, while in Maus, the images are ‘fed’ to him, giving a different some sort of surprise or shock. Depending on the situation, one novel’s technique might be more emotionally powerful at times than the other.
One element is ‘imagery’, and that technique in Maus compares with Night because Maus is a graphic novel with explanations and Night is a literary novel where one draws out his own picture in his mind. With Night, it all depends on the person’s imagination and how they
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In the next fifth and sixth panels of Maus, we just see feet in the air and our minds automatically trace back to the hanging. Those feet could be jumping, but the way they drop down show that there is no life left in the bodies. On page 86, we see and feel the grief of the Jews and how morbid the atmosphere is. There is the technique of cinematography because in the foreground the reader can see the present situation while in the background, there is a flash-back and the faces of the hanged appear. In Night, the only part where we read about the aftermath of both hangings is when there is the comment about how the soup tasted. “I remember that on that evening, the soup tasted better than ever…” for the first hanging, but on the second, “That night, the soup tasted of corpses”. These are powerful words which draw disgusting images in our minds. In Maus, Siegelman can almost rely on the illustrations to explain a situation, while in Night, Wiesel is forced to write in a way that the words become illustrations in our heads and almost become a reality.
This brings me onto my second element of ‘layout’, and this technique in Night contrasts greatly with Maus because Night all depends on how well written the story is, while in Maus, the illustrations are there to help the reader understand
That is where motifs and other forms of figurative language are of use. Although we can never truly describe the terror of the Holocaust in words, this would be one of the most effective ways of describing it to someone who hasn’t been through it. When writing about an event like the Holocaust, a writer must use all the tools possible if they wish to convey the obscenity of such a crime. In Night, those tools include motifs. Without motifs, Wiesel would be using one less tool to describe the Holocaust, and in doing so, not describing the Holocaust as best as he
They used the hanging as a psychological tool against the inmates to gain power over them, as it was a death threat to those who stepped out of line. As a result, many of the prisoners began to lose trust in God. Considering that faith was one of the few things Holocaust victims were able to keep from the concentration camp guards, their questioning of God’s existence demonstrates the Nazis ability to demolish one’s hope and will to survive. Additionally, the use of the hanging as a threat to the other prisoners exhibits how the Nazis were able to take control of their victims by using scare tactics to enforce obedience. While the hanging of the child may only be one death among millions, the depression, grief, and fear it evoked in the prisoners was strong enough to penetrate their emotional toughness and expose their true vulnerability. Although it may not have been the first time the inmates were faced with the haunting prospect of death, it was the first time they viewed it as an act of merciless slaughter. They finally realized the terrifying circumstances they were in, and this caused them start losing trust in the God they had depended on for all their lives. Elie Wiesel's Night perfectly captures the inexplicable cruelty of the Holocaust, showing how the
The appeal to emotion is the strongest by far. It seems almost impossible for a reader not to cry at the words of Wiesel. Elie paints a portrait of life in the camp, which included hours of back-breaking labor, fear of hangings, and an overall theme throughout the book: starvation. His vivid description of a child being hanged, how he was still alive, “struggling between life and death, dying in slow agony under our eyes”, truly captures the ghastly occurrences of the death camp. His own discussion of how he had lost faith in a God, and how other sons were leaving or even beating their fathers with no care enlightens the reader to the true despair that surrounded the people that inhabited these camps. Also, his description of himself in a mirror as “a corpse” that “gazed back at me” installs in the reader the overwhelming sense of how this event so completely ravaged the human soul.
The Holocaust was a traumatic event that most people can’t even wrap their minds around. Libraries are filled with books about the Holocaust because people are both fascinated and horrified to learn the details of what survivors went through. Maus by Art Spiegelman and Night by Elie Wiesel are two highly praised Holocaust books that illustrate the horrors of the Holocaust. Night is a traditional narrative that mainly focuses on Elie’s experiences throughout the holocaust while Maus is a comic book that focuses on the relationship between Art and his father and the generational trauma Art is going through as well as his father’s experiences during the Holocaust. Night and Maus are very different styles of
The illustrations should help readers anticipate the unfolding of a story’s action and its climax.
Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of
Compare the ways the distinctively visual is created in Run Lola Run and in ONE other related text of your own choosing?
Distinctively visual texts aim to manipulate the we perceive images critically affecting our interpretation of events and people we meet in our lives. Distinctively visual techniques are utilised in the ‘Run Lola Run’ directed by Tom Tykwer and the picture book ‘Red Tree’ written by Sean Tan. The way the distinctively visual is shown throughout these texts is through the use of motifs, different angle shots, colours, lighting and reading paths. These techniques aim to show the important themes in both texts such as time, hope and love.
The Holocaust was a time of great suffering and inhumanity. The novel Night, which took place during this time, was written by Elie Wiesel and talks about his teen self-experiencing the concentration camps of Auschwitz. This is related to the movie The Boy in the Striped Pajamas which is the story of a young German boy named Bruno who befriends a Jewish boy in a concentration camp. The many similarities and differences between the movie The Boy in the Striped Pajamas and the novel Night include their many themes of “inhumanity” and “guilt and inaction”, and the two also share and differ in the loss of innocence of the characters and how they develop in each medium.
When a person recalls an emotional situation, it can be difficult for them to explain to others exactly how they felt when the event occurred. Authors attempt to communicate these tough experiences using a variety of literary devices—which include symbolism, irony, and theme. Night by Elie Wiesel, and First They Killed My Father by Loung Ung are two pieces of literature that recollect the memories of the authors during traumatic events; Night is set during the Holocaust, while the latter is set in Cambodia during the harsh rule of Pol Pot. The literary devices present in each text are utilized by Wiesel and Ung in unique and similar ways to communicate the extent of what they felt .
The most compelling page in Maus is the one when Anja and Vladek are going towards Sosnowiec although they do not have the goal destination. They are heading somewhere and hoping for the best. This story is narrated with the help of design and illustration and it is very interesting because it is based on the life story of the creator. Spiegelman designed the novel by keeping the illustrations simple and it is done in black and white instead of coloring. The story follows the lives of Jews who are being exterminated by Hitler and the Nazis and the design is simple because it emphasizes the story that is supposed to elicit strong emotions which makes the balance between the illustration and the content. This page is full of emotions especially
A powerful and provocative graphic novel, Maus, generates a Jewish individual’s life of grotesque and horror. With its ability of perception and interpretation, it tackles the main points of the ominous Holocaust and delivers a spooky aura to the absorbed audience. In comparison to Schindler’s List, the graphic novel shines brightly than the pale movie due to its realism and humor that is constantly present throughout the storyline. The novel has the ability to connect to the audience; thus, it gives an in-depth look and overall comprehension of the massacre that Spiegelman is trying to communicate. The graphic novel, Maus by Art Spiegelman, brings an honest account of the Holocaust to a wide audience because of its historical truth and intriguing viewpoints and characters that shows the effect and process of the genocide.
Different forms of art are evident throughout the novel and are used as a way to help characters take their minds off of the world around them. The most apparent example of this is the
One of the more notable stylistic innovations of contemporary literature is the willingness to include visual art along with writing. Per Lauter & Yarborough, “The rise of the graphic narrative in the 1990s reflects the desire of writers and readers to consider the way literature has changed as Americans
Meta-narrative in graphic novels is the idea that in a given narrative, there exists a whole other narrative that can truly bring completion to the entire work as a whole. By paying attention to the meta-narrative, readers can connect the entire work’s scattered theme and ideas to its central theme. Noticeable examples of meta-narrating can be seen throughout Blankets as Thompson uses subtle change in intertextual content and transitions between light and dark that can be interpreted