Thanatopsis And Emerson's View On Nature

Bryant writes, “Go forth, under the open sky, and list / To Nature’s teaching, while from all around‒ / Earth and her waters, and the depths of air‒ / Comes a still voice” (14-17). This quote refers back to the basic belief of the goodness of the natural world in this: while one has their highs and lows of life, nature will always be there to provide a “still voice.” At the same time, it motivates the reader to go beyond his or her own senses. Bryan also expresses the belief that all nature is important through lines 29-30 when he says that “The oak / Shall send his roots abroad, and pierce thy mold.” Before these lines, the author elaborated on the being of a corpse in the ground, but he brings back its contribution to the rest of nature with this

In the poem “Thanatopsis” the desire to connect with nature is expressed throughout. Unlike “Rip Van Winkle,” Thanatopsis has a very deep meaning within it, not just a whimsical story. The poem explains that we as humans should embrace death and know that we are a part of the ever cycling earth. We have a bigger purpose. William Cullen Bryant personified nature in his poem. He made nature woman-like by calling nature her and she. “To him who in the love of Nature holds Communion with her visible forms, she speaks a various language…” (171) He also expressed this beautiful simplicity and vulnerability to nature and man. “The hills rock-ribbed and ancient as the sun, - the vales stretching in pensive quietness between; the venerable woods – rivers that move in majesty, and the complaining brooks that make the meadows green…” (171) This poem seems to connect with nature in a different way. It’s almost like it embodies nature along with human to create a smooth transition or meld of the two, and I think that is what creates the desire to connect with nature for the poem.

“Nature” is an essay written by Ralph Waldo Emerson, and published by James Munroe and Company in 1836. [1] “Nature” has a total of 41 pages. The essay consists of eight parts: Nature, Commodity, Beauty, Language, Discipline, Idealism, Spirit and Prospects. Each part takes a different perspective on the relationship between humans and nature. In this essay, Emerson emphasizes the foundation of transcendentalism, “a religious and philosophical movement that developed during the late 1820s and 30s in the Eastern region of the United States as protest against the general state of spirituality and, in particular, the state of intellectualism.” [2] “Transcendentalism suggests that the divine, or God, suffuses nature, and suggests that reality can be understood by studying nature.” [3] “Transcendentalism is closely related to Unitarianism, the dominant religious movement in Boston at the early nineteenth century. Transcendentalism evolved as an organic consequence of the Unitarian emphasis on free conscience and the value of intellectual reason.” [4] Emerson divides nature into four stages: commodity, beauty, language, and discipline. These define the ways by which humans use nature for their basic needs. The historical significance of “Nature” was that transcendentalism club led the celebration of the American experiment as one of the individualism and self-reliance. [5]

Bryant had thoughts that were triggered by nature. Bryant often speaks of birds, flowers, the sky, bodies of water, and fields which lead to Bryant taking notice of his surroundings. Bryant’s love for nature is nothing short of amazing. Nature speaks to his heart, which allows nature to be more of a feeling than just trees, birds, plants, etc. Bryant’s writing is charming and simplistic. Bryant is fond of nature’s beauty. He never speaks of the “ugliness” in nature. He has a way of making everything come alive and seem even more beautiful than what it already is.

In the William Cullen Bryant's "Thanatopsis, we see a romantic trait of nature, where the poem states that nature has a voice of gladness and eloquence of beauty. This excerpt, "The golden sun, the planets, all the infinite host of heaven are shining on the sad abodes of death," is a good example of being a part of nature. Another good example is, "Earth that nourished thee shall claim Thy growth." Nature is described as a

The world has several great poets and many mind-blowing works, each with its own way of portraying its own message and some the same ones. Jane Flanders wrote the poem named “Cloud Painter” she shows the world from an artistic way, using a painter and his canvas to help the reader picture the true meaning behind the words and images created. Robert Frost takes on the same idea but uses a less complex example so that it makes his work easy to understand while not revealing the real meaning of the poem. Frost and Flanders are just two of the many poets that use nature as a way of explaining the very lessons in life. Each poet has a different way of presenting similar images but from a different perspective.

