In Fahrenheit 451, Ray Bradbury put the setting in a dystopian future. Guy Montag is a fireman. In this world. firemen are not normal., they burn books to protect the people from thinking. “If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none.” (Bradbury 61) Thinking and acting lead to disaster. Which is what Guy Montag is. A disaster, in the eyes of others. In the beginning Guy Montag was a simple man. He was the stereotypical fireman that grinned his crazy grin. “ Montag grinned the fierce grin of all men singed and driven back by flame.” (Bradbury 4) Montag was normal, until he met Clarisse McClellan. Everyone avoided her because they know she was a threat with all her knowledge she had. When they met , Clarisse opened up Montag's world. He started seeing what was in front of him, and in front of him where books. Being a fireman, he came to a house that a woman had stored all her books. The lady who'd rather die than not have her books made Montag think.Guy Montag was so curious to of why she was willing to die over books. Montag began to think more, and began being the odd one out in society. Montag begins as a fireman with his wife Mildred. He and Mildred are just like everybody else. Mildred always watched tv, and their tv room was called a parlor. Tvs to people were family to them. Once you get the fourth wall to the parlor you get blocked out from the rest of the world.
His personality is different from other firefighters. He isn’t intimidating and doesn’t necessarily think that burning books is good. I do like Montag, but I’m waiting for him to make up his mind about whose side he’s on.
Guy Montag is a fireman who is greatly influenced in Ray Bradbury's novel, Fahrenheit 451. The job of a fireman in this futuristic society is to burn down houses with books in them. Montag has always enjoyed his job, that is until Clarisse McClellan comes along. Clarisse is seventeen and crazy. At least, this is what her uncle, whom she gets many of her ideas about the world from, describes her as. Clarisse and Montag befriend each other quickly, and Clarisse's impact on Montag is enormous. Clarisse comes into Montag's life, and immediately begins to question his relationship with his wife, his career, and his happiness. Also, Clarisse shows Montag how to appreciate the simple things in life. She teaches him to care about other people and
Montag grew closer to Clarisse each time they talked, and he enjoyed that. So this shows that Montag, when he talks to Clarisse, gets to be himself and become independent and has to think for himself instead of everyone else thinking for him.
Guy Montag, the main character in Fahrenheit 451 by Ray Bradbury, goes through a huge change in his life. He changes from a typical fireman who follows the laws, into a person who challenges the law. Montag wakes up from being numbed and realizes that he is unhappy. Montag 's wife, "Mildred", who is addicted to Television and radio, did not care about Montag 's feelings. However; Clarisse and Faber played a big role in Montag 's life. Montag is a metaphor for a numbed society and his courage is demonstrated as he wakes up and evolves into his real human self throughout the book.
In Montag 's case, he understands that he is unhappy with the way he is living, and he begins to rethink his ways of destruction. In like manner, a literary criticist, Rafeeq McGiveron, gives a good analysis of the character of Montag when he says that Montag has a “blithely clear and pathetically blank conscience” towards burning books until he relives his childhood through walks with Clarisse (p.6). Clearly, Clarisse tugged and Montag 's heart and helped him understand the heartlessness of burning books. Most definitely, it was Montag 's hand and not his brain or mind that was the true monster. In another example, the reader sees Montag 's private life during a conversation between he and Mildred, his wife, when she says, “when can we have a fourth wall television put in? It 's only two thousand dollars” and Montag responds by saying that two thousand dollars is one-third of his yearly pay (Bradbury 33). The example presented adds more depth to the grim life of the main character because Montag is married to a woman that is selfish and has no interest for any part of Montag 's life. Similarly, because Montag is faced with unhappiness in both his professional and private life, he is quick to accept the words of Clarisse that there is a better and brighter life possible for him. Overall, Bradbury successfully acomplishes a sense of sympathy for Guy Montag by revealing the
Montag is sick, physically and emotionally. Realizing his wife would rather watch TV than care for him; that the world is an empty, cruel place; and that there are things out there which are worth dying for makes him even more so. Technology starts to become a main influence on the actions of the people in society. Montag’s wife, Mildred, is said to have “lost herself in technology”. She confines herself in the living room of the couple’s house to three life-sized television screen walls. These walls speak to her and hold conversations with her more than actual people do. Mildred yells at Montag for turning off her “family”. Montag is her husband, but Mildred relates fictional programmed characters to her only family. The issue of technology technically brainwashes the people of this science fiction society. People believe that if technology gets more advanced it would end society because people would probably forget about everything. Bradbury thinks that with technology surrounding us, people will stop reading books. If people stop reading books they will forget about things that are extremely important, which include history, how and why people act in different ways, how life began, and other things that are important today but with technology they are going to fade away. Another thing that could happen if
Immediately after the house is burned, Bradbury surprises the reader by showing that the monstrous Montag has an appreciation for that which is beautiful and intellectual. Montag is walking home from work when he meets a young girl, Clarisse, standing on the sidewalk. Montag is awestruck by Clarisse's innocent curiosity: "She was like an eager watcher of a marionette show, anticipating each flicker of an eyelid, each gesture of his hand, the moment before it began" (25). Although Montag is not narrating the story, it is evident that he is an observant, kind person who treats the young girl he meets as any gentleman would. Seeing this side of Montag somewhat neutralizes the reader's opinion of him, and causes him to seem as though he were a more round, interesting character.
