The Abstract Ideas Of Art

Sometimes it comes through genius and complexity, full of meaning and symbolism. Others, it is simple and void of any clear meaning at all other than that it is art. Soon, however, there became a point when the work of art was no longer something one could just look at and understand; the principle of the matter had

Twentieth Century Abstraction is the creation of art without representation of objects, in which the artist has total freedom of the art that they are creating. I will be using three paintings from three different time periods in order to show the development and lasting effects of abstraction in the twentieth century. The first work that I will be looking at is Foghorns by Arthur Dove. I will use this piece to show the beginning of abstraction, and how ideas of abstraction were present before the movement

Pop Art, Postmodernism, and World War II Pop Art, a form of Postmodernism, describes the genre of art during and after WW2. The question I am exploring within this topic is why did the influence of the time period of World War II create such sexual and abstract works of art ? The points of view I encountered delivered two basic positions on the same issue. I studied a web site as well that offered graphics to support and explain it’s position (http://www.azstarnet.com/~nik/AME/time/popart/index

Art before the twentieth century was used to visually tell a story or represent an idea, but it was not until the twentieth century that artist’s began to break down art into the purist basic elements. Abstract art is a movement that does not incorporate an underlying message and instead allows the artist to work with form, color, and shape in a way that applauds its simple beauty. Abstraction in art forbids reality to be seen and instead the medium is used to create an artwork that is essentially

What is it that attracts us to art? Have you ever wondered exactly why abstract art displays in art museums are indefinitely more valued than that of an art piece created by a child? If you happen to be unaware of what abstract art is all about, it is the only art form in which is solely based upon creating art using shapes, forms, colors and lines to create a composition designed to have no aesthetic significance whatsoever. In this, it is meant that abstract art is completely detached from reality

expressions in art which in turn have changed how people critic and understand art, in this essay I am going to focus more on abstract expressionism. Debates in this movement have gone as far as influencing many artists and the two well-known critics who have made this movement more remarkable and have changed the art world completely are Clement Greenberg and Ronald Rosenberg. On the writings of these two gentlemen about art I will try to draw out the differences in the idea of what abstract expressionism

Introduction The two movements, with more or less abstract tendencies, that first influenced the majority of experimental artists in this country, beginning about 1913 when both movements were at their altitude. Cubism and Futurism, both of which had a great influence in the United States derives from the researches of Cezanne and Seurat. The beginnings of Cubism date back to about 1908 under the twin aeg Cubism The 20th-century style and movement in art, particularly painting, in which perspective with

“Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for colours, and that you be a true poet. This last is essential.” - Wassily Kandinsky. OVERVIEW / GENERAL PRESENTATION OF CONCEPTS Art historians typically identify the early 20th century as an important historical moment in the history of abstract art as artists worked to create what they defined as "pure art" - creative works that were

Abstract Expressionism began in the 1940s and the 1950s in New York after World War II from the ideas of Surrealism about art that looks to examining the unconscious mind, and the feelings people hold that makes us all humans. Through the discussion of Autumn Rhythm (Number 30) by Jackson Pollock, I will define Abstract Expression and why this work is part of this movement. Then, through the discussion of Canyon by Robert Rauschenberg, Target with Plaster Casts by Jasper Johns, and Marilyn Diptych

Abstract art is perceived, as a profound separation of the tradition that the primary function of art is the representation of visible reality. Abstract art came to be viewed as the ultimate break with all pervious pictorial traditions. Several trends of thought served as the foundation that contributed to, and made possible the innovative ideas of abstract painting in the first decade of the twentieth century. Such trends emerged from various fields of experience and exploration. For instance