Analysis Of South Wind In Oklahoma By Marilyn Hillery

Tornados are one of the most destructive and devastating natural forces on Earth. When a tornado is fully created, wind speeds can reach up to more than 300 mph (483 km/h). Most tornadoes that occur are between the Appalachians and Rocky Mountains, but tornados can happen where ever the conditions are right. 90% of tornadoes that happen in the United States, happens in the Central United States. Even though scientist have not yet understood how tornadoes are formed, they’ve developed a theory that consist of the process and conditions of which a tornado must have to form.

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

     When I look at the texture of the painting, I do get a true sense of a wood floor, a wooden bed frame and a piece of fabric hanging from a nail. I think he might have used different techniques for creating various textures in the room. I think the floorboards are of multiple layers of paint, as to create the tones of the wood. I think that the bed frame, however, is just a single layer of paint, almost thin in nature. The texture of the glass in the window gives you a sense that there is an actual surface to the glass. His use of texture gives me a sense that I can walk right into this room.

It is almost a reflection of the man’s trident. That same pitchfork shape also appears in the window of the house that sits in between both figure’s heads. Repetition can also be seen in the dotted pattern of the woman’s outfit, which also appears in the material of the curtain that hangs in the house’s window. The echo of verticals in this painting is also strong. The faces and bodies of the figures seem to be stretched, and narrowed. The pitchfork’s slender prongs and the green stripes on the man’s shirt also add to the elongation of their frame. The copious amounts of vertical wood boards that make up the house and the barn, keep the viewer’s eye moving up and down the picture plane. Wood’s use of verticality in this painting is overwhelming.

What makes tornadoes and their destruction interesting to people? Is it the variety in formations, the miles one can travel, the random paths it takes, the changes tornadoes can make on climate and the formation of the land or is it because tornadoes often leave behind a path of destruction and deaths?

Dale Chihuly is an American glass blower (Dale Patrick Chihuly, 2015). The piece of art I’ll mainly be looking at is Citron and Cobalt Tower. This piece was located directly in the center of the museum as soon as you walked in to the show room. It caught my eye and I knew immediately what I wanted to do my paper on.

The reason I chose to go to the African Art Museum is because I have been there before and I enjoy my time when I go. The tours at the museum consisted of talks about certain pieces in the museum that fell in a category the tourist wanted to focus on. Nkechi Obi was my first tour guide and the title of her tour was “Docent African Arts”. Her goal throughout the tour was to show pieces of artwork that showed what Africans may have gone through in the past in slavery. One piece that she focused on that I want to highlight was “Southern Landscape” by Walter Williams Roots. In this piece there various things going on in the photo.

There is also a mirror placed on the table allowing the viewers to link with space beyond the frame. Also in the far back right of the painting you can see a young man talking to an elderly. The artist created an very old or old-fashioned look by using opposing colors, red and green. “The second half of the fifteenth century in northern Europe saw an expansion of genre

One of the most apparent symbols in the text are the bizarre colored rooms. The rooms represent the cycle of life, blue is birth, purple childhood, green adolescence, orange adulthood, white is the elderly years, violet is dying, and finally black is death. The rooms are arranged like the sun rise and set with the blue room all the way in the east and the black at the west end. Furthermore, the rooms have similar styles, all one color with the decor and windows matching said color. However, the black room is different with black velvet curtains, and the windows a blood red color. The light from the hall isn’t able to enter the room so a candelabra was placed behind each window so that it “projected its rays through the tinted glass… And produced so wild a look upon the countenances of those who entered” (2) The

The exhibit is located at Texas State University, San Marcos and I visited on December 1st. The titles of the work I chose was The Photographer, Getting Even, Carousel Bartender, Chandelier and Alex’s Music Room. The year this work was published was in 2003. The art shown is photographs in black and white and is hand tinted with color oils. The subject of this art is to showcase events in everyday life. By expressing it emotional and creativity by capturing the things many people wouldn't think that are a realty Paint of the artwork is really has a lot of going on outside of the main attraction. In Alex’s music’s room the first thing that captures your eyes is all the red in the painting and the violins, harper and the cymbal on the floor. When you look closer into the painting you can see crazy details. Like the lions laying around in the music room and the candles in the pieced looks as if it's a person not really a candle. The decoration on the chandelier looks like there is really gems hanging in the art. In the art piece Getting Even its isn’t as detailed but it makes you wonder how did Schenck catch this moment on his camera. The painting its taking place in some field of flowers. It’s late at night and it looks like a man is about to kill another person but the other human being is just standing there. I guess the person is getting even by homicide since that’s the name of the painting. The painting doesn’t really focus on the people in it. It focusses more on the scenery because its more emphasized in the painting. The people are more a shadow and in the background I would say. My favorite painting out of the five would have to the be the Carousel Bartender you can see it in my expression. When I was looking at the art this was the first painting that caught my attention. The lights caught my attention since its almost

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The first thing that stands out in this painting is the color scheme. From far away, the warm colors of orange, tan, and mahogany seem inviting. The home seems friendly under a slice of turquoise sky. Shadows heighten the look of the fading sunlight upon the

This piece of art is pretty unusual, chilling, and creepy to some people. You enter the room, walk around in this room, and you feel uneasy and creeped out. You feel a sense of death as you walk through. There is no color, it is only a white room with what looks like thick black cobwebs hanging all around the room, from the ceiling to the floor. the “cobwebs” is what gives the uneasy feeling. To me, it looks like you are walking through caves with they way they were rounded on top and how low they come down. Some of the webs are covering the same object all over the room, beds. White beds with white sheets, again all of the room is white. These beds remind me of beds you would find in a old fashion hospital or in an asylum, thin mattresses,

The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this