Taking a Look at Realism

Realism best represents the literary movement that America was facing at the time because the texts’ use detail that show how things really happened, how things really sounded, how they really looked, and used this literary style to get the reader more involved to see how the text will make them react while reading instead of just focusing on the narrator and the writer. While reading The Celebrated Jumping Frog of Calaveras County Twain says “ He never smiled, he never frowned, and he never changed his voice from the gentle-flowing key” (Twain 4). Twain uses these words to show real details that the other movements would never use in their

Author, Ambrose Bierce, who is considered one of the Great American authors, wrote during the realism period. Particularly, in his work titled An Occurrence at Owl Creek Bridge, written in 1890, we can see evidence of the characteristics, themes and style identified with the realism movement which was extant in American letters between 1850 and 1900. As a representative of such a movement, Ambrose Bierce, then remains on the most identifiable and iconic writers of his time.

Realism wishes to “revolt against the exotic subject matter… and for this reason it is also commonly referred as bourgeois realism.” One finds this aspect of realism as well in “The Lady with the Dog” in which

The literary movement of realism addresses material in an accurate way that is true to life, regardless of the moral boundaries which may be broken. Several authors have undertaken efforts to define this movement in the most accurate and concise way possible. Theodore Dreiser, in “True Art Speaks Plainly”, strives to identify those components which are necessary to literature that is classified under the realism movement. William Dean Howells’s “Editha” is a literary work that reflects this definition of realism. Dreiser’s arguments regarding the presence of immorality in literature as a precondition for artistic honesty find an example in the actions of the protagonist of Howells’s story. Theodore Dreiser’s “True Art Speaks Plainly” defines realism as literature that speaks the truth regardless of its moral substance, and this definition is observable in Howells’s “Editha” through the corrupt motivations of the protagonist, the critical portrayal of nation states at war, and the ugly manipulation utilized by the protagonist.

Throughout the history, the terms idealism and realism have evolved, starting from the Greek’s sculptures and influencing different regions. Idealism in art means conveying the ideal and artistic side of the subject, and it tends to depict “what should be” more than “what it really is”. On the other hand, realism tends to care more about the true representation of the subject without idealizing it and giving it extra features that makes it close to the viewers. In this paper, the theme of realism and idealism will be addressed using the Vesperbild sculpture from the Middle Rhine Region in Germany as an example, discussing the “Pieta”, its cultural context, and comparing it to another pieta from the same region.

Realism is a theory that depicts world politics as a ceaseless repetitive struggle for power. In other words, political realism seeks to explain international relations between states in terms of power. Realist “views that nation-state as the most important actor…because it answers to no higher authority;” in other words, it is an anarchic system (Kegley, 27). Some traits of realism are that states are sovereign, non-cooperation among states, and the exclusion if morality in policies.

Realism is the artistic attempt to recreate life as it is in the context of an artistic medium. It began as a revolt against the conventions of the classic view of art in the late 1800s in America and Europe in the form of an artistic movement (McConnel, R. 1997). There are many themes involved with realism that shall be discussed. These include accuracy and independence.

The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic

Realism, in contrast to Romanticism, represents the reality of life in America. From the late 19th century to the early 20th century, America experienced enormous industrial, economic, social, and cultural change. Realism focuses on showing everyday activities and events among the middle and lower class society without romantic ideas. In the early 20th century people started to pull away from fantasy and started focusing on the reality around them. Realism emphasises on truth, class, and social commentary.

Everyone could relate to realism because it was more realistic. Realism lasted through the mid 19th century and included writers such as Flaubert, Zola, and Dickens.

Realism in literature is basically the successor to romanticism. It first took off and gained footing in 19th century France. The literary style is a more straightforward and realistic style of writing in comparison to romanticism which was all about exaggeration and symbolism. Realism is often interchangeable with naturalism and branches out into regionalism which is interchangeable with local color. This type of writing is responsible for one of the greatest era of literary works.

Realism was a huge movement in late 1800s to early 1900s. All art forms were influenced by it. Writers, artists, actors and more started taking a more simple direction and tried to depict life as it actually was. In visual art it was common to see ordinary people doing every day

Beginning in the late 19th century, two separate movements spread across America know as realism and naturalism. While the two were very similar in their beliefs and ideals there were still many apparent distinctions to differentiate the two. Realism and naturalism showed themselves in many aspects of life, from art and sciences to new math techniques and even religion. However, above all else these movements may have been most evident in the literature of this time. Reading through American literature of the late 19th and early 20th centuries, it becomes perceptible which short stories portray realism and which represent nationalism.

When trying to comprehend international politics, current events, or historical context, having a firm grasp on the various international relations theories is essential to understanding patterns when looking at interstate affairs. Realism, liberalism, constructivism, and marxist radical theory are used to provide a framework by which we can dissect international relations.

Realism came about in literary works in the 19th century, and portrayed real life unlike the previous Enlightenment and Romanticism movements prior. Writers and people were sick of the neat, happy stories and endings that were written by the two previous movements, and those people wanted something they could relate to. Because of this, Realistic writers wrote about the boring, ordinary lives that regular folks led and did not sugar-coat anything that occurred but was brutally honest. In the words of Randall Craig, “Realistic writers educate readers, not through humiliation, but by familiarizing them with a re-presented world and enabling them to discover the rules by which it works and to apply them both to the fictional and extra-fictional