In “War is Kind”, Stephen Crane used an experienced military officer tasked with giving death notifications as well as commanding soldiers on the battlefield to reveal his disillusion and contempt with war by conveying sympathy for the people left behind, the shock of perception versus reality, the overall futility of war itself, dehumanization of soldiers, and the power of war to take and destroy. Crane manipulates his readers to feel sympathy for his characters through diction, alliteration, and onomatopoeia which create tone. In stanzas one, three, and five, the speaker is tasked with giving a death notification to women who lost important men in their life. He uses the terms “maiden”, “babe”, and “mother” to describe the women and give them some humanity as well as a connection to the fallen men (Crane 1, 12, 23). These descriptors imply that these women were important to the men they lost and the men were important to them. “Mother”, specifically implies this woman lost a son and provider for not just herself but her family (Crane 23). Readers are also supposed to feel sympathy for the “maiden” who was left to live out the rest of her days with unfulfilled love (Crane 1). Compared to other synonyms, “maiden” is the most innocent sounding invoking the readers to feel more sympathy for the girl. If Crane would have used the word spinster or single, connotations loneliness and old maid are implied instead of connotations of youth and innocence implied with the word
People both today and back then have been traumatized by war’s brutal combat, fallen victim to cruel soldiers, and had war cause sorrow and grief to them. Through characters seeing death, characters that are soldiers, and characters that are not in combat, Anthony Doerr’s All the Light We Cannot See demonstrates that war affects individuals negatively, even if they are extremely
The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.
“War is hell, but that’s not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.” (80)
Kurt Vonnegut is able to put a man’s face on war in his short story, “All the King’s Horse ”, and he exemplifies that in a time of war, the most forgotten effect on nations is the amount of innocent lives lost in meaningless battle due to unjust rulers fighting each other against a nation’s will. As Americans, we are oblivious to the fact that we have people fighting every day for our country. In addition, we ignore the fact that we do a lot of collateral damage and hurt innocent people unintentionally in order to get what we want. Vonnegut shows the reader in Pi Ying’s own sadistic way of demonstrating how he feels about war brings attention to the point that war, while unruly and cruel, is nothing
“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly
Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.
People who have never experienced the war portray it as “grotesque.” (O’Brien 77) They’ve never truly listened to the soldier's stories, Tim O’Brien is able to find beauty within the “awful majesty of combat.” (O’Brien 77) The metaphor comparing the “trace rounds” to “brilliant red ribbons” illustrate the war in a completely different light. (O’Brien 77) The respect for “the fluid symmetries of troops” shows the organization of the war and the training and preparing that the troops do to serve our country and protect Americans. (O’Brien 77) There is beauty within these individuals and their stories of why they decided to risk their lives to protect us. Tim O’Brien’s simile comparing a “bombing raid” or “artillery barrage” to “a killer forest fire” or “cancer under a microscope” explains the “aesthetic purity” within the war. (O’Brien 77) Tim O’Brien puts the war into an idea that his readers can understand, he proves it’s possible to find beauty even in a
Often times war is depicted in a victorious, triumphant manner when in reality war is chaotic; full of destruction and death. In Stephen Crane’s “A Mystery of Heroism” and Ambrose Bierce’s “An Occurrence At Owl Creek Bridge,” we witness the harsh reality of the war and the common human reaction to the havoc. Fred Collins simply wants water, but the well is on the other side of the battlefield. Peyton Farquhar, a loyal civilian to the South, just wanted to help in the war but instead was hanged for his good-intentioned attempt to destroy the bridge to help the Confederates. Ambrose Bierce and Stephen Crane wrote “An Occurrence At Owl Creek Bridge” and “A Mystery of Heroism” to show the natural human condition in adverse situations.
Since the beginning of time, humans have sought after power and control. It is human instinct to desire to be the undisputed champion, but when does it become a problem? Warfare has been practiced throughout civilization as a way to justify power. Though the orders come directly from one man, thousands of men and women pay the ultimate sacrifice. In Randall Jerrell’s “The Death of a Ball Turret Gunner”, Jarrell is commenting on the brutality of warfare. Not only does Jarrell address the tragedies of war, he also blames politics, war leaders, and the soldier’s acknowledgement of his duties. (Hill 6) With only five lines of text, his poems allows the reader to understand what a soldier can go through. With the use of Jerrell’s poem, The Vietnam War, and Brian Turner’s “Ameriki Jundee”, the truth of combat will be revealed.
Most poets use their unique gift of writing poetry to relieve stress or just to document their emotions towards a given subject. Others use it as a key to bring about social change and voice their opinion on modern events. This is the case in Stephen Crane’s War Is Kind. The speaker in the poem uses irony as a strategy to convince the reader of the harsh reality of war.
War forces young soldiers to grow up quickly. In Stephen Crane’s Civil War novel, The Red Badge of Courage, Henry Fleming is no exception. He is faced with the hard reality of war and this forces him to readjust his romantic beliefs about war. Through the novel, the reader can trace the growth and development of Henry through these four stages: (1) romanticizing war and the heroic role each soldier plays, (2) facing the realities of war, (3) lying to himself to maintain his self-importance, and (4) realistic awareness of his abilities and place in life. Through Henry’s experiences in his path to self-discovery, he is strongly affected by events that help shape his ideology of war, death,
How Do Writers Protest War? Over the course of the nineteenth and twentieth century, the subject of war had been a major topic that has inspired and engaged the attention of many writers. Writers such Stephen Crane, Wilfred Owen, Kevin Powers, and Siegfried Sassoon were some famous poets and writers who have used war as their main theme. However, these writers did not write to glorify war, but to protest it.
One never knows a situation until it has been experienced. They always see the outside view. One only hears the inside view if they’ve been in the situation or somebody that was in it tells them about it, and a lot of times that person that was in it doesn’t like to talk about it depending on if it affected them in a negative way. Stephen Crane uses irony in “War is Kind” and “A Mystery of Heroism” to prove that he opposed to war by using perspective to tell a soldier's views, and bad realities to show that everything is not always what it seems. First, In the poem “War is Kind”, Stephen Crane uses perspective to show more of the soldier’s family’s view.
Although he was not physically there for the war, he spoke for the warriors through his novel (“Stephen Crane”).
Crane, Stephen. “An Episode of War.” Great Short Works of Stephen Crane. New York: Harper