Over the last eleven years as I’ve ventured from elementary school to middle school and onto high school, many aspects of my life have changed drastically. However, one element continues to remain constant: my favorite song, “Stop this Train” by John Mayer. At five years old, I was listening to the tune in the kitchen, admiring the soothing voice and mellow guitar-playing. But as I’ve grown older, I have developed a much greater appreciation for the message that Mayer tells through rhetoric. As I begin considering colleges and career paths, abandoning the comforts of my childhood, John Mayer Mayer sings about a rather applicable topic: the fear of growing older. John Mayer uses symbolism, pathos, and juxtaposition to reveal that time will continue to progress, and while aging and changes are difficult to cope with, we must accept that we will never be able to stop or go back in time.
Throughout “Stop this Train”, Mayer uses symbolism to describe time’s rapid yet never-ending progression and demonstrate how difficult it can be to cope with. Specifically, he sings of a train that symbolizes time. As the train continues to move down the track, time continues to progress, and life goes on. For many, this presents issues: fear of the unknown, fear of change, and desire to relive the past. Mayer sings of his struggles dealing with the rate in which time progresses, singing, “Stop this train. I want to get off and go home again. I can’t take the speed it’s moving in” (Mayer).
There is no doubt that the trials of adulthood can be stressful. Stressed Out by Twenty-One Pilots is a song that nearly every adult can relate to. It uses easy to understand words and has a bouncy rhyme scheme that not only makes the song catchy but improves the general understanding behind the meaning of the song. I believe that within all of us there is a longing for the “good old days”, the days of when we were children, and free from responsibility. In the song, the writers skillfully utilize ethos, logos, and pathos to show what they mean by being “Stressed Out”.
“Growing up is losing some illusions, in order to acquire other,” says Virginia Woolf, an English writer. Growing up is preordained. Everyone grows up. When do we grow up? Perhaps, after we graduate school, maybe after our first love, or maybe after our marriage or maybe after the birth of our first kid. It primarily depends on how one looks at it, but irrespective of what we consider the right time or the right situation to be “grown-ups”, we cannot help but admit that it is that moment in time where innocence vanishes. As children, we dream of growing up, getting a job, getting married, living happily but on the contrary it is quite different, we find that reality is completely opposite. More often than we wish, we were still children,
Orphan trains and Carlisle and the ways people from the past undermined the minorities and children of America. The film "The orphan Trains" tells us the story of children who were taken from the streets of New York City and put on trains to rural America. A traffic in immigrant children were developed and droves of them teamed the streets of New York (A People's History of the United States 1492-present, 260). The streets of NYC were dirty, overcrowded, and dangerous. Just as street gangs had female auxiliaries, they also had farm leagues for children (These are the Good Old Days, 19). During the time of the late 1800's and early 1900's many people were trying to help children. Progressive reformers, often called
Opportunity’s life shattered as soon as the first gunshot went off. All because of the other student’s actions that built up, until Opportunity couldn’t stand the pressure anymore.
Think back to when you were eight years old. You might have had older siblings, or older friends that were always allowed to do things you were not. Your mom would always say “when you’re ten you can”. Think back to when you were fourteen, you would ask your mom to go out somewhere with your friends without any parental supervision, your mom would laugh and say “when you’re sixteen you can”. Growing up, all anyone wants to be is older. When you are a little kid you want to be a teenager, when you are a teenager you want to be in your twenties. That only slightly changes when you get older. Then people want to go back an relive the “good ol’ days” and the “best time of their lives”. No one ever appreciates and enjoys where they are in that specific moment. All people want to do is press rewind or press fast forward.There is never any acceptance of the present. The song Sixteen by Thomas Rhett argues that the listener should accept where they are in life and enjoying what they're doing in that moment.
The second occurs as teenagers come closer to the prison that is adulthood. While already filled with angst and hormones, they try to fight their future to no avail. This frustration is what warrants their cry for help. The author also emphasizes the inevitability of the future by stressing that “[they] were born” into the lives they’re living(1,22). While they may fight to make their own choices, these young adults have little to no say in what they will become later in life.
Many people have certain symbols in their life that bring them comfort and represent who they are as a person. In Christina Baker Kline’s Orphan Train, symbols function to convey Molly and Vivian’s desire to maintain their connections to their pasts, their search for self-identity, and the trauma and loss they experience. Molly’s turtle tattoo exemplifies Molly’s personal identity and represents much of the loss she has experienced as a child. The loss, trauma, identity and longing to stay connected to her loved ones that Vivian has and experiences is symbolized by her Claddagh necklace. The charm necklace that Molly wears signifies the connection to her late father, her own character, and the loss she has experienced.
