Symbolism In Our Town

Our Town is a play written by Thornton Wilder in 1937. Our Town is a play about the daily life in Act One, love and marriage in Act Two and death and dying in Act Three. The play is about two main characters, Emily Webb and George Gibbs. The play in Act One just goes through the daily life of the characters. Act Two it shows the love and marriage between these two characters and last Act Three shows life after death of the characters. The play has a man called the Stage Manager that is mainly a narrator throughout the play but also takes on the role of people in the town. The Stage Manager knows many thing about the people in the play Our Town.  The Stage Manager steps in, describes scenes, and seems to start and stop the action of the play whenever he wants. The Stage Manager has many similarities to God. The Stage Manager doesn't only know everything about everyone, he can also see into the future. The Stage Manager is also present in every scene watching it all play out. The Stage Manager and God are different because the Stage Manager unlike God makes

In the town of Grover’s Corner Wisconsin, there lies a small farm town with all the small town aspects. The newspaper editor runs the newspaper from his own house as the doctor runs the clinic from his house. The small town being shown through the combination uses of one building, giving off the small town feel, “The town hall and post office combined; jail’s in the basement” (Wilder 4). The younger men have the jobs of delivering the milk and newspapers in the morning. “Joe Juniors getting up so as to deliver the paper” (Wilder 6). In Our Town there is Irony among the fact that the Joe Crowell graduated from the head of his high school class and his college class, then went and died in the war. Throughout the story, the author Thornton Wilder uses mood and tone to really help describe and explain what the play is telling us.

Have you ever thought that even the littlest things in life can make the biggest difference? One of the themes of Thornton Wilder’s play Our Town is people never fully appreciate the wonders of daily life. People take everything for granted and don’t really realize how the little things in life actually make a huge impact on your life. Wilder shows examples of the little things in life many times in each of the acts throughout the play. Our Town is about a young couple who falls in love and ends up spending their life together. The young couple overlooks the small but important things in life. Throughout Our Town, Wilder informs us about how all people don’t appreciate the little things in life that actually make a huge difference.

Our Town is a story on how humans does not fully appreciate life until they die and realize what they did and want to go back and change it. Thornton Wilder’s play Our Town is about a town life in three acts. The three acts are as followed. Daily Life, Companionship, and Death.It shows how people live and die and how they regret things they did on earth and come to see the big picture of life. Wilder argues, because life is short we must appreciate the joys of living until we die.

Wilder created the Stage Manager for various of reasons. The stage Manager is unique in that his presence fills every scene, whether he is the one speaking to the audience or playing a character in the play. The Stage Manager provides background information and familiarizes the audience with Grover’s Corners and the characters. The Stage Manager is aware that the audience are present and breaks down the “fourth wall” to speak to the audience directly, ignoring the confines of the stage. “The Stage Manager wants the audience to really be there with the characters and wants us to listen and look at him” (Millman).

The movie Our Town was a 1938 American three-act play directed by Thornton Wilder. The movie tells the story about a fictional American town known as Grover’s Corners between 1901 and 1913. Throughout the mover, the director uses meta-theatrical tools to set the play in the theatres where such play was being conducted. The main character in this film is the stage manager who addresses the audience directly. The stage manager also brings in guest lecturers into the play by fielding questions from the viewers as well as filling some of the roles (TheConnection np). The major differences between this play and others are that the actors perform without a proper set and the acting is done without props.

Moving on, social occurrences like rumors, excessive town gossip, to casual acquaintances display themselves throughout Wilder’s play, just as in Colby. All in all, differences show in basic numbers of population and statistical comparison, but, otherwise, remain similar in the interrelationships of town-life.