In a conversation with his wife, he said, " ‘There must be something in books, things we can't imagine, to make a woman stay in a burning house; there must be something there. You don't stay for nothing’ “(Bradbury 51). By saying this, he is showing that the old woman really got to him. The woman challenged his viewpoint of books by staying in her house because she believed the books were more valuable than her own life. After witnessing this, Montag begins to steal and read the books that he is supposed to burn, and starts to understand their purpose. The old woman’s actions challenged his viewpoint which started his character change. Ultimately, through the first part of this novel, Guy Montag is depicted as a law-abiding citizen but later starts to change when an old woman challenges his viewpoint of books.
Pages 1-32 - Guy Montag is a fireman at the fire department. Unlike regular firefighters, Guy and his co-workers are the ones to start fires. Guy is contempt with his life, at least until he meets Clarisse McClellan who changes his outlook on his current state of living. Clarisse makes Guy think deeper into what is going on around him. He realizes that he in fact is not happy with his wife Mildred, his job, or the way society acts.
Mildred constantly shows Montag that she doesn’t care about him or what he does. She has no real connections in life and only cares about herself no matter what it costs other people. Technology rips away any real connections that Mildred has ever had with Montag to a point where she doesn’t even care about him. Mildred has succumb to technology and it has corrupted her life in such a way that her own husband no longer holds any emotional meaning to her anymore. In a horrifically shallow conversation between Mildred and Montag, Mildred says to Montag, “It's really fun. It'll be even more fun when we can afford to have the fourth wall installed. How long you figure before we save up and get the fourth wall torn out and a wall-TV put in. It's only two thousand dollars.” (Bradbury 20). The conversation goes on and Montag replies with, “That’s one-third of my yearly pay. It’s only two thousand dollars, she replied. And I think you should consider me sometimes.” (Bradbury 20). Mildred talks about how she needs another parlour wall to improve her life. This conversation inspires the idea that Mildred only cares about herself and how she is oblivious she is to Montag’s emotions. The idea that Mildred, through technology, has become completely detached from her husband and that she doesn’t care about him. She only cares about the
Furthermore, after Montag requests that Mildred turn the parlor down for him, a “sick man,” she does absolutely “nothing” to the parlor and comes back, which demonstrates that Mildred is not willing to sacrifice her comforts of the wall TVs, even for the health and well-being of her husband. This highlights the fact that Mildred does not care about her husband, as she does not lower the volume of the parlor walls by even a fraction, and that she cares more about her own luxury of the parlor walls. Bradbury’s use of words in this section effectively communicates that Mildred is more emotionally attached to the “family” in the parlor walls than her real family, which illustrates that a large reliance on technology renders one more emotionally connected to technology than to actual people. Later on in the novel, Mildred sends an alarm to the fire department because her husband has hidden books in their home. As the fire truck pulls into their driveway, Mildred “shove[d] the valise in the waiting beetle, climb[s] in, and [sits] mumbling, ‘Poor family, poor family, oh everything gone, everything, everything gone now’” (114). Once again, Mildred refers to the parlor walls as her “family.” Bradbury’s use of this word to describe Mildred’s connection to the parlor walls implies that the characters on the screen are real people with whom she has emotional attachments. Moreover, Mildred
He also meets Clarisse right before that, which introduces him to the fact that he is not happy and points out how flawed his society is. This causes him to have a sort of identity crisis which brings in the man vs self conflict. Another man vs society problem that goes with the main conflict occurs at the same time. During the book, especially after meeting Clarisse, Montag develops a pronounced hatred of technology. This is shown in Montag’s metaphors applying to technology throughout the book. Most commonly, he refers to technology as undesirable animals/objects. For example, when Mildred is getting her stomach pumped by “the black cobra”(12) and Montag refers to Faber’s two-way radio as a “green bullet”(112) and a “gnat tickling his ear"(88). Also when he burns his house, he makes it a priority to burn his wife’s three TV-walls. Finally, there is a man vs man conflict between Montag and Beatty. Once Montag is “sick” after the burning of the old woman’s house and Montag’s stealing of the Bible from her house, this reveals later Montag’s secret stash of books. But Montag plainly gives away to Beatty that he took a book
Mildred also has the "parlor walls" which are giant TV's that Mildred takes in as her "family". She finds the channels so fascinating, yet she doesn't learn anything from them or think about it. One day Montag comes in the house and see Mildred and her friends in the parlor room, that's when Montag thinks what is right and decides to read Mildred and her friends a poem, by the time Montag finishes, one of Mildred's friends burst out the door crying. Mildred say she cannot take this anymore so she calls in
Guy Montag, a prominent and respected man in his community, suddenly becomes unhappy with his life devoted to the burning of books as a fireman. Though he struggles to find his way, he becomes obsessed with rebelling against the system he had worked so hard to protect. Mildred Montag, Guy’s wife, is a lifeless woman with no touch to reality. She spends her days glued to television screens, suicidal and disconnected from those around her.
In conclusion, Montag and Mildred is very different in not only one way it is way more than just one