Symbolism In Zora Neale Hurston's Their Eyes Were Watching God

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

In Their Eyes Were Watching God by Zora Neale Hurston, the protagonist Janie Crawford has experienced and had interactions with the nature around her. These interactions symbolised Janie’s quest for love, her own independence and personal freedom through each endeavor. Janie’s quest for her womanhood was directly influenced by the natural environment around her. For instance, the novel states that Janie “Saw a dust-bearing bee sink into the sanctum of a blossom” (11).

In the beginning, Janie is captivated by a bee that associates with the blossom of a flower. She sees a “bee sink into the sanctum of a bloom” and meet with the “love embrace and the ecstatic shiver of the tree” which was “creaming in every blossom and frothing with delight” (p 11). Hurston incorporates the bee and the blossom symbol to represent Janie’s desire for love’s pleasure. The author reveals to the audience of how she is taken away by the overwhelming desire and passion shown from the “creaming” of the tree and the bee. This marks her virginity as she is presented pleasingly to the desire of lovemaking, yet also conserve her purity through creating her expectations for her later affectionate lovers. Further, Hurston portrays the shattering of Janie’s bee and blossom dream when she is left to realize that being with Joe and his personality is an illusion as he slaps her. She “stood where he left her for unmeasured time and thought” and saw that “her image of Jody tumbled down and shattered” causing her to have “no more blossomy openings dusting pollen over her man” (p 72). Hurston revealing Joe’s actual image to its reader depicts Janie’s apprehension of how he was never the man of her dreams and just persuaded herself to believe that he was just a better man than Logan. She is left with the

It’s amazing that one state can have within it places that differ greatly in all aspects—people, surrounding, weather, and feeling. Zora Neale Hurston exemplifies this phenomenon in Their Eyes Were Watching God. There are a multitude of differences between Eatonville, FL and the Everglades; each place represents a certain theme or feeling to Janie (the main character) and their differences each contribute to the meaning of the novel as a whole.

In Zora Neale Hurston's novel, Their Eyes Were Watching God, the reader is taken on an expedition through the life and love of Janie, which provides the reader different levels of imagery and symbolism. “Hurston… use the journey motif to structure and enhance their heroines‘quests as well as lyrical image patterns to evoke and communicate the processes of growth, regeneration and intimations of the Divine within each character.” (Sullivan 1364) Through this expedition Janie strives to achieve her principles about what love was and how she should be living her life. Hurston chose to introduce the reader to the return of Janie as the opening of the book. “Janie’s existence will become a continuous struggle to bring her own experience into harmony with her initial vision of the pear tree” (Maroto 72) Janie was not focusing on what is wrong in her single life, but what was good in it. “Now, women forget all those things they don't want to remember, and

At a very young and tender age, Janie develops an ideal view on the concept of marriage and romantic relationships, which is soon shattered by her experiences in her first two marriages. Her ideal view is shaped and created by the time she spends under the pear tree. Many an afternoon Janie would bask in it's shade, and observe the bees “sink into the sanctum of the bloom”, and watch the “thousand sister-calyxes arch to meet the love embrace and ecstatic shiver of the tree from the root to tiniest branch” (Hurston 11). She assumes that the flitting of the bees around the pears is “marriage” and feels as if she has been “summoned to behold a revelation” (Hurston 11). These seemingly pure interactions between the bees and the pear tree

Janie and Nanny’s views on marriage are completely different. Nanny was born during slavery and has seen firsthand the struggle of black women. She wants Janie to live a semi privileged life with a man that can provide for her. She is not concerned with age or love. “De black woman is de mule of de world as far as Ah can see” (Hurston; 1.14). Janie is young and in love with the idea of love and marriage. She has lived a privileged life with minimal worries and does not understand the importance of a man in her life. “Did marriage end the cosmic loneliness of the unmated? Did marriage compel love like the sun the day? (page 21) After her three marriages, Janie believes that love is more important than a big house and

From her first kiss to the tragic death of her soul mate, each quest for love and enlightenment lends shape to Janie’s emerging voice. For example, at the beginning of Hurston's narrative, Janie quiets her inner voice by succumbing to Nanny's influence

The imagery of the bees and the pear tree are the catalyst of Janie’s coming-of-age, representing her first “springtime” and the awakening of her sexuality. The moment Janie sees the bee pollinating the blossoms on the pear tree is when she becomes aware of her sexuality. She finds herself empathizing with the blossoms; both being young and undergoing the springtime of life. Contrastingly, however, Janie has no “bees singing for her” like the blossoms do (Hurston 11). In Janie’s eyes, the relationship between the bee

During the 1930s there was a time period known as the Harlem Renaissance, during this time African Americans sought a newfound cultural freedom and advancements in social classes. In the novel, Their Eyes Are Watching God, Zora Neale Hurston portrays both similarities and departures from the ideals of the Harlem Renaissance. Hurston uses the main character Janie to illustrate these ideals such as the struggle to find oneself and fight against the opinions of others. In addition Hurston also depicts issues and similarities like African Americans who achieved high social classes and discriminated those below them, racial segregation, but also a new found African American confidence. She also demonstrates departures from the Harlem Renaissance

Evidently, Janie tried to achieve her desires for love by making affection similar to the marriage like the bee and the blossoming pear tree. Janie was a sixteen-year-old aspirant. She had glossy leaves and bursting buds while wanting to battle with life, but it seemed to elude her. Hence, she was seeking to find her singing bee through the

In the novel, Their Eyes Were Watching God, by Zora Neale Hurston, a young woman travels through difficult life experiences in order to find herself. Hurston portrays the protagonist as an adventurous soul trapped in the binds of suppressing marriages. Janie experiences three different types of marriage learning from each one what she values most. From these marriages she learned she values love and respect, finally achieving them in her last marriage. Each new marriage brought something new to the table for Janie and no matter the situation or the outcome of the relationship Janie grew into her own independent individual because of it.

     “’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.

Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the

Mythology is a key part of many of Zora Neale Hurston’s short stories and novels. She researched the stories of her home town and many other areas of the world. Hurston used this knowledge of myths and stories to help her carry them on to later generations in a form that almost everybody could relate to. Through out all of Zora Neale Hurston’s stories, mythology has been a crucial keystone. Her novel, Their Eyes Were Watching God, has been influenced by three different ancient myths: the myths of Ezili Freda, Osiris and Isis, and Aphrodite and Adonis.