The “magic” of the Disney universe is undeniable, although not as one would first think. Walt Disney created an empire of fantasies, dreams, and magical adventures, but the true magic is the power Disney has to instill these fantasies and dreams into children’s minds. Of course, these fantasies are not always realistic. The easily impressionable thoughts and ideas of the children can be easily altered in their most susceptible time of life to believe these extravagant fantasies. The particular fantasy that is most often presented is the one of every story ending “happily ever after”, which usually goes hand-in-hand with the fantasy of finding the one Prince Charming. By buying into these fantasies, children in society lose the true sense …show more content…
Jack Zipes points out in his essay that “the purpose of early animated films was to make audiences awestruck and to celebrate the magical talents of the animator as demigod” (Bell 31). The advancement of animation techniques rewrote the ways society viewed classic tales (Bell 31). The awe-inspiring new way to deliver these tales made a huge impression in people’s minds that was hard to forget. Walt Disney certainly exploited this fact when he stepped into the scene of animated films. Jack Zipes comments on this evolution of fairy tales onto the silver screen and Disney’s manipulation of the fairy tales:
They deprive the audience of viewing the production and manipulation, and in the end, audiences can no longer envision a fairy tale for themselves as they can when they read it. The pictures now deprive the audience of visualizing their own character, roles, and desires. At the same time, Disney offsets the deprivation with the pleasure of scopophilia and inundates the viewer with delightful images, humorous figures, and erotic signs. (Bell 33)
This concept reached a new high with Disney’s Snow White, which made huge leaps in terms of animated film evolution. Disney spent thousands of dollars on testing new film techniques such as colored gels and improved sound and film synchronization (Bell 35). This new sense of realism surely added to the ability of the audience to take in the fantasies they see as real life probabilities.
The
Many children grew up hearing stories about fairies and dragons. The stories involved a Knight in Shining Armor and a princess in need of being saved. The knight would then risk his life to save the princess in danger. These stories affected these kids and gave them imagination. Without some of these stories, kids would have grown up not having an imagination or dreams. Dreams gave kids joy and made them want to become a princess or a prince who slays dragons. In Shrek Ted Elliott and Terry Rossio make fun of fairytales through parody, irony, reversal and exaggeration.
Although Snow White isn’t anything remarkable with today’s computer-generated graphics, the hand-drawn film was groundbreaking at the time. The high profit from Snow White inspired Disney to relocate and expand his studio in order to facilitate all of his animation needs (Wingert). This upcoming state-of-the-art studio would open up several new opportunities for the Disney Company.
I have an entire playlist dedicated to Disney music. Their songs and movies can make anyone smile no matter how bitter you are. Everybody has watched Disney movies back when they were a kid, and have always regarded as happily-ever-after stories. But that was not always the case. What if I told you that in the original Cinderella the stepsisters chopped off parts of their feet to try to get the infamous glass shoe to fit. But how did it get from chopping feet to turning a pumpkin into an extravagant carriage? Was it media? All forms of media have a big effect on the general conception; from the printing press and Thomas Jefferson to televised news and Donald Trump. Or did our ever changing society create this facade of happily-ever-after that is sought after so often? In the article Fairy Tales and a Dose of Reality by Catherine Orenstein she utilizes historical references and allusions to modern media and challenges the perception of fairy tales and expose them as media-manipulated, romanticized stories.
