Summary Of Bruce Springsteen's Born To Run

In the 1960s, Rock ‘n’ Roll was replaced in popularity by other branches of rock such as Acid Rock, Psychedelic Rock and Hard Rock as a hippie counter culture arose, mainly to protest against the Vietnam war. These new forms of rock provided social commentary on the wide range of assassinations and anti-civil rights actions that infested the country, and united those that wanted to end them. They too celebrated anti-authority actions, but now they were used to promote peace and drugs. Americans—mainly college students—were still rebelling against societal constraints, but instead of fighting against the conformity of white suburbia and their parents, they were uniting to fight against U.S. governmental authority. Rock in the 1960s still mainly appealed to the younger generations, but its influence was spreading. Folk Rock (Bob Dylan) was playing in protest, reminding the individuals there that they were fighting for peace, and Psychedelic Rock—which replicated or enhanced the mind altering experience of psychedelic drugs—created a soothing and new atmosphere in the U.S. Music festivals such as Woodstock in 1969 sprung up to promote peace, do drugs, listen to music, and enjoy being alive and young.6 However, this element of extreme partying and pleasure, eventually brought a few stars to early deaths, such as Janis Joplin and Jimi Hendrix. In the

In the song “Can You Run,” the SteelDrivers sing about the Underground Railroad in the United States during the 1800s when the Civil War took place. In the song, the SteelDrivers sing in the point of view of the slaves who ran away from their owners. The song is mostly consistent with the actual events of the freedom of slaves during the Civil War era. When the SteelDrivers sing, “Can you run, to the freedom line of the Lincoln soldiers?/ Where the contraband can be a man / With a musket on his shoulder,” it is a reference to the slaves were made free from their owners once they were able to pass the border between the Union and Confederacy (United States, National Park Service). The slaves who escaped to the Union were called contrabands,

In Roxanne Harde’s essay, “ Living in your American skin: Bruce Springsteen and the Possibility of Politics”, she argues that many of“Springsteen's lyrics is portrayed as literature and political narratives” since he uses his music to discuss many of society’s underlying social and economic issues. (125). Her targeted audience is to fans of Springsteen who has a strong interest in politics. From her essay, Harde “draws on political theorist to examine Springsteen’s politics and the way of being political he has exemplified for more than thirty years” (125). Harde uses ethos and structure to develop many her arguments, providing an effective essay that supports her thesis statement.

     Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves.      Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation.      Although

Artists write or compose things for a specific reason, usually this is to convey a feeling to the listener or reader. When words are placed with music, it can change how a person hears or thinks of a song. In the song “Run” by George Strait he creates a feeling of desperation and longing not only with his lyrics, but also with the melody that goes along with it. Music is powerful, and it can change your attitude towards something just by the sound and tone of music. By adapting a song into a letter, one can either change the meaning of the whole song or allow it to give the reader the same feeling as before. I changed George’s song into a letter to show how things can be different or the same when you take music out of a piece.. In my adaptation

At only 22, he was crowned the voice of a generation. His audiences became mesmerized with his expressive lyrics and soulful harmonica. He changed the way the world looks at songwriting and protest, and inspired countless future musicians from the moment he stepped up on the stage in his railroad hat, denim jacket, and harmonica brace. However, it is clear that there is so much more behind Bob Dylan than just a rough voice and a collection of poetic songs. As one man said about Dylan’s early days in Greenwich Village, “There’s a quality of determination and of will that some people have that when they’re doing something, they’re really doing it and you

In times of war it is quite common for people to start questioning their values and their actions and be unsure of the path they are taking. This is common because to protect our values we often are told that we have to take actions that conflict with those values. One example would be how to protect our liberties we must sometimes restrain those liberties during treacherous times. However, the ultimate question is whether or not going against the very values we stand for is a hypocritical and wrongful action plan. Bruce Springsteen approaches this very issue in his song “Devils & Dust”, from the CD with the same title, and he subtly criticizes how the United States is betraying

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

Bruce Springsteen’s autobiography and personal memoir, “Born to Run,” covers all of exactly who he is and how he got to be that way. From his family life to the making of his albums, from his mental heath to his concerts, it all coincides with one another, clearly identifying who he is as a person. This book would thrill even the most hardcore Springsteen fanatics and keep them on the edge of their seat. Born to Run adds little that’s new, but its narrative voice proves to be extremely insightful

In addition to this general explanation of music fans, Cavicchi explained, “among Springsteen fans, the idea of connection means more than just having an affinity for Springsteen’s music; it means making the music a deeply felt part of one’s life, of having an ongoing, shared relationship with Springsteen the artist”(Cavicchi, p.41). Thus among of all Springsteen fans, being a Springsteen fan means not only they like his music, but Springsteen and his music is significant factors to shape their personal and communal

The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular

Although both of these songs feature the iconic tune of Bruce Springsteen’s “Born in the USA”, their content could not be more dissimilar. Born in the USA is a well known, but largely misinterpreted and misunderstood song. Banned in the USA is a comparably less famous parody of Springsteen’s iconic tune. Although Springsteen’s song is often thought to be a song that embodies national pride and patriotism, this could not be further from the truth. Similarly to Banned in the USA, Springsteen’s song is a criticism of America.

To understand the sixties counterculture, we must understand the important role of Bob Dylan. His lyrics fueled the rebellious youth in America. Songs such as “Blowin’ in the Wind” and “The Times are A-Changin” made him favorable to anti-war demonstrators and supporters of the Civil Rights movement. He was commonly hailed as the spokesman for his generation. Dylan used lyrics to allow the youth to find their own form of counter-culture. The youth generation began to see the effects racism, war, etc. effect the society in America. To combat this, the youth created their own form of counter-culture to promote a peaceful change within society. Some of their actions include forming anti-war protests that opposed America’s involvement in the Vietnam War, and supporting African Americans/women get the rights they deserve through the Civil Rights Movement. Bob Dylan’s music appealed to the young generation because he openly expresses his disapproval of the establishment in order to influenced his audience to move in a direction for change. Counterculture youth rejected cultural norms of the previous generation and their values and lifestyles opposed the mainstream culture present in the 1950’s. The folk music revival of the early 1960s, as well as the counter-culture movement played an important role in advocating change. Bob Dylan wrote songs that influenced the Civil Rights Movement, New Left Movement, and Anti-War Movement.

‘No matter gay, straight, or bi, I was born to survive’. In the words of lady GaGa herself it doesn’t matter who you marry, what your gender is or what’s you race you just need to accept others and yourself. Lady GaGa’s song ‘Born this Way’ informs others about self-acceptance in her new album ‘Born this way’. This song is about people abusing others and reflecting badly on them self because of their race, gender and choice in who they marry. Lady GaGa expresses her thoughts about people’s issues to say it doesn’t matter who you are because you were born that way.

Duluth Minnesota, May 24th 1941 Robert Allen Zimmerman (Bob Dylan) was born. 69 Years and over 45 albums later Bob Dylan has completely altered the face of popular music since his debut as a fresh faced folk singer in 1962. His early career forged him into an informal chronicler and then he later developed into an apparently reluctant figurehead of social unrest [Gray, 2006] and became a voice for a generation. His songs have been covered by many artists in a wide span of genres and he has remained a prominent and highly influential figure in the history of popular music over the past five decades. [Gates, David, 1997]