Symbolism In Nathaniel Hawthorne And Edgar Allan Poe

In The Minister’s Black Veil by Nathaniel Hawthorne, the author seeks to convey that although all individuals are sinners, members of society will condemn those who seek to confront their own faults. This conclusion was drawn from the many motifs which relate to Puritan society, particularly the superstitions and Christian ideologies of many New Englanders during the 18th century. In this tale, Mr. Hooper’s donning of the black veil is viewed as a change which alters his countenance indefinitely; from the moment it is introduced, those who view it are awestruck. The mere sight of Mr. Hooper even acts as a “signal for the bell to cease its summons”. As murmurs spread throughout the congregation, Mr. Hooper preaches of “secret sin, and those

In Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper loses human connection after he bounds himself to wear the black veil as a representation of human nature to hide sinful actions. Mr. Hooper’s refusal to remove the black veil causes the townspeople to distance themselves from him because they found his behavior odd and unnatural, including his fiancee. During Mr. Hooper and his fiancee’s argument, she continually presses him for a reason for wearing

Whatever his reason for his odd clothing, Reverend Hooper's veil caused more than a physical separation from the people of his town. The people felt the veil was "the symbol of a fearful secret between him and them" (Hawthorne 256). Their fear and confusion of the minister's motives caused strange behavior and unnatural withdrawal from their spiritual leader.

Mr. Hooper has an effect on people by wearing the veil and he uses it to express his original purpose. Everyone on Earth has sinned, “for the Earth, too, had on her Black Veil.” This shows that Mr. Hooper believed that sin is a part of nature and it is a natural thing to be sinners. Even Earth, His own creation, is hiding her secret under a black veil. Hawthorne says this to show Mr. Hooper’s point that people have an inborn sinful nature and it is not always represented by literally wearing a black veil. In other words, he says that even people who do not wear a black veil equally have secret sins, “If I hide my face for sorrow, there is a cause enough…and if I cover it for secret sin, what mortal might not do the same?” People hide their real self to prevent being criticized by society and because they are ashamed of what they have done. He pays a high price in the attempt of teaching society the nature of sins. The people who used to admire him are now afraid and confused so he is forced to live a lonely live. Following this further, he influences people to believe the moral lesson behind his decision of wearing the veil. He wants people to

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

Edgar Allan Poe and Nathaniel Hawthorne were writers of the American gothic genre. They both used the elements of horror and mystery in their writing styles, writing about the dark side of humanity and the evil that lives within the human mind. Gothic writing focuses on the dark side of humanity and both Poe and Hawthorne captured this style well in their use of themes, symbols, and narration that focused on darkness and evil with their characters fighting various psychological issues. However, Poe’s stories are told in the first person narrative and he focuses on one human psychological effect, looking at man’s thoughts from within his mind and how his behavior then affects his surroundings. He also tends to build a sense on impending doom somewhat stronger than Hawthorne. Hawthorne, on the other hand uses the third person and focuses more on how man’s thoughts and behaviors are the results of what is happening around him. His stories also tend to be more of a romantic nature than Poe’s and he tends to create stories of conflicting interpretations to share lessons of life.

Secondly, both Edgar Allan Poe and Nathaniel Hawthorne share a very similar tone through their writings that affects the perception of evil in their stories. For example, “And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror”(Poe, 11) represents a nervous, yet saddening tone presented by Allan Poe taking in consideration the repetition of a statement made by the main character in “The Tell-Tale Heart”. As well as Allan Poe, Hawthorne presents a mysterious gloomy tone where the minister’s veil makes the readers question themselves about the main purpose for using the piece of crape. An example of this gloomy and overwhelming mystery tone would be, “When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to the wedding” (Hawthorne, 11) letting the readers know that all of the villagers gathered at the funeral disliked the veil, for it only brought more mystery and sadness.

The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil” that is present over the heart of every man, making the point that everyone is guilty of being sinful.

“The man wore motley. He had on a tight-fitting parti-stripped dress, and his head was surmounted by the conical cap and bells.”

Nathaniel Hawthorne is a prominent writer who uses many different elements in his works. He uses elements such as symbolism, figurative language, metaphor, irony and etc. to make his work prominent. In the works by Nathaniel Hawthorne, he uses symbols for secret sin in The Scarlet Letter, “The Minister’s Black Veil,” and “Dr. Heidegger’s Experiment.”

The black veil brings up confusion and interest to the Puritan society because everyone has a different view as to why Mr. Hooper is walking around with his face covered with a veil. To the townspeople, Hooper’s veil is a clear sign that he is trying to atone for a grave sin. “There was but one thing remarkable about his appearance. Swathed about his forehead, and hanging down over his face so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things” (Hawthorne 369). Although Hooper identifies the veil in a different manner, the townspeople use the veil to focus exclusively on Hooper’s sinfulness because, deep

Edgar Allen Poe is known for the various literary devices he uses in his works. One of the most famous devices he uses is symbolism. In many of his stories, including “The Masque of the Red Death,” “The Fall of the House of Usher,” “The Tell-Tale Heart,” and “The Cask of Amontillado,” Poe uses symbolism to further develop each story by the messages he writes between the lines. Symbolism is an important aspect of Poe’s many works, seeing as how it allows the readers to make connections within the stories. In “The Cask of Amontillado,” Poe represents symbolism through the title of the short story, the outfit Fortunato wears, and the Montresor family motto and coat of arms.

Nathaniel Hawthorne's "Young Goodman Brown" is full of symbolism throughout the story. Perhaps the most interesting examples of symbolism include the title character, Young Goodman Brown, as well as his wife, Faith, and the woods that Young Goodman Brown enters on his journey. Included are many allusions to Christianity and also to evil and sin. These references are expressed mainly through characters and settings in the story.