Furthermore, he evokes the notion of the embodiment of nature and how few are able to see it; claiming the ones capable of perceiving such enlightenment are the ones who retain a benevolent innocent spirit—such as child—and who has retained the concept in times of adulthood—the poet. The mind of a child responds emotionally rather than sensorial. As a final remark in Emerson’s first chapter of nature, he states: in order for man to see nature plainly and receive the benefits one must push aside the old ways of thinking and egotism to become, as Emerson states, a transparent eyeball. ‘I am nothing, I see all. The currents of the Universal Being circulate through me; I am a part or particle of God. The name of the nearest friend sounds then foreign and accidental” (______). This form of vision represents the primary benefit of Nature, a form of ultimate transcendency where there is a spiritual real of reason beyond material understanding. Humanistic delight in the landscapes, which is made up of many forms, provides an example of this integrated vision in which the universal entity transmits itself into one’s consciousness and makes one sense oneness with God. Nature, is thereby a metaphor of the mind in Emerson’s eyes.

“Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance.” This beautiful and lovely description of the daffodils portrayed in “I Wandered Lonely as a Cloud” helps the reader to envision what Wordsworth saw while he was out walking. Such a description makes a reader’s imagination flow and encaptures a reader. Another story that catches a reader’s attention in a similar way to “I Wandered Lonely as a Cloud” is the text “Calypso Borealis”. Authors William Wordsworth and John Muir both write beautiful descriptions of nature that pull readers in and allow them to see the wonders of nature through the authors’

Nature has an undefinable meaning as the theme is utilised in literature, and it has been a topic of reflection within the Romanticists since the beginning of the era. Romanticism and nature and inextricably linked ideas. Poets; Emily Dickinson and Walt Whitman wrote during the romantic era, and both drew heavily from aspects of nature in their work. Nature can be paralleled against several things, including humanity and the idea of life and death. The contrast between the natural world and the artificial world, and what this means for society, is also strongly eluded to in Dickinson and Whitman’s poems. Each poet uses nature as the backbone to their poetry in several instances. Dickinson’s, “Hope is the Thing with Feathers”, (Dickinson, 19) and “My Life Has Stood A Loaded Gun”, (Dickinson, 69) are strong examples of this. Whitman’s, “Song of Myself”, (Whitman, 29) and, “When Lilacs Last in the Dooryard Bloom’d”, (Whitman, 255) are also poems that show the connection between nature and romanticism. Poets, Dickinson and Whitman engage with romanticism in a creative and constructive manner through the utilisation of the natural world.

This poem by Ralph Waldo Emerson is an exceptional work of his. Entirely characteristic of his poetic approach, it captures the full meaning behind the appreciation of nature, and it does so in a simple yet effective style. The poem is also, in my opinion, an effective rebuttal to the Puritan critique of the Emersonian lifestyle.

Emerson and Hawthorne both focused on nature and how humans affected it, but Emerson wrote more about being optimistic than Hawthorne, whom was more of a dark romanticism writer. In the essay "Nature", Ralph Waldo says, " But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and what he touches. One might think the atmosphere was made transparent with this design, to give a man, in the heavenly bodies, the perpetual presence of the sublime"(Emerson 11). This quote demonstrates how Emerson focuses on the feel of nature to oneself being one with nature. Previously he talks about how nature offers solitude and how we should take advantage of it instead of ignoring what the world has to offer.

An early work in American Literature, Thanatopsis, is also one of the most influential works of nature and how it affects man. This work portrays nature as

This is another poem that links Whitman to the Romantics. The "birth of the poet" genre was of particular importance to Wordsworth, whose massive Prelude details his artistic coming-of-age in detail. Like Wordsworth, Whitman claims to take his inspiration from nature. Where Wordsworth is inspired by a wordless feeling of awe, though, Whitman finds an opportunity to anthropomorphize, and nature gives him very specific answers to his questions about overarching concepts. Nature is a tabula rasa onto which the poet can project himself. He conquers it, inscribes it. While it may become a part of him that is always present, the fact that it does so seems to be by his permission.

Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.

Nature was a theme factoring in many of his works and Blake associates nature with different elements in these poems and we find that nature is seen in communion with God in the introductory poem and throughout these poems Blake points out the relationship and harmony between Man and Nature, children and Nature and he also talks about sex in Nature in `The Blossom'.