Recommendation: This manuscript is worthy of publication and would serve well in the late teen education space. It has the potential to be a staple of High School English studies owing to its historical, geographic and social placement; with an intensely focused Australian cultural slant. As a competently edited novel, this manuscript could easily offer itself to guided literary analysis and potentially has a non-compulsory market in the baby boomer generation, who post-date the literary period by two generations which will cement their identification with the trials of the protagonist.
Review
Stringybark and Strychnine by Sarah Brent is an ambitious narrative that exposes the intermittent ambition of Sylviana Myers as she attempts to outrun
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This contrast is a battle fought by Sylvania on all fronts of her life. Ironically, the battles rarely involve another person, merely her own internal machinations as she works out her own preferences and prejudices. The resultant melancholy makes the character all but irresistible to the emotionally susceptible reader.
The relationship with Harold is a further exposition of this internal conflict. Sylvania, by all accounts, is barely interested and yet entirely obsessed with Harold's intentions towards her. Their relationship is a tenacious and yet flippant thread throughout the manuscript that makes the characters relatable to the reader.
The influence of Mr. Beecham is a clear acknowledgement of the self-indulgence referred to above and yet it adds an irresistible familiarity with the character. The constant equivocation and reflection on what was and what might have been might be seen as immature; and yet to an honest reader in the context of the manuscript, it is a perfect
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The relationship between Sylvania and her Father is relatable and tempestuous as Sylvania transitions from a girl into a young woman reluctantly accepting the wisdom of her jaded Mother.
The introduction of a stable yet insignificant relationship with Harry, when combined with the tempestuousness of her relationship with Beecham, ensures that Sylvania will live on in the minds and hearts of any reader that has had more than one relationship
The self-serving perspective of the protagonist is a great way to draw the reader into her plight. It is entirely irresistible to hold back from indulging in the piteous self-analysis of Sylvania as she experiences interactions with other characters that would otherwise be of little or no value.
There is the deliberate undertone of an iconoclast in Sylvania and it seems reasonable having regard to the duplicitous philosophy of her parents. Sylvania’s inability to reconcile the competing views of her parents; combined with her desire to maintain enough harmony to establish her own existence as a person inevitably lends itself to a personality lacking in compassion and focused almost entirely on what has “happened” to
The above lines throw light over the fact that she believed helping people demonstrates their true nature in one way or the other despite the factors that make them do so. For example she assumes that kind people even though poor, are going to spread happiness by sharing a part of their share, however small. However, as more and more people exploited her generosity, she felt cheated, undervalued and not respected
Rebecca has been described as the first major gothic romance of the 20th century; Mrs. Danvers’ character is one of the few Gothic interests within the novel. Her unnatural appearance and multi-faceted relationship with Rebecca provides scope for manifold interpretations and critical views. Furthermore, Mrs. Danvers connection with Rebecca and Manderlay is a sub-plot in itself, making Mrs. Danvers the most subtly exciting character in the novel.
The introduction of a polar opposite character to Zeena, Mattie Silver, sparks a glimmer of hope in Ethan’s life and with her beauty, and vitality, she’s meant to juxtapose Zeena’s cold witch like character. Wharton illustrates this difference by depicting Zeena with a “Flat breast- high boned face – puckered throat” which connotes to darkness, cold and even death. Contrastingly Mattie is portrayed “like a wheat field under a summer breeze”. This simile suggests that she, in Ethan’s desperate eyes, is synonymous to nature, life and warmth. This disparity between the two characters ultimately explains why Ethan’s conflict between passion and social convention because he loves Mattie yet morally he can’t leave Zeena and is thus he is imprisoned. Interestingly, critics like Lionel Trilling argued there was “no moral debate” in Ethan Frome, I however disagree and believe the whole novel revolves around the personal moral dispute Ethan has with himself.
As the reader is more introduced to her they can see her manipulation become more evident. “Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you” (23) she tells this to the other girls. This adds a fear element as well as eludes how she can manipulate people into doing what she tells them. This helps to not only prove to the reader the truth of this theme but develop the plot and her role in the
Set in the multicultural outer-suburbs of Sydney, Melina Marchetta’s, Saving Francesca, follows the life a teenage girl as she faces many issues of keeping ,and finding new, friendships. Attending a new school, Francesca Spinelli must find her own individuality, learn how to deal with Mia’s depression and live through the awkwardness of maintaining relationships. This has content which is beneficial to young Australian reader, as it shows implicit, and explicit, social, moral and ethical messages. Per said, it is highly recommended that young Australian’s will enjoy the valuable and meaningful reading experience.
narrator presents him as the protagonist with the intention of provoking the sympathy of the audience.
