Social Displacement In Quicksand

Small Beauty by Jia Qing Wilson-Yang is about the experiences of Mei, a mixed-race trans woman, who moves from the city to rural modern-day Canada as she deals with past and present trauma. The text is an exploration of personal identity and how one connects with the place they live. Colonization still impacts how people shape their identity today; in Wilson-Yang’s Small Beauty the lasting impacts of colonialization shape how Mei views aspects of her identity through the novel including gender identity and race. First, this essay will set the definitions that set the foundation, second it will explore colonization in relation to Mei’s gender identity, third it will examine the impact of colonialization on Mei’s racial

The Harlem Renaissance period in Modernistic American Literature began when Black authors wrote about that with which they were familiar—what it is to be black. Writers such as Langston Hughes, Zora Neale Hurston, and Willa Cather proved through their writings that the African-American lives were not only different from that of their white counter-parts, but that the writings were relevant for the historical period and beyond. Another Harlem Renaissance writer who led the way for future black writers was Nella Larsen, author of the story Quicksand.

Her initial relationship suggests that the woman constantly dreams of an independent life free of her husband’s presence and her pregnancy but when faced with the sudden loss of her husband, her first instinct is to cling to her old relationship and its comforts. The sudden crossing of paths between the whale and the woman suggest the author’s underlying theme of feminism. The woman is freed from her marriage and her traditional role of wife. She is now free to craft her own identity and choose a new life course. In her discussion about identity, author Susan Stanford Friedman explains how identity is a product of one’s identification with groups such as gender, race, and sexuality (p. 19).

The thesis statement above attempts to examine the role that Elizabeth Bennet plays in the novel as she goes against the women’s idealistic views. This article will help justify my thesis statement in how Greenfield expresses the oppression that women go through and how they lack to see the discrimination they are faced with daily.

As John F. Kennedy once said, “Conformity is the jailer of freedom and the enemy of growth”. The novel Quicksand by Nella Larsen chronicles the plight of a young, racially mixed woman struggling with alienation during the Harlem Renaissance. The female protagonist, Helga Crane, born to a Danish mother and West Indian father, was abandoned and disowned by both her mother and father. Larsen wrote the novel in a time during which racial uplift was promoted and it was expected of women to comply with society’s ideologies regarding marriage and female sexuality. Readers are exposed to the indecisiveness and insecurity of Helga Crane, which further discourages her desire to become one with herself. As a result of the stereotypes present in

Nella Larsen was an American writer of the Harlem Renaissance. One of her novels, Passing, took place New York society during the 1920s. The story surrounds the reunion of two women, Clare Kendry and Irene Redfield and their struggles they face because of ‘passing’. Through Passing, Nella Larsen demonstrates the challenges that the gender constructs during the time as women are powerless against race and men.

These contemporary stereotypes of African American women which the novel contests were established and shaped by the earliest constructions of the African female identity in the United States. Critic Rennie Simson summarizes: “The construction of the sexual self of the Afro-American woman has its roots in the days of slavery. During those days the black woman was thought of, at best, as a worker and, at worst, as an object for sexual gratification and as a breeder for more slaves” (Simson 230). Larsen’s Quicksand connects this exploitation and dehumanization of black female sexuality with the exploitation and objectification of the contemporary African American female within Harlem Renaissance culture. Larsen’s text criticizes the stereotype of the “primitive” African American prevalent in contemporary literature. Quicksand contests such stereotype by portraying Helga as intellectual. Yet the novel also shows the prevalence of this stereotype through Helga internalization of it; Helga views her intelligence as separate and in conflict with her African American identity. For example, in a Harlem cabaret Helga views the African American patrons as “jungle creatures” and feels her whiteness keeps her apart from the “distorted childishness of it all” (1765). This scene portrays the stereotypical equation of childishness with blackness to depict the internalization of such

Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene

According to Elizabeth Lowell, “Some of us aren't meant to belong. Some of us have to turn the world upside down and shake the hell out of it until we make our own place in it.” Sometimes what every situation needs is an outsider to flip the script and create a new outlook on everything. In Shirley Jackson’s novel, “We Have Always Lived in the Castle,” the speaker, Merricat, is an outsider of society on many levels, such as mental health, gender, and that she is an upper class citizen in a poor area. Although Merricat is mentally unstable, her outsider’s perspective criticizes the social standard for women in the 1960s, indicating that social roles, marriage, and the patriarchy are not necessary aspects in life such as it is not necessary to have the same outlook on life as others.

