The Abyss: The Cycle Of A Hero's Journey

Within the Odyssey, most characters are able to be classified into the archetypes of the ‘Hero’s Journey’, a notable narrative pattern lain for protagonists of many epics/adventure stories. While some characters serve a singular, one dimensional purpose to the story, such as the suitors, thus fitting into a general stereotype, other characters, such as Odysseus, can be classified into multiple categories, as he has a more flexible narrative function. In this, Odysseus behaves in the Odyssey as both one of its heroic protagonists as well as the scapegoat for many of the issues faced by others throughout the epic. As Telemachus, previous to his venture to find his father, mentions the issues with his house, he indirectly blames Odysseus’ absence

In 2014, I attended the Hero's journey summer program in hope to discover myself and to become a better man. My father who has attended the program many of times introduced me to the foundation and thought I should give it a try under the Young Men’s program with 8 other teens from around the world. Nervous but also excited about discovering who I truly was and what brotherhood really meant I found myself becoming the best of friends with these guys for 7 days. During the trip I learned that in relationships it is not only about how much you have in common, but that you trust each other and can work together as one. I could not tell you those guys last name or their favorite video game but I can tell you that I knew they had my back no matter what.

Joseph Campbell has a theory called The Hero’s Journey in where an individual is shown in a mundane world, called to an adventure, and goes on the adventure. In the adventure, the individual goes on the path of trials that consisting of making new friends, new mentors, new enemies, facing new challenges, gaining new skills, and new knowledge. When the individual comes back to their mundane world, they are the master of two worlds through their new experiences they've gained in the adventure. The Hero’s Journey has been repeated in literature and films through many years: two examples that have The Hero’s Journey are the films, Harry Potter and the Goblet of Fire and Percy Jackson and the Olympians: The Lightning Thief.

“A hero is someone who has given his or her life to something bigger than oneself.”(Joseph Campbell). Joseph Campbell showed how important hero’s are by creating the Hero’s Journey and that you can be a hero just through writing and showing it through different characters. A hero shows that you can help other people to make the world better

This part of the journey - which is the stage right before the “Approach to the Inmost Cave” - isn’t a walk in the park, after all. The hero will face difficulties, and unexpected events will occur; sometimes, insurmountable obstacles block the hero’s path. They make enemies, in some cases the hero gets a rival. But there are also things the hero has to gain from the journey. These experiences and hardships change the hero, making them more powerful, whether it means gaining knowledge, strength, or even bravery. They also gain friends and allies in this stage, who will help them during their adventure. Special weapons or items that help them may be obtained, as well. An example of this stage in The Hobbit is when Bilbo ends up in Gollum’s cave. He must use his knowledge to come up with and solve riddles so he can leave the cave - and avoid becoming Gollum’s next meal. Here, he also finds a magical ring that makes the wearer invisible. This part of the film shows one of the tests Bilbo faces, as well as when he obtains an item, the ring, which has an important purpose in the upcoming “Ordeal.”

To play a role given to us, isn’t fun once we learn of it, however, breaking away pushes us further into the journey. The Hero's Journey, a repetitive process that seems to be in the basic natural structure of every human, and despite any efforts are often replicating it ourselves. Following the journey is simple and sometimes unavoidable. The whole journey is mapped out by Christopher Vogler's The Writer's Journey. Then seen in Dracula, Bedazzled, and Noah. Also, in a easier way Howl's Moving Castle and The Game.

There are many steps of “The Hero’s Journey”. The first step of The Hero’s Journey is the ‘Ordinary World’. The ‘Ordinary World’ allow us to get to know the Hero and identify with him before the Journey begins. This step refers to the hero 's normal life at the start of the story.

What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines

In "The Hero And The God" we follow a character named Bhudda who leaves his very comfortable life for a difficult journey, and is rewarded with the title "Teacher of God and Men".An in "the myth of ORPHEUS and EURYDICE" a half mortal, half immortal man named Orpheus who can sing very beautifully. The problem arises when his wife Eurydice dies the day of their wedding when a vapor bites her. He is determined to get her back, and so he makes a journey to the underworld, in which he succeeds and woos Hades and Persephone with his magical voice. His only request is Eurydice, whom is granted only if he leaves with her trailing behind, but never looking back until he is out of the underworld. When he leaves he turns to Eurydice going back with the

The introduction of an epic hero through a person relatable to the vast majority of people could change the way society approaches current issues. Epic heroes embark on journeys, whether mental or physical, in which they learn an important lesson. In returning to the “known world”, the hero has been enlightened and has received a gift for their change. A person who experiences the epic journey and returns enlightened could then share their experience and new knowledge and thus impact society’s way of thinking. In James Dickey’s Deliverance, for example, Lewis and Ed must learn to accept the fact that death is inevitable.

What is a hero? What qualities does he or she have? In our modern lives when we think of a hero we think of nurses and soldiers, but according to the American Heritage Dictionary, a hero in mythology and legend is a man or woman, often of divine ancestry, who is endowed with great courage and strength, celebrated for his bold exploits, and favored by the gods. A person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life.

A reason for going there (usually a item or some sort) this gives the hero a purpose for his quest.

There I was sitting at the table eating what the nuns like to call food what just looked like to me slop I was sitting with my friend Felix. He came across a carrot and it was a full-size carrot he just sat there and stared at it not even touching it if he did not hurry up and I was going to grab it and eat it.

The Hero’s journey, or in its more correct terminology the Monomyth is an object from the area of comparative mythology. Its definition in the most basic of forms, it is a pattern or outline that is used in storytelling, usually the myth. This pattern is found in many famous pieces from all around the world. In the book The Hero with a Thousand Faces from 1949 by author Joseph Campbell, this pattern is described in detail. Campbell describes that numerous myths from different times and areas of the world seem to share an identical structure in their storytelling. He summarized this with a well-known quote found at the intro of his book:

A few months later, I found myself riding with Halt back to his quaint little cottage nestled in the woods. He was teaching me about animal tracks. As our horses tread against the snow that lay on the ground, I noticed a massive print next to the cottage, and Halt said it was a giant boar. A man was lying in the bushes and came out to claim that he had seen the boar first hand, and that it was a mad and destructive one. Halt told him to go to the castle and tell the Baron to gather a group of men so that we can all go hunt the boar in the morning. The next day, I found myself on horseback on the outside of a circle of warriors, and Horace. If the boar were to escape through our circle, I was to chase it down and finish it off with my bow.