When driving or walking anywhere in Los Angeles there is graffiti or street art all around. Some say vandalism and I say ART. There is so many types of street art, like tagging, stickers, characters, murals, and more. Places in Los Angeles are mostly covered with beautiful murals. When street artists create murals they create a voice for everyone in that community without saying a word. There are many different types of street art and murals that are part of any community. Street art and murals can give a voice or a cultural background to the community. Many types of cities have beautiful street art like Hollywood, within Hollywood there is a little community called Little Armenia. In this community there is a mural located on the side of Winona and Hollywood Boulevard. This mural is a symbol of what the Armenian Genocide was and because the mural is an area where Armenians and others walk from to go to the Turkish Embassy to fight for remembrance for the 1.5 million Armenians that have died on April 24. This mural shows us what the community is about and it brings the community higher and not lower. The mural itself has a black back drop with a yellowed orange in some areas looking like fire, there are some trees but also cross with bodies hanging from them. On one side of the wall consists of the Armenian, Greece, Israel, and Assyrian flags, all countries that have been killed by Turks. In the middle of the picture is the artist’s grandma, a survivor of the Armenian
In Frank Romero's mural, he shows us some aspects on what to see in LA. He shows us how many of the people in LA use cars in their everyday life. This is a part of them if they like it or not. This gives us an image on what we see and do in LA.
A mural is more than just a painting on the wall. Murals bring together a sense of community and make the city a more welcoming place. According to the Merriam-Webster Dictionary, the word mural means a painting or other work of art that is directly executed on to a wall. In many aspects, murals originated from graffiti, which comes from the Latin word graffio, meaning scratching or scribbling. Mural Arts programs are popping up in cities across the nation. However, I decided to focus on two cities that were closer to home for me. I focused my research on Newark and Asbury Park, New Jersey, in comparison to Philadelphia, PA. All of which, are cities that are not the nicest, but with the help of murals are becoming more welcoming places.
Many times it's the people of the city who are the ones to destroy them; Romero’s vandalized mural “Going to the Olympics, 1984” can be an example of the carelessness of hooligans who ruined the mural with graffiti. Romero’s painting was covered with a protective coat by the state; this was a wrong way to respond to the situation because it made it seem as if the mural never existed. In my school we have a beautiful mural of Gandhi that we are represented by because of the famous quote “Be the change you wish to see in the world.” This mural has been vandalized by graffiti because of the immaturity of our younger students, this mural was a beautiful addition to our school's appearance but with the carelessness it has been tarnished. In the article “End is near for some LA freeway murals due to graffiti” by Adolfo Guzman-Lopez“ it was said that “After years of graffiti tagging and futile restoration attempts, some observers say the end is near for dozens of Los Angeles’ once-glorious freeway murals.” Murals are losing the fight; Los Angeles has gone too long without recognizing the helplessness of these works. The city had a reasonable argument for the covering of freeway murals, they wanted to stop the abuse they were receiving from vandalism and have the art remembered in its beautiful state
1.Street Art is visual created in public. In many places street art is considered to be illegal but in other places people and government services pay commission for them to express their feeing in the world or anything else.
Artists that use graffiti is a way of expression to society. They express what they might be feeling inside or going through. Every art piece has a story behind it. Graffiti is like poetry.
Out of Sight: The Los Angeles Art Scene of the Sixties is a 320 page art history book. The book was written by William Hackman and published in 2015 by Other Press. William Hackman was a longtime arts journalist and former managing editor for publics affairs at the J. Paul Getty Trust. Prior to being an editor, he was a reporter for Time Magazine reporting primarily arts & entertainment, education, and business stories. Hackman was well versed in the subject of art and considered a well-known authority on the subject. His work has appeared in major American newspapers and magazines, including the Chicago Tribune and the Los Angeles Times.
Imagine walking through town, each turn you take, you see an explosion of colors, making your mind overwhelmed with a strong desire to know what you are seeing. This eye-catching wonder is graffiti, and believe it or not graffiti is being turned down by our world, and the artists in their community are being charged for their creations. Our community needs to accept these artists and not punish them for their art, reason being that art is all around us and no matter how hard people try, they can not stop artists from doing what they love.
Even though Downtown Danville may seem lifeless and dull at times, there is actually a large street art scene. Murals are scattered throughout the area on old stores and parking garages. I feel as though these murals bring color to the dull brick buildings, and seem to clean up the area so that it seems less decrepit. Many of the buildings seem to be as though they were brought back to life thanks to the art that now decorates their boring walls.
Street art is critical to remaining in the street as if it is removed and put into a gallery, the whole message and purpose is lost. Street art being in public spaces is an essential component to the artists expressing their message across to everyday peoples. If the art work is created from street materials “then its use of the street is internal to its meaning;/ as a result, most pieces need not be placed in a gallery” (Riggle). Nicholas Alden Riggle’s also states that “pulling them from the streets the curator eliminates their material use of the street, thereby destroying their meaning and status as street art” (Riggle). It is assumed that the artists responsible for creating street art believe deeply that “art should lift us out of
Street art is a form of untraditional art that recently began in the 1960’s. Due to the rise of the counterculture movements of the 60’s, this form of art has risen in popularity too. Being in a gallery has a different kind of tone than crafting work outside, because of the constraints that galleries put on the artist. When creating the work on the streets, the constraints are lifted which allow the artist to do what they want. The artist has the ability to do anything from political satire to creating a tag name that symbolizes them. Street art, for the nontraditional artist, allows one to explore who they are rather than conform to who they were taught to be in school. Traditional street art is created for everyone to see and is normally
Public graffiti is a form of expression for those for do not have a strong voice to do so. Graffiti and street art is often debated over being a true art form; however, this form of art can be a means for social change, protest and expression. The Webster dictionary describes art as “something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings.” Most graffiti artist strive for just that. An example of a person trying to spread their message through graffiti is a woman activist named Shamsia Hassani. Hassani often travels to Afghanistan, a country plagued with wars, to paint murals and graffiti on buildings about women’s rights. Hassani’s goal is to change the view of the city by using
The art that cities choose to include in both their art galleries and on their streets characterize how the city wants to be represented. Chicago has an array of art galleries and street art which can be predominantly found downtown. One of
Have you ever walked down the street and seen graffiti? What did you think? Graffiti has been a hot topic lately. The city of Seattle is currently debating if graffiti is vandalism, or art. Graffiti is not art it is vandalism. It is often done on private property, it's against the law, and it lowers the property values and sends the message that people of the community are not concerned about the appearance of their property.
Finally, graffiti should be considered art because it is broadcasted and showcased basically everywhere you go. Whether you are walking home next to the train station and see a box car all inked up, or you look to the side of your local malls, graffiti is there. It is a way that underground artists get their work recognized and attention. Even if the attention is negative, the impact that these artists leave is there for everyone to see. Hate it or love it, these artists put time and effort into these pieces like any other
Graffiti has put a major impact on the way people look at their everyday life. It was not used so much here in the United States but was used overseas. Overseas, graffiti, or street art, was used or played as a sport, just like baseball is Americas sport. There are different laws that are put over there than what there are here. They can get away with some of the things that they paint or make over there. If we tried some of that type of work over here, we would get in trouble and possibly serve time for vandalizing someone else’s property. There are many biased outlooks on graffiti, but it should be considered art in all places because of all the time, effort, and design the artist put into their work.