The life pursuits and subjective judgments of many contemporary young people indicate that the transition to adult roles has become so delayed and prolonged that it has spawned a new transitional period extending from the late teens to the mid-to late-twenties, called emerging adulthood. During the college years, young people often refine their approach to forming their own identity. In these years, young people have left adolescence, but most have not yet assumed adult responsibilities. Many have dreams and those are what guides them in their decision making. In the video, 22 year old Casey describes her dream and comments on her identity development. Casey says that she became interested in Psychology in high school during her junior year when she took a psych course. She knew from then on that was what she wanted to do, but she hadn't picked a career yet. Casey said that she picked a career during her first year of graduate school, when she decided on gerontology. She said her happy and active grandparents had a lot to do with picking a career and wanting to work with the population. Casey thinks her identity was a gradual process and it's only really formed since last year. She feels her parents helped shape her morals and beliefs, but in between her senior year and her first year of graduate school, she started to form her own and integrated some of her own ideas. 24 year old Elizabeth and 25 year old Joel are shown discussing
Starting in the 1850s, there were great increases in urbanization. Movements such as The Great Migration lead to huge populations in newly industrialized cities. In addition, there was a great increase in immigration, especially from families of eastern and southern European descent. The Orphan Train Movement’s purpose was to give the thousands of children in New York City that were left without homes due to increased urbanization and industrialization a new family out west with good living conditions and values and to increase the number of farm workers. The children mostly were placed with good families, but some children were treated as slaved by their families. Additionally, most of the children were excited to work; however, some were
On Tuesday, April 5, 2016 I interview Karla Bly who lives in Sioux Center. Mrs. Bly is married and has four children between the ages 25 and 12. She is 48 years old and has lived in Iowa for her entire life. The stage of life that Karla is in is middle adult hood, it is defined as, “The developmental period beginning at approximately 40 years of age and extending to about 60 to 65 years of age. For many people. Middle adult-hood is a time of declining physical skills and expanding responsibility.” (Santrock, 336) When Karla was in her 20’s and 30’s she thought that she knew everything, but it turned out that she did not know everything yet. When she was in her 20’s she had three little children running around at home, things were busy and chaotic.
The journey through late adulthood can be experienced in different ways. One particular movie entitled “The Bucket List” exhibits an astounding portrayal of late adulthood. In fact, there are many accounts that the movie entails about late-adulthood. This includes the illustration of Erickson’s late adulthood stage – “Ego Integrity vs. Despair,” wisdom, marriage, friendship, parent-child relationship, and death and dying in late adulthood.
After finishing the selection titled “Eighteen” by Maria Banus, I was completed surprised on how genuine the authors feelings were. Normally when I read poetry it is difficult to understand the meaning of numerous amount of it, if not all of the lines but this one was different as if it pertained to me. This poem made me feel rather sad and miserable because there are a lot of grievances that one may bring up about growing into an adult. Everyone always says how enjoyable your teenage years are, how invigorating the experience is to live life to the fullest and to enjoy it before it comes to end, but a lot of people may disagree. This analogy is incorrect to
“The themes of the play are Two Trains Running is a political play that makes extended reference to the black power movement and its impact on poor urban communities like the Hill District of Pittsburgh. The issue of continued white oppression of African Americans and the response of the black community during the 1960s is at the foreground of the characters ' experience. The community surrounding the restaurant is undergoing a major redevelopment, probably one which has been precipitated by the social initiatives that came in the wake of the civil rights movement. However, the legal rights and privileges that the African American community won during the 1950s and 1960s do not seem necessarily to extend to impoverished city-dwellers. An underlying sense of tragedy and hopelessness pervades even short-term victories such as the city awarding Memphis thirty-five thousand dollars, since Memphis remains estranged from his wife and has the foreboding..”
Late adulthood is a time many people tend to suppress in their minds. Late adulthood is often considered a time of physical and mental decline, but in reality for many older adults it is a time of mental and spiritual growth. During late adulthood, people tend to start reflecting on their lives and what is really important. During younger ages, people tend to focus on things that may not matter in the future, and spend time worrying about things that are unimportant. Through interviewing older adults, younger people can learn several important life lessons and begin to appreciate the things that really matter in life.
Remember when we were young and all we could think of was growing up and getting to do ‘grownup’ things? We spent our whole childhood thinking of what we would do when we finally ‘grew up’, and here we are, almost completely grown up and we still haven’t made up our mind of what it is we will do when we grow up. We’ve painted this pretty little picture in our head of what it’ll be like when we eventually do grow up, and when it finally comes for the picture to be taken off the wall and put into action, it’s not nearly as fun as creating the painting.