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The Use Of Vivid Color In The Wizard Of Oz

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As Dorothy enters deeper into the world of Oz, we see the vibrant color of green in the trees and the shades of yellow and blue in the flowers (Fig. 3). One remarkable aspect of the Wizard of Oz has to be Dorothy’s red, sparkly shoes, the famous ruby slippers. They were originally scripted as being silver but half way through the production they decided to change it to red to take full advantage of the capabilities of Technicolor. Another reason why they were changed to ruby red was so they can stand out against the brimstone yellow brick road. The yellow brick road and the Emerald City were further illustrations of the capabilities of
Technicolor. Such vivid colors weren’t just for artistic appeal, they often represented other aspects such …show more content…

And examples like these is what made the use of Technicolor in The Wizard of Oz so incredible. Filmmakers, actors, and film lovers across different spectrums were being exposed to how Technicolor made certain scenes in films come alive. The use of vivid color added artistic value to cinema. Color also represented many different vivid ideas and thoughts. And color was an important aspect in The Wizard of Oz. imagine if the yellow brick road was a plain gray or if the Emerald City never sparkle with mystifying colors of green. We would have experience a completely different Wizard of Oz. Due to the success of The Wizard of Oz and other films in 1939 such as Jesse James and Dodge City, the Technicolor Corporation continued to grow. “Nineteen thirty-nine was a breakthrough year for the Technicolor Corporation. Confidence in the three-color process was such that Technicolor embarked on a $1,000,000 expansion program that included the opening of a new laboratory and office building” (Higgins, 2008). The company profit has also grow significantly since its creation. People started to realize how significant the innovation could …show more content…

“Technically a great achievement, MGM studios spared no expense on the production. It was filmed in Technicolor (uncommon for the time) and featured spectacular sets designed to satisfy both the audience appetite for glamour and Mitchell’s insistence on authenticity” (Juddery, 2008). The Technicolor Corporation required production companies to rent their equipment. Having already worked with Technicolor, Seltznick rented all seven of Technicolor cameras in order to film Gone with the Film. Alongside using Technicolor equipment, Technicolor also provided a color consultant. The purpose of the color consultant was to be in charge of all color scenes relating to Gone with the Wind. According to the TCP of White, Weld, &

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