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Symbolism In Steinbeck's 'The Chrysanthemums'?

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In Leroy Thomas' critique of John Steinbeck's "The Chrysanthemums," Thomas draws attention to the physical shape as well as the gender of Elisa. Thomas does that by referring to Elisa as "totally unsexed" (Thomas). What Thomas is referring to is Steinbeck's description of Elisa when he says, "her figure looked blocked and heavy in her gardening costume" (Steinbeck). Thomas also describes the satisfaction Elisa feels as a woman merely from her conversation with the tinker. Thomas states, "She has now become a fulfilled woman - proud of her womanhood, her body. Whereas she was once barren, she now brought forth new life" (Thomas). Thomas explains this further by referring to the moment after she leaves the tinker, draws herself a bath, admires herself including her body and symbolizes her beauty by putting on her prettiest dress. Thomas retells when Elisa discovers that the tinker threw her chrysanthemum sprouts along the side of the road, and justifies that "he had to keep the pot" (Steinbeck) making the astonishing point that this symbolizes that "her partner in coition wanted only her body symbolized by the pot; thus the product of their 'love' is merely cast aside" (Thomas). Steinbeck uses the plot to show gender ideologies by demonstrating what was considered socially acceptable for a female. Steinbeck's unadorned sentences are crammed with meaning, demonstrating what was appropriate for Elisa, as a woman. A woman didn't work with her hands and live like the tinker. It

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