Sweeney Todd Act 2 Scene 2 Summary

“Steel Magnolias” is a story about the close-knit relationships between six eccentric Southern women living in a small town in Louisiana. The film has a home spun, unpretentious feel to it. The plot alternates between humorous, everyday events with good-natured quips and the seriousness and heartaches to life’s unexpected crises. Through the laughs and tears, the six women learn to endure hard times and emerge from the struggles with grace and dignity. The film is set in the 1980’s with a tight knit homespun atmosphere. The Southern belles who are goofy on the outside but strong enough inside to survive any challenge that life deals them. Friendships help with a

The movie I watched is Lincoln. This movie is about President Abraham Lincoln’s struggles to free all slaves permanently before the Civil War ended. The movie is set in 1865, just after Lincoln was reelected. Lincoln is faced with a moral dilemma. His goal is to pass the amendment to ban slavery forever, but if the war ends before he can do this he’ll never get the opportunity. As he pushes to get the votes he needs to secure the bills passing a peace offer is brought forth by the Confederates. Lincoln must now decide to either end the war now and save thousands of lives or to delay the end of the war and have the chance to save not only current lives but also future lives from a life of slavery.

In The Secret Life of Walter Mitty, it is evident that non-diegetic sound has impact on numerous scenes throughout the film For example, music by Swedish folk/rock band Junip and David Bowie affected the impact of their respective scenes in that they brought a sense of bravery, excitement, and happiness to them, adding to the movie’s message and plot. Director and star Ben Stiller additionally uses numerous camera techniques to add to these scenes and uses them to portray specific feelings and emotion throughout the film. The focus will be on three scenes and the use of camera movement and techniques in each of them.

Todd has taken a step closer to entering manhood, and the knife has taken a step of having less power in his eyes. When Aaron is telling Todd to kill him, Viola takes the knife and kills him, “And gravity takes his body and he slumps sideways. Away from the pulpit. And over the edge. And disappears under the wall of water. Taking the knife with him” (Ness, 463). As soon as the knife and Aaron hit the ground, all of Todd’s superiority and power is lost and he becomes a man. Todd has humbled himself and that is the real definition of a man, and Todd has to learn that.

The Gangster film ‘Scarface’ (DePalma) is about the rise and eventual fall of Cuban immigrant, Tony Montana. Throughout the film the viewer witnesses how Tony Montana goes from a criminal in Cuba to a drug overlord in America. The average viewer cannot connect to the arc of Tony Montana. But, the average viewer can connect to what Tony Montana is working for, the American dream. Brain DePalma chooses purposefully to have a hyper-masculine, narcissistic, megalomaniac immigrant as the main character of a story of American dream. In ‘Scarface’, DePalma show the universality of the American dream. By utilizing various filming techniques, DePalma shows how the American dream is available for everyone.

Keating forces him to create a poem on the spot in front of the class, although he is well-aware of Todd’s resistance to speak in front of others, after he write a poem on his own as requested. Mr. Keating questions Todd and installs him with a sense of confidence in his own abilities, “Mr. Anderson thinks that everything inside of him is worthless and embarrassing. Isn't that right, Todd? Isn't that your worst fear? Well, I think you're wrong. I think you have something inside of you that is worth a great deal”. Mr. Keating teaches Todd to think freely for himself and that these thoughts and opinions he has are valued. In the end, Todd becomes self-reliant, confident in himself and his ideas and beliefs. He does not conform to society and distinguishes himself amongst the rest, maintaining his own voice, and he overcomes his previous shy and isolated self, becoming a leader, when introduced to these ideas of individualism and

The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.

scene when Todd is getting ready to go out, but “his eyes [keep] straying to the photograph...a picture of

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

When watching The Hateful Eight it’s clear that Quentin Tarantino was inspired by John Carpenter’s The Thing. There are quite a few subtle nods to the classic horror film as well as some not so subtle similarities. One could watch one right after the other and immediately see the similarities between the two films. While most people would not consider The Hateful Eight a horror film it takes the greatest horror aspects of The Thing and uses them to its advantage. Quentin Tarantino took quite a few ideas from John Carpenter’s The Thing and modified them so they fit seamlessly in to his western film, including actors, characters, and even some music that was originally written for Carpenter’s film but was never used.

In Act One scene three it opens as the Queen and two Lords are talking about the King and how he has fallen ill. The passage I look at is when Lord Grey says, “In that you brook it ill, it makes him worse; Therefore for God’s sake entertain good comfort, And cheer his Grace with quick and merry eyes.” The two Lords are trying to cheer the Queen up by telling her that he will be okay and that she needs to stay strong so that she can keep the king happy. I am still unsure what brook means in this context because today it means a small stream or a girl’s name.

Tom Tykwer’s Run Lola Run (1998) is truly a brilliant film. It is very seldom that a film manages to combine the high pace of an action thriller and a deep philosophical subtext without botching it, but Run Lola Run does an excellent job at striking a balance between both. Tackling the very abstract and philosophical concepts of chance and cause-effect, Run Lola Run is truly a modern foreign classic. Tykwer manages to postulate one simple theory through the film, that the simplest of choices can completely change everything. The film is supported by stellar performances from Franka Potente and Moritz Bleibtreu as the protagonist Lola and her boyfriend, Manni. The film’s use of cinematography to add to the narrative, clever use of the aspects of mise-en-scene and explosively-paced soundtrack add a whole new dimension to this film. One of the few German films to be both a critical and commercial success, Run Lola Run is a smart and stimulating film, which demands active watching in order to understand fully. I will now analyze the film comprehensively using three main parameters; the mise-en-scene, the cinematography and the sound.

Todd, a new student at Welton Academy is painfully shy and anxious to speak up. Being constantly told he needs to live up to his older brother’s reputation leaves him constantly tormented. The amount of pressure that Todd’s parents have on him lead to intense shyness, to the point he can scarcely converse with others. “Mr Anderson thinks everything inside of him is worthless and embarrassing.” Mr Keating looks down on Todd as a result of a high angle shot, making Todd look idle and powerless, telling

The film, American Gangster, directed and produced by Ridley Scott is a drama based on the biography of Frank Lucas. In the movie, Frank Lucas constructs his own business of illegal work after his boss, Bumpy Johnson, passes away. Frank builds a heroin business, following in the footsteps of Bumpy, and becomes the most powerful crime boss in Manhattan. Furthermore, because of Frank’s immoral ways, he gets caught by the police and is sentenced to 15 years in prison. As the movie progresses I form a couple assumptions of what could happen in the short term and long term. First off, when Frank Lucas attains his heroin I believe that in the short term he will succeed. Frank has established a vast amount of insights into the drug business from Bumpy, and from what he has learned he will take in and apply it to his situation. However, all immoral acts will have to be put to an end, so in the long term, Frank’s heroin business will be caught. If Frank’s business is the biggest thing in Manhattan then the police are bound to question where are all the illegal drugs coming from, how, why, and who. The police were already hunting him down so it was inevitable for him to get out of his illegal mess.