Few people can grow up within today's society without knowing the tale of Snow White. From the Grimm Brothers to Disney, it has been told and retold to children throughout the ages. However, what is often overlooked are the true meanings within the story. Fairytales typically have underlying messages that can be found written between the lines, generally in terms of the key themes. Snow White discusses the themes of envy and beauty, and shows how humans' obsessions can lead to their own downfall as well as the harm of others. When focusing on the relationship between Snow White and her step-mother the Queen, it is evident that the combination of these two themes results in a power struggle in which beauty
Who turned the gruesome originals into pretty, perfect productions. Disney replaced gore with magic wands and wishes, deaths with true love's kiss, and morbid endings with happily ever afters. Just take the movie Sleeping Beauty, she was cursed then awaken by a handsome prince by true love’s kiss. That’s not what happened in the original version. Sleeping Beauty was still put under a sleeping curse but while she was sleeping a wandering king saw her and raped her, and she gave birth to twins while she was still sleeping. But, that’s just one Disney movie, they couldn’t possibly be all like that, right? Wrong! You’ve see Disney’s Cinderella at least once in your lifetime? In Disney’s version CInderella is portrayed as a servant girl in her own house, who gets whisked off to the ball by a fairy godmother and get’s the prince at the end. But, if you scrape all the sugar off that cake you get a story about a girl who is treated as a slave in her own house who has two stepsisters willing to cut off parts of their feet to fit inside her shoe, and there’s even more. At the end she actually does end up marrying the prince but not before getting revenge on her stepsisters. She has her bird friends pick at the stepsister’s eyes causing them to go blind. Now you tell me if those are the stories you’ve all seen and loved as a child. Disney tricks us into
What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines
As a child, I was told fairytales such as Snow White and the Seven Dwarfs every night before I went to sleep. Fairytales are an adventurous way to expand a child’s imagination and open their eyes to experience a new perspective. Modernizations of fairytales typically relate to a specific audience, such as adolescence, and put a contemporary spin on the old-aged tale. Instead of using whimsical themes heavily centered in nature, the contemporary poems connect with the reader in a more realistic everyday scenario. Also, many modernizations are written in poetic form to help reconstruct a flow in the piece and to develop or sometimes completely change the meaning from that of the original fairytale. Comparing Grimm’s Fairytale Snow White
Giroux argues that in Beauty and the Beast, Belle teaches young women that they are responsible for controlling a man’s anger and violence, and that any woman can change an abusive man into a Prince. However many children are going to be focused on the dancing, singing furniture rather than analyzing the message Giroux interprets; that Belle is just a prop used to solve the beast’s dilemma. The age of children that will be most influenced by Disney films, are at a level of thinking where they have not begun to recognize and understand the images that Giroux describes are embedded in the Disney films.
The completeness of the stories that showed on films covered dissimilarity on reality. It embraced fantasy concept a way far in realism. However, it triggered to produce heartwarming films. The concept of the stories stroked the minds and hearts of young female children which usually convey a love stories. Most protagonists were females or princesses so, evidently young female children were captivated on the stories with used of the unforgettable line “And they live happily ever after”. As a result, young female children when exposed to Walt Disney films tend to identify themselves with those fictional characters. They might as well perceive the stories will happen in life situations.
Marking the first use of Disney’s multiplane camera, the film also incorporates realistic depictions of animal behavior, dynamic lighting and color effects, depictions of rain, wind, and lightning, ripples, and reflections, and the use of timed sound effects to produce specific dramatic, or emotional overtones. All of these advanced animation techniques learned in producing The Old Mill would subsequently be incorporated into Disney’s feature-length animated films. Walt Disney had a vision to fulfill. While Disney did not pioneer cartoon animation, he did broaden what animation can be – feature-length films to American audiences.
From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the
Snow White and the Huntsman is an adaptation of the Grimm fairy tale Snow White and the Seven Dwarfs. However the focus is not Snow White and her interaction with the seven dwarfs, much like the popular Disney portrayal of the fairytale that viewers have come to know. This version of the fairytale is dark and sinister, placing an emphasis on the evil Queen’s agenda and the Huntsman who is sent to hunt down Snow White. This new action-packed spin on the fairytale includes large battles and fight scenes, while keeping many elements from the original tale like the poison apple and “mirror, mirror on the wall”. The film is directed by Rupert Sanders and features a star-studded cast that includes, Academy
Many young children grow up watching Disney films. Many parents do not think that these movies could have a negative impact on their children. Henry Giroux, who wrote the book, “The Mouse that Roared: Disney and the End of Innocence” is a firm believer that Disney films have a negative impact on the children that watch them. For several generations Disney films have been a huge part of children’s lives, but many parents do not realize how these films can negatively impact their children. Disney films can teach young children stereotypes, how to deal with life events such as death and they can learn negative ideas and values from these films.
In a world where technology is rapidly developing and evolving, it is sometimes hard to keep up with the changes that are made. When looking back on changes that are made it is particularly interesting to look at the development of animation over history. Today when one thinks about animation it is impossible not to think of Disney and their major motion pictures. The Shreck films, Finding Nemo, and Happy Feet, to name just some of the dozens of animated films Disney has produced, raked in million upon millions of dollars at the box office, and have been hit films with people in all age groups.
Throughout the animation history, people have been constantly striving to achieve perfect realism. Walt Disney’s Snow white and the seven dwarfs (1937) is one of the earliest attempts in capturing realism and achieving the ‘life like’, introducing new techniques such as roto-scoping in characters and multiplane cameras to create 3 dimensional depth. Therefore there are many flaws regarding techniques, style and narrative despite how much effort and care was put into its making. The scenes when snow white meets the dwarfs, sings into the well, and when the Queen transforms into the evil witch; clearly demonstrates how realism is achieved and why impact the issue of realism. With reference to Paul Wells’ conceptions of ‘hyper-realism’ and ‘orthodox animation’, the issues of realism within the film will be discussed in the latter.