The book I read is called The Three Musketeers. The Three Musketeers was written by Alexandre Dumas. Here is an example of an in text MLA citation of the book. “In those times panics were common, and few days passed without some city or other registering in its archives an event of this kind.” - (Dumas 6).
At the beginning of the book, we are introduced to a young man named D’Artagnan, who in which, left his home in a division in France, to make money in Paris. His father gave him some gifts because of his sons departure. The gifts included a old yellow horse, fifteen ecus in money, and a introduction letter to the head of the King’s Musketeers, Monsieur de Treville. The King’s Musketeers was an elite group of soldiers that were the bodyguards to the Queen and King of France at the time. His father gives him some advice, noting that he should guide himself by his courage and intelligence. Also, he should only take criticism from the King and the Cardinal . After their brief discussion, D’Artagnan’s mother gives him an herb cream that will heal any of his battle wounds at a fast rate. Giving their goodbyes, D’Artagnan heads out on his journey to Paris.
Reaching his first stop, angered D’Artagnan arrives in the small town of Meung. He then gets into a fight with a man who makes fun of his horse. D'Artagnan gets beaten unconsciously by a group of the man's servants. Getting his senses, D’Artagnan sees the man talking to a beautiful woman in a carriage, whom he called, “Milady.” Preparing to leave town, D'Artagnan finds that the man stole his letter to Monsieur de Treville.
Saddened, D’Artagnan rides out for Paris. Here, he finds the home of Monsieur de Treville which is guarded immensely by Musketeers, who in which secure Trevilles home and courtyard, tell stories, and mock the Cardinal. D'Artagnan is sent to Trevilles chamber. Before D’Artagnan and Treville speak, Treville calls in Aramis and Porthos, his two Musketeers. Aramish is a young man that worries a lot about his appearance, and was recently heard saying, that he was going to join the Church. Porthos is a loud, large, hefty Musketeer, that shows off his attire.
Treville scolds the two Musketeers and their absent companion, Athos, for a skirmish with
The novel begins in the English village of Hookton, where a boy named Thomas is growing up under the parenthood of his father, who is also the village priest. Thomas has great skill with a bow, but he trains secretly because his father does not allow him to use it. On the morning of Easter in 1342, a French party of raiders arrive under the command of Sir Guillaume d'Evecque, a French Knight. In his party of raiders is a warrior dressed all in black, known simply as the Harlequin, who has hired Sir Guillaume to carry out the raid to steal Hookton's treasure, the Lance of St. George. During the raid The Harlequin kills Thomas' father, and the lance is stolen from the village. With his bow
This book is considerably effective as a narrative biography of the "Twelve Who Ruled." Through his eloquent use of detail and his elegant ability to paint a superb picture which incorporates both the lives and actions of the men in power and the essence and accomplishments of the Committee of Public Safety as a whole he tells the story of the Reign of Terror. It is his intermixing of the two, along with his representation of the day that makes this book so "Thoroughly sound, eminently readable," and representative of great narrative writing.
During this period in French history, the nobility was starting to gain power and prestige, and this power presented the king with a problem: he needed to have strong nobles to strengthen his realm by extension. However, he still had to maintain power and his position of supremacy. Richelieu posits that the king must maintain a firm system of punishments and rewards:”Punishments and rewards are two quite necessary elements in the conduct of states. It is an ordinary allegation, but more true, and often repeated by all men, that rewards and punishments are the two most important tools of government available in a realm.” This system played on the honor obsession the nobility had, and strengthened the kingship at the same time. If one helped the king, they were rewarded with more honor and a higher position; if they resisted, they lost everything. This strengthened the kingship as well. Those he rewarded would be assets to the kingdom, while those he punished would serve as warnings to those who considered resisting.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The
The French Revolution was a movement from 1789 to 1799 that brought an end to the monarchy, including many lives. Although A Tale of Two Cities was published in 1859, it was set before and during the French Revolution and had over 200 million copies sold. The author, Charles Dickens, is known for being an excellent writer and displays several themes in his writings. Sacrifice is an offering of an animal or human life or material possession to another person. Dickens develops the theme of sacrifice throughout the story by the events that occurred involving Dr. Manette, Mr. Defarge, and Sydney Carton.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Tod Robinns’ “Spurs” is a despairing, but peculiar, account into the life of a man named Monsiuer Jacques Courbe. Monsieur Jacques Courbe is a dwarf who works and lives in a circus. Throughout the story it becomes clear that Courbe is infatuated and in love with Mademoiselle Jeanne Marie, “a tall, blond woman of the amazon type” whom Monsieur Jacques Courbe bribes, to marry him after inheriting great wealth (Robins 162). Jeanne Marie does not have feeling for Courbe, but is actually in love with another man named Simon Lafleur. As the story unfolds, neither Jeanne Marie nor Simon let the marriage refrain from the love they feel for one another. As a result, Courbe ensues into an emotionally and physically abusive relationship from his wife.