Wilder depicts the continuity of human life in his play. Life and death interfere and happen at the same time. Emily tragically dies during childbirth yet her child survives. Thornton emphasizes the fact that “out of life comes death and from death comes life” (Ballet: 242). He also briefly points out the pointlessness of war. ”Over there are some Civil War veterans. Iron flags on their graves […] All they knew was the name, friends – the United States of America […] And they wend and died about it” (Wilder: 87). The transience of life is depicted in the Stage Manager’s statements e.g. about Babylon “Babylon one had two million people in it, and all we know about ´em is the names of the kings and some copies of wheat contracts… […] and the people a thousand years from now’ll know a few simple facts about us” (Wilder: 33). He also points out how rapidly a lifetime goes by “You know how it is: you’re twenty-one or twenty-two and you make some decisions: then wisssh! you’re seventy: you’ve been a lawyer for fifty years, and that white-haired lady at your side has eaten over fifty thousand means with you” (Wilder:

He himself paid a lot of attention to such a matter. In his essay entitled “Some Thoughts on Playwriting” (1941), Wilder argued that there are four principles which make drama very distinctive and different from the other arts. The most relevant of these principles of the dramatic genre is that “It is addressed to the group-mind;” 3 which means that drama orientates its message a very broad audience. Stresau affirms that it is not possible to exclude the fact that Thornton Wilder paid a lot of attention to the future in his work which “contains the man of twentieth century who, in the maelstrom of toppling orders, has frighteningly lost his orientation. Faced with the question of how to live, what is left for him but to trust … the promise that grows out of the unknowable?”

Our Town is a play that takes place near the turn of the century in the small rural town of Grover’s Corners, New Hampshire. The playwright, Thornton Wilder is trying to convey the importance of the little, often unnoticed things in life. Throughout the first two acts he builds a scenario, which allows the third act to show that we as humans often run through life oblivious to what is actually happening. Wilder attempts to show life as something that we take for granted. We do not realize the true value of living until we are dead and gone. The through-line of the action seems to be attention to the details of life. Wilder builds up a plot that pays attention to great details of living.

Our Town is play written a while ago, but it relates to any time. Showing that routine is a part of everybody’s life. No matter what day and age you live in your going to have a routine. This play shows an example of two families and their daily routines. The whole play relates to routine even the different acts.

The Stage Manager maintains a somber tone throughout the play that deeply contrasts with the joy perpetually exuded by the other characters. Wilder emphasizes this contrast particularly during the wedding, in which the Stage Manager offsets the “radiant” atmosphere and digresses: “The cottage, the go-cart, the Sunday-afternoon drives in the Ford, The first rheumatism, the grandchildren, the second rheumatism, the deathbed, the reading of the will.” In this passage the Stage Manager describes life as a list of events, thereby expressing his apathy for it. Wilder, therefore, conveys the consequences of recognizing life’s finality. The finality of existence consumes the Stage Manager and causes him to disengage from his surroundings which prevents him from seeing the meaning and importance in a particular moment. His aversion to life is evident when he states, “Once in a thousand times it's interesting.” The Stage Manager merely views life as transient, and despite having the capacity to appreciate it, he is unable to because he only sees value in things that have longevity. Hence, why he is so adamant about putting a copy of the play in the time capsule he mentions because it will be preserved and “the people a thousand years from now’ll know a few simple facts about

Man-made and natural disasters will always repeat themselves differently and the human race has the power to take over it or be taken over by it. This play explores themes of drive and flexibility, as well as the failings of our species. Another theme I believe is for this play is Illusion vs. Reality. Trying to create a "real" world on the stage is what traditional realistic plays do. They encourage the audience to forget that they are watching actors play roles in a fictional play. Wilder continuously interrupts this sort of theatrical illusion to remind the audience that they are watching a performance.

“Do any human beings ever realize life while they live it?—every, every minute? (Emily Webb, Act III)”

In Our Town, there are many themes that are present in the play. There are many instances where the reader or audience can say that while writing the play that Thornton Wilder had in mind that the play was going to support the feminist movement, or the how the play can be used to show how ridiculous the marxist theory is, or it can also say that Wilder intended Our Town to be used to support the mythological theory, both the archetypal characters, in the town drunk, Simon Stimson, and George and Emily, and archetypal images, such as his references Mrs. Webb’s and Mrs. Gibbs’ gardens, and how he continued to reference how the moon looks and its position throughout the play. Thornton Wilder can be said to support the feminist movement because