Rebecca Harding Davis was a groundbreaking author whose work, Life in the Iron Mills, examined a socioeconomic system that failed some while keeping others empowered. The issues of power and social class that are embedded in the work prompts readers to look closer at the unskilled immigrant laborers, whose living and working conditions were deplorable, and compare them to the capitalists and wealthy mill owners whose financial success rested mainly on the workers who were being marginalized. The narrator’s call to the readers, “Stop a moment…hide your disgust, take no heed to your clean clothes, and come right down with me,” is actualized through the eyes of the middle and upper class gentlemen who visit the mill on what the narrator refers to as “the crisis of [Hugh’s] life” (Davis). Though the narrator’s voice eases the

Throughout history, Australian has always been perceived as a land of men. This is due to the colonization of Australian during the eighteen and nineteen century, where men are seen inferior to women. They also are domesticated within the house duties that the society has influence because of their gender. Although, Henry Lawson “the drover wife” and The Chosen Vessel” by Barbara Baynton challenges the Australian society through Australian literature by placing women in harsh environments. The drover wife is short stories about women who face the new obsolesce while living within the harsh environments. The Chosen Vessel has a similar aspect of the drover wife but the lead female experience the harness of the environment, which lead to her death. Both women display their own straights and heroics while facing their fears, through their selfless action. They are both portrayed of women of the bush but their fate had stored different outcome for both women. This essay will examine both the drover wife and the chosen vessel both contain a simple plot, but it expands on many issues of gender expectation and domesticated within the household role of the expectation of women. It will also examine the religious aspect of the historical narrative that has been seen within both bush stories.

In her book, Loving in the War Years, Cherrie Moraga narrates her experiences and progresses ideas concerning her existence as a Chicana and a lesbian in American society. She uses variety of literary forms that include short stories, poems, personal reminiscences, and essays. The confusion and personal struggle Moraga recounts speak to the readers as one by the usage of Moraga’s words. Moraga evident usages of her poetries and autographical essays force the reader to understand that her lifestyle has numerous background, and she is not subject to one. Moraga progresses to a level where she is able to join those two worlds into a recurrent strong memoir. Moraga is defining her own blend of two cultures. Moraga dares her readers to

Life in the Iron Mills is a novella that is hard to classify as a specific genre. The genre that fits the most into this novella is realism, because of the separation of classes, the hard work that a person has to put into their every day life to try and make a difference, and the way society influences the actions of people and their relationships. However, no matter what genre is specifically chosen, there will be other genres present that contradict the genre of choice. While the novella shows romanticism, naturalism, and realism, this essay is specifically centered around realism. The ultimate theme in Rebecca Davis’ Life in the Iron Mills is the separation of classes and gender. It is the separation of classes when the people in the

Living in England during World War II had an impact on her life because it coincided with the time that she was moving around, making it symbolic of her life at that time. She would be lured into a false sense of security in a new home (think of the times in between bombings) and then her world would be turned upside again as she was moved away from her father, and into beaten down homes, and then again to a somewhat

Literature, apart from being a channel to depict the author’s work and thoughts on a particular subject, is also interpreted as a medium to reflect norms, values, customs, and so on from different times in history. As stated by Milton C. Albrecht, literature reveals “the ethos of culture, the processes of class struggle, and certain facts of social facts.” (425) Through literary works, authors may be able to reflect their thoughts on specific issues, such as social injustices, or just point out the inequity between different social aspects, such as gender, class or social status. This essay, therefore, focuses on “Wifey Redux” and “Fjord of Killary”, two of Kevin Barry’s short stories from Dark Lies in the Island as well as on “Death of a Field” and “Number Fifty-Two” from Paula Meehan’s Painting Rain to show how inequities of class and social status in Irish society are visible through indirect reflections onto the natural and material worlds.