Once upon a time, there was a dear little girl called Scarlet who was loved by everyone who looked at her, but most of all by her mother, and there was nothing that she would not have given to the child. On Scarlet’s sixth birthday, her mother suddenly fell ill and soon passed away. Scarlet’s father, being unable to resign and accept the reality, quit his job as a hired herdsman and started hunting in order to distract himself from his grief. He could hardly bear to catch a glimpse of Scarlet’s sight, for she resembled her mother too much. Thus, he neglected his daughter and spent most of his time hunting out in the woods. For this reason, his mother, Scarlet’s grandmother, decided to come and live with them. Grandmother’s permanent stay was
Meyer’s experience with twists of classic stories and fables is highlighted by another novella, Fairest, an additional origin story about a young girl driven to the point of madness and hostility, eventually becoming the antagonist of the original series. The author’s skill with writing origin stories contribute to her need to “make sure each character received their due”, thus explaining why she has written several stories from different point of views, including antagonists.
From slavery to the issues of gender and race, the idea of abuse has been displayed through of love and other Demons. The story of a young girl named Sierva being disconnected from the comforts of wealth due to the wrong diagnosis and ignorance is a very interesting scene in the novel. Sierva was raised by the slaves after she was abandoned by her own family especially her father who "He always believed he loved his daughter, but the fear of rabies obliged the Marquis to admit to himself that this was a lie for the sake of convenience." (Grossman)
Although, my picture also had to conform to what the other actors understood and could work with, as well as, one the audience could relate to. Therefore, this lead to several rehearsals and just spending time practicing the lines over and over, until I targeted a certain persona I desired from scene to scene. Then during rehearsals, I continued to experiment with my character until I seemed to craft Sybil in what I like to refer to as a “deceptively modern” aura. At first glance, Sybil appears to be a wife who believe that she and her husband are a happy, modern day, couple. However, that is just a misdirection. A deception to the marriage that is broken apart by the act of
From the beginning of their days, children are endlessly taught that true beauty lies within, even if the exterior looks rather dull or repulsive. The skeleton of prejudice is based on not wanting something or someone because of one’s precomposed perception, despite the fact that the receiver of the prejudice’s true identity and character are unknown. Paradoxically, the thin coat of glitter and gold can easily be used to conceal the coal and soot underneath. In her short story “Faces”, Paula Dan recounts a tale of a Janus-faced man. The story, based on a similar incident that took place in her mid-teens, describes how a seemingly pleasant and caring man only uses his supposed qualities to blind others of his abusive tendencies. Through the characterization of Mr. Stavros’ (aforementioned man) instability, the symbolism of plants and metaphors, Dan vividly illustrates the concealment of the indisputable disorder and obscenities within the Stavros household, no matter how many lies the flowers feed the eyes of outsiders.
Have you wondered what the true meaning of love is? The meaning of love, between Shakespearean time and now? Or relationships from the past and now? This comparative essay will compare relationships between the play; The Midsummer’s Night Dream, and 500 days of Summer. The comparative essay will compare the relationships between Tom and Summer versus Theseus and Hippolyta, Tom and friends versus Helena and Hermia, Tom and Sister versus Egeus and Hermia. Both relationships have a connection of either what the relationship is based upon, or if the relationships are based on true friendship or love. The following paragraphs will further, compare and contrast relationships between the film and the play.
All great writers must be able to manipulate people’s emotions by their word choice and character development. A common theme among these passages is the use of the writer’s word choice on how each passage is interpreted by the reader. The word choice can affect how harsh or how pleasant a character sounds or how strongly they object to something happening. Tennyson’s manipulation of the reader comes from his great control over words and knowing which synonym evokes the most emotion.
Mrs. Dalloway will continue to develop into a plot-twisting, eventful and alluring story that readers will continue to enjoy in the future. It is extremely important to take a step back from the theory side of a novel and to simply enjoy the experience that the text is portraying, and to always remember language and literature is of humane values. This is something that expresses our humanity and provides readers with an experience in a way which will remain timeless and
This journal uses Carl Jung’s personality theory to explain the way Elizabeth and Mr. Darcy interact with each other. The journal touches on their prejudice towards each other as well as what they learn from one another and why they should be together. Jenny establishes the similarities between the characters in regards to their personality. They are both introverted, intuitive and judgmental. She expresses that the characters learn from each other the balance between judgment and perception to avoid prejudice and pride.