Stan the man kubrick Essay

The film was originally intended to be a very serious war drama, but as the production progress, the cast and crew found the piece so funny, Kubrick decided to reorient his approach to the film and make it a comedy. He did not intend for the film to be silly or fantastic; on the contrary, all of the situations in the film are gravely important. The main plot of Dr. Strangelove illustrates two of Belton's four qualifications for war films: the primacy of collective goals over individual motivations and the suspension of civilian morality in times of war. (Chapter 9, 2012) The film is

The director is responsible for overseeing creative aspects of a film. They develop the vision for a film and carry the vision out, deciding how the film should look. The director may also be heavily involved in the writing and editing of the film, as well as managing the script into a sequence of shots, coordinating the actors in the film and supervising musical aspects. The Auteur Theory suggests that films contain certain characteristics or ‘signatures’ that reflect the director’s individual style and give a film its personal and unique stamp. Hayao Miyazaki is one such auteur whose entertaining plots, compelling characters

During the 1940’s, the idea of the auteur theory arose. It was crafted by Andre Bazin, who was a French film critic, and Roger Leenhardt, a filmmaker. They stated that a film should represent the directors vision. Another French film critic, Alexandre Astruc, enhanced the auteur theory by expressing that directors with their camera should be like writers with their pen. This would make a director’s films all have the same type of aspects. Once a director makes a number of films, a certain “finger print” can be seen throughout his creations.

“A number of Kubrick’s movies before Strangelove are explicitly ‘humanitarian’, consciously dedicated to protest against inhumanity, and Strangelove itself has been read similarly (page 561 paragraph 3).”

What is an auteur? Answer this question with detailed reference to one film director: Alfred Hitchcock

"The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure." Francois Truffaut. Auteur Theory suggests that the best films will bear their maker’s ‘signature’. Discuss

Every film that is made has a collective group of people who lend their vision to a film. The term auteur theory, originating in France in the 1950’s, is a French word that means “author” and in the world of cinema that would mean the director is the one who is the major creative force behind the film. As stated in the article The Auteur Theory, “the term “author” carries another association- namely, the idea of a lone, individual creator.” With the word auteur being involved it means that the director is not only the one in charge of directing the film, he would have say or input of other mediums like for instance a painter or a writer. They are rebels against a collective group effort and instead go rogue in making decisions on their own disregarding input from the team and most importantly the studio backing the film.

In order for to find out if Alfred Hitchcock can be considered a film auteur, one must first find out what is the true meaning of a film auteur. The term film auteur was coined from a theory developed by Andrew Sarris, a film critic for which was the auteur theory, a theory in which the director is viewed as the creative force in a motion picture. This means that the director has to have a distinguishable personality as a criterion of value. Over a group of films, the director must exhibit certain recurrent characteristics of style, which serves as his signatures. This also means that a how a film looks and moves have some relationship to the way the director

An auteur director is one who’s viewed as a major driving force and creative film-making whose work is considered to have a particular style and as often seen as innovative

In the simplest form, an “auteur” is the author of a film in which who writes and directs their own films and which are usually very unique. The word auteur originated in France and is the outline for an abstract approach to film making where as the director is seen as the central artistic force in a motions picture. The word auteur was introduced in France during the late 1940’s founded by François Truffaut who was a French director turned Auteur however Andre Basin would be categorized as the “father of auteurism” as he was one of the founders of the “Cahiers du Cinema” which was a prestigious French film magazine, the young critics writers of this French magazine are the cause of the works of an Auteur to be pushed on to Hollywood and

Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors.

An auteur is a filmmaker who's personal influence controls the film so much that they are regarded as the author of the film. An example of a popular and world know Auteur is Alfred Hitchcock who uses voyeurism, macguffins, mise-en-scene and cameo appearances to put a personal stamp on his work. Two of Hitchcock's films Shadow of a Doubt and Rear Window are both perfect examples of all these techniques.

Auteur theory “…was a product of several ideas which coalesced in French film criticism at the end of the forties…” (Hess 29). The idea was that by understanding the film as a product of one individual person, critics could better access “…the revelation of a transcendent reality” (Hess 29) about the central meaning of a film. After all, auteur theory “valorize[s] the film director as artist, gave strong impetus to the European art film movement, and, in so doing, aligned itself with the traditions of high modernism in the arts – privileging the uniqueness of artistic self-expression as an oppositional force in the face of industrialized society” (Burke 36). Thus, it was an important strategic movement in the field because of how it created a sense of continuity within film studies and other academic fields. Auteurism is a theory that ensures that film is taken seriously as an art form and that the contributions of all to a production are perhaps problematically distilled into the work of just one person with a singular vision. Although critics of this theory have noted that it allows for critics to focus on “…what was really of significance: the discovery of recurring themes, characters, and situations in film after film of one’s chosen hero” (Petrie 27).

Auteur theory is of the view that a film is a reflection of the ingenuities and creative imaginations of a director and he or she is the real "auteur" or author of the movie. Although making a film involves a large number of people and machines as it is complete industrial process but the auteur's creative vision is reflected in all the segments of the product.

Style constitutes, thus, a key concept in the theory. Therefore, through the years, the politique’s critics have perfected a precise definition of the term, ultimately describing it as the unique cinematic expression of ‘the auteur’s personality, [which] endows his work with organic unity’ (Edward Buscombe 2008:78) and, as I will explain later, elevates it to the status of art. On a practical level, auteur style is hence embodied, in the filmmaker’s work, by easily distinguishable visual, aural or narrative patterns, on one hand, and, by recurrent personal themes, on the