The three witches in the tragedy Macbeth are introduced right at the beginning of the play. The scene opens with the witches chanting three prophesies: Macbeth will be Thane of Cawdor, Thane of Glamis and King. These prophesies introduce Macbeth to his plan of defeat and to over power. Macbeth will eventually follow through in killing king Duncan. Some people believe that the witches had the ability to reverse the order of things. This brings into the play idea of fate and the role with which it has in the play. One can only wonder if Macbeth ever had a chance of doing what was right after he met with the witches. It is however, more realistic to believe that Macbeth was responsible for his own actions throughout the play and in the end,
Ideally, a king has an old look, a great amount of power, and naturally rules his domain with an iron fist in literature. In the two works, Le Morte d'Arthur and First Knight see two different versions of how king Arthur is portrayed. Yet the honor and respect that a king should have remains undisturbed, much like how both are products of their time. First Knight is told as a modern retelling of the legend and Le Morte d'Arthur is a minorly altered, much older work. While the depictions of king Arthur are seen as the paramount backbone for arthurian times, these two works have also proven to exhibit differences and similarities, illustrate Arthur’s figure in character, and serve as preservation of the time period.
Timothy Tackett’s book When the King Took Flight focuses on arguably the most consequential event in the French Revolution. King Louis XVI and his family’s attempt to escape France would influence an atmosphere of violence that would only continue to worsen. King Louis XVI regretted signing and accepting the Civil Constitution of the Clergy earlier in July 1790. Deciding to flee the country he assumed that through foreign intervention or negotiating he could change parts of the constitution he disagreed with. However he would be recognized and captured in Varennes. The king underestimated the true meaning and appeal of the revolution (87). His misunderstanding of the revolution led the way for the destruction of kingship and the monarchy itself. This decision had given power to the sans-culottes and the idea of a republic. While the kings flight to Varennes had many unintended consequences it serves as a crucial turning point for the revolution.
She witnesses firsthand all of the hardships the French commoners are enduring and it fuels her rage and anger toward the nobility. Madame Defarge channels all of this anger into exacting her revenge, but we cannot help pitying her for her wretched childhood. We comprehend the reasons behind the madness, but that does not justify her actions.
In the short story, The Old Chevalier by Isak Dinsen, the male protagonist, Baron von Brackel reflects on his past sexual encounters with two women whose personalities are extremely different from one another. In many novels, short stories and comics authors would create two women as “polar opposites” for a man’s sexual and/or possessive gaze, which is evident in the text. In order to understand, why a man may be attracted to different character traits in women, I will examine The Baron’s attraction to Nathalie and The Mistress by looking at how literary works men portray women, what they find attractive and the fulfilment that men seek from a woman.
Over the past month, we read the Story of the Grail by Chretien de Troyes. This poem details the progression of the knight Perceval. In the beginning, Perceval is not called by his name, instead he is referred to as “the youth”. This is an important detail to stress, because the poem is a coming of age story. As the poem progresses, the reader is able to see definitive changes in Perceval’s character. For example, in the beginning of the poem Perceval uses the limited knowledge that was bestowed upon him by his mother in order to complete his “knightly” duties. To make it worse, Perceval feels the need to tell everyone he meets that his mother is the one that taught him everything he knows. Eventually, Perceval outgrows this behavior and becomes a suitable knight. Throughout the poem, Perceval goes through many trials and tribulations, but for the purpose of this essay I will unravel the allegorical meaning of Perceval’s fight with the Red Knight using all four levels of interpretation.
The nobility of the Kingdom of France has been evaluated by various scholars of history. There is something to be said, however, for those who chronicled their impressions while living them in the 17th and 18th centuries. The excerpts of Charles Loyseau’s A Treatise on Orders, written in 1610, and Isabelle de Charriere’s The Nobleman, written in 1763 provide two very different glimpses on the French nobility from differing time periods. From these two accounts, it is clear that there was a marked shift in the way some viewed the nobility and their role in the operation of the French state. While Loyseau praises the nobility nearly wholeheartedly,
For the tenth anniversary of her husband's death, Mrs. Alving is preparing the grand opening of an orphanage named after him to serve the nearby town. When Pastor Manders accuses her of failing to provide Oswald with enough moral guidance, he reminds Mrs. Alving that she has left her husband during her first year of marriage, but that he turned out all right after she returned to him. This prompts Mrs. Alving to tell the truth that she had kept hidden. Mrs Alving's deceased husband Captain Alving was a well-respected upper class citizen. To the public eye he was a good supportive husband. However, behind the façade he was a promiscuous, lazy dissolute man. As the story unfolds, the audience becomes aware of Captain Alving's infidelity with the maid. To add to the controversy, a child is also produced,