Summary Of Gonad The Barbarian And The Venus Flytrap

The Clitoral Truth was the first book I’ve ever read that openly talks about masturbation, genitals, and equality. The first chapter talks about women’s genitalia and the orgasm that doesn’t seem to make an appearance as much as it should be. I thought women sexuality was about the parts and how it changes during intercourse, but there is a whole new side. After reading chapter one, it made me realize that society just focuses on men’s needs and parts. I was very oblivious to the fact that women sexuality was so shunned and how unaware society is on the matter compared to men.

Tropp, Sandra Fehl., and Ann Pierson. D'Angelo. "Pornography (1983)." Essays in Context. New York: Oxford UP, 2001. 543-47. Print.

In Deborah E. McDowell’s essay Black Female Sexuality in Passing she writes about the sexual repression of women seen in Nella Larsen‘s writings during the Harlem Renaissance, where black women had difficulty expressing their sexuality. In her essay, she writes about topics affecting the sexuality of women such as, religion, marriage, and male dominated societies. In Toni Morrison’s short story, “Recitatif” there are examples of women who struggle to express their sexuality. The people in society judge women based off their appearance, and society holds back women from expressing themselves due to society wanting them to dress/act a certain way.

Professor’s Comment: This powerful essay contrasts the views of two feminist, Catherine MacKinnon and Sallie Tisdale, each of which perceives pornography in widely divergent ways. While MacKinnon's 'Not A Moral Issue' explains the adverse impacts of pornography to women and society as a whole, Tisdale's 'Talk Dirty to Me: An Intimate Philosophy of Sex' is receptive to pornography despite these adverse impacts, suggesting in fact that the solution to the problems associated with pornography is a greater role of women in production of that pornography.

Susan Brownmiller's essay voices her feminist view towards pornographic material. Her claim is that without restriction, the first amendment has allowed women to be publicly perceived as objects.

Lisa Sigel’s, urge towards more historiography within the realm of pornography appears to be a vital response to the contestations concerning a comprehensive understanding of such a chaotic topic. To begin with, Sigel explores the discord revolving periodisation and delineation. She particularly looks at debates around the period the genre was formed as well as the challenges to formulate a single universal definition of pornography (pp. 223-224). Subsequently, her article veers towards research that has been conducted by other disciplines in the field, but it does so in correlation to what work historians should initiate in clearing the gaps that are left behind. Here, Sigel talks of the issues power and censorship has imbued on the research of pornography but she, moreover, examines how this could be corrected. She exemplifies the analyses of literary and art scholars, including Bradford Mudge, Sarah Leonard and Alyce Mahon, as a way forward for historians (pp. 227-231). Sigel goes on to argue that the result of historian work would help align pornography to specific socio-political contexts. She goes on to explore some of these contexts and insists that by continuing this contextualisation process a better understanding of pornography will be obtained (pp.231-233).

Whilst many disagreements have arisen in feminist discourse over the years, none has been quite as prevalent or divisive as the issue of the commodification of sexuality. There are two central groups in feminist ideology that are divided on this issue, liberal feminism and radical feminism. Liberal feminism is influenced by the ideas and values of liberalism. Thus, these feminists share a contractarian view which places an emphasis on a woman’s ability to make choices for herself and that the selling of one’s sexuality is merely an expression of that choice. Paradoxically, radical feminists believe that because women live in a patriarchal society, the commodification of sexuality can never be a choice or a form of expression. Rather, forms of sexual commodification such as pornography and prostitution just enforce male oppression. This essay will explore these two ideological positions in regard to their divergent definitions of human nature and freedom which has created a division within feminism about the commodification of sexuality.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

The pornification (or alternatively pornographication) of the social world has created lasting effects in the lives of people that they must deal with every day (Dines 1998, p. 164). Pornification is the process by which the social and cultural world is sexualised. This occurs through the expansion of media technology and the pornography industry, as well as changes in media regulations and restrictions which allow pornographic imagery to intrude into public spaces (Tyler 2011, p. 79). This essay will offer explanations for why the pornification of the social world is occurring, how the phenomenon differs from a freedom of expression issue and is instead considered a sociological issue, what consequences and harm arise from these explanations, and will offer social measures that can be adopted in order to deal with the issue. Pornification has occurred in almost every realm of the social world, including in its unaltered form on the Internet, social media, marketing, advertising, music, fashion, sport, and art. However, this expansion of easily accessible pornified content is a stark and confronting challenge for our social world.

In the coming paragraphs, I will prove that Ronald Dworkin’s criticisms and critiques of Catherine Mackinnon’s views towards pornography and society are largely unfounded and immaterial, and that government intervention via legislation is required in the protection of women’s interests. I will begin by explaining Catherine Mackinnon’s opinion and support for the Butler decision and thereafter, I will discuss Ronald Dworkin’s critique of it. After outlining their positions, I will proceed to highlight the areas of incommensurability between their arguments. My perspective

One issue that feminists should bring to the open and question is the definition of pornography. Often times anti-porn feminists argue that we can tell what is and isn’t porn easily. Yet the definition these feminists use to decide what counts as porn and whether it should be censored from the public applies to many things as Lumby points out in paragraphs nine and twelve. She draws up the movie Siren as an example of how Elle Macpherson’s nudity in the movie was widely accepted and went uncontested, but then Lumby points out how Macpherson’s shoot for Playboy was more modest than some of the shots in the film yet the photo shoot receives more flack because it’s categorized as porn (par 9).

12.5. Is this it the average number of times Cornell students cry during Finals week? Nope. 12.5 is the number of videos viewed per person on Pornhub.com if it was divided evenly among every person on Earth. Pornography has become a crucial part of our our entertainment consumption, especially with the rise of the Internet, where anything you can dream of can be found with a click. Although porn is as accessible as Facebook nowadays, many feminists believe that pornography is problematic and is a tool for female oppression. One feminist scholar who believes that pornography should be eliminated completely is Catherine MacKinnon. In her essay, “Sexuality, Pornography, and Method: ‘Pleasure under Patriarchy’”, she discusses the issues with pornography in our society. Although McKinnon makes valid points in saying that pornography is an extension of the patriarchy, I believe that pornography should not be eliminated because doing so will not address underlying social problems and because alternative ways, such as changing pornography to be more feminist, is more effective.

Thesis – Multiple outlooks have been taken on the ethics of pornography, and the means by which it may either negatively influence power in sexuality, or actually provide some sort of social value and worth. These different ethical perspectives display the flaws in the industry and what it represents; yet they also end up proving the fact that it can be modified with positive influence and that pornography is not something to be deemed utterly unethical.

Catharine MacKinnon, in her book Feminism Unmodified, takes a unique approach to the problem of gender inequality in America. She claims that pornography defines the way in which America’s patriarchal society perpetuates male dominance, and attacks traditional liberal methods that defend pornography on the basis of the first amendment’s right to free speech. According to MacKinnon, pornography is not an example of speech but rather an act. She proposes that this act discriminates against women as a class, and therefore violates their civil rights and should be outlawed. MacKinnon’s critics may think her argument is excessively radical, and contemporary society may not embrace the

Playboys, pornography, strippers, and other sexual entertainments are things that some females do as a hobby or as a career. Majority of the human population says it is wrong and degrading while others says it is all right to be part of this “raunchy” culture because they needed to tom. Ariel Levy of Female Chauvinist Pigs defines “tomming” as “conforming to someone else’s, someone more powerful, distorted notion of what you represent” (273). She argues that tomming allows one to succeed in a given system but doing that causes them to “symbolize the system that traps you” (Levy 273). Tomming is justified because one can climb up the “ladder of success”; there are certain systems where tomming is inevitable such as African Americans students in schools. Also, if one toms, it challenges the stereotypes and assumptions of societally given roles for women.