The Accelerator Film Analysis

The unrealistically hilarious Australian film, Bran Nue Dae, by director Rachel Perkins encompasses the adventures of Indigenous teenager Willie Johnson. After being shipped off to a Catholic boarding school in Perth to become a priest, he spends the entirety of the film travelling home to Broome with two hippies in a kombi van and his homeless, alcoholic uncle, Uncle Tadpole. Good morning/afternoon Miss Radunz and class. The aim of this presentation is to analyse the negative depiction of the two social groups, Hippies, portrayed by Wolfgang and Annie, who are stereotyped as unpredictable and obsessed with