In “Drenched in Light” by Zora Neale Hurston, it has elements of being too minstrelsy for the Harlem Renaissance, which I agree with. The little girl, Isis, has a personality that hooks readers into the story. Everything about Isis is a way to keep the readers and everyone included in the story captivated. Some people would disagree by saying, Hurston wrote “Drenched in Light” the way she did to satisfy the imagination of the white person. People said, Hurston’s intention for her stories was to get the white people to go away so she can continue writing about her own expressive identity/voice. Minstrelsy was an exploitative form of musical theater that exaggerated real-life black circumstances and reinforced dangerous stereotypes during the 19th and 20th centuries (“History of Minstrelsy” – USF). According to that definition, minstrelsy was essentially a method for white people to use the African-American’s and their lives as entertainment, which is Isis’s sole purpose in this story.
Isis becomes powerless over her thoughts and motions when music begins to play. According to the texts, “Music to Isis meant motion. In a minute razor and whipping forgotten, she was doing a fair imitation of a Spanish dancer she had seen in a medicine show sometime before” (Hurston 171). The first sentence of that quote shows that anytime Isis hears music playing her mind goes blank and she starts to move. As soon as, music plays it means Isis must dance like it was programmed into her by
The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.
“A battered woman can only endure, and only God can save her - if God will”(Carter 616). In “Sweat”, by Zora Neale Hurston, Delia, the main character, is trapped in an abusive relationship. No one in the town is willing to help Delia get out of her relationship. Delia has had to become a source of strength for herself, but if she wants to be saved, she will need God’s help. Delia faces many struggles and through it all tries to remain a woman of God. Eventually, she becomes an example of the Passion of Christ by suffering and triumphing over her hardships (Banks 3). Delia is a strong Christian woman, and there are many Biblical references throughout the story. In fact, Christian symbolism can be seen throughout Zora Neale
The Harlem Renaissance marked the coming out of many brilliant black authors and thinkers. Names like Jessie Redmon Fauset, Alain Locke, Ralph Waldo Ellison, Langston Hughes, and Zora Neale Hurston marked the scene. Hurton portrays many messages in her stories without having to explicitly spell it out. This among other reasons make Hurston's writing so rich. Two of her almost fable-like stories, "Sweat" and "The Gilded Six-Bits", each portray powerful messages individually. In "Sweat," you get a message of "whatever goes over the Devil's back, is got to come under his belly." You will reap what you sow among other messages. In "The Gilded Six-Bits," you learn that time will heal, money is the root of all evil, and other morals. These
Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though
Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature
Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.
She uses idealistic examples and real world situations to get the best realistic interpretation on the matter of the harlem renaissance. This novel also is a great way to learn and understand the importance of women's roles and rights during the harlem renaissance era for the black/african american women. All in all, Hurston’s depiction of the harlem renaissance reflects and departs the major topics and does so
“Everybody's good when they're good, darling. You don't judge a person by that. It's how they act when things aren't good that tells you who they really are.” ― Megan Jacobson (Goodreads, “56 Quotes”) Much like the world around us, literature has many elements that have the reader portray their own understanding and perspective of it. In Sweat, Zora Neale Hurston gives the reader many different situations where many readers can have several viewpoints. This seems to be very similar to the Bible, where a child of God can read the same scripture as another and have a completely different meaning in their eyes. Zora Hurston uses many elements that focus on the idea that actions one does speak louder than words, by the use of religious imagery and Delia, the wife.
Symbolism is often utilized in literary pieces to help express an idea and reveal a deeper meaning. In Zora Neale Hurston's short story "Sweat," the main character, Delia, is a victim that suffers from her husband Sykes' cruelty and abuse. The symbols of clothing, sweat and snakes play a major role in "Sweat" and reveal hidden meanings (the truth) about the two characters Delia and Sykes.
The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.
In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.
“It is during our darkest moments that we must focus to see the light”(Aristotle). Zora Hurston’s “Sweat” is a prime example of focusing on the light to overcome darkness. The story begins in darkness and ends at dawn. Delia suffers through and ultimately triumphs Sykes by focusing on the light, in her case religion. Being an anthropologist, Hurston’s work not only inspires one to keep looking forward, but it also represents humanity’s struggles. In her 1926 short story, “Sweat,” Hurston employs foreshadowing and Biblical allusions to symbolize a release from oppression.
In Zora Neal Hurston’s short story “Sweat,” Delia Jones is a dedicated wash-woman who is cemented into an unfortunate relationship with her husband, Skyes. Skyes not only treats Delia inhumanely, but he also commits adultery with his mistress, Bertha. Delia will not divorce Skyes because of her religious beliefs. Delia is deathly afraid of snakes, and Skyes uses this to his advantage when he tries to kill Delia, so he can marry his mistress; ironically, the snake kills Skyes. Delia transforms into a new person throughout the story by fighting for her life in a sophisticated manner.
In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.
African Americans experienced a multitude of hardships throughout American history, and many writers and poets displayed their struggles through their works. The Harlem Renaissance Era was a prime time for quality work that exhibited the oppression, struggle, and eventual gain of freedom that African Americans endured. Poets such as Claude McKay and Zora Neale Hurston, as well as writers such as Lorraine Hansberry, created powerful images through their respective works. Titles such as A Raisin in the Sun, “Sweat”, and “If We Must Die” all possess the common theme of hardship, and contain many similarities. Oppression was an extremely large issue that African Americans had to deal with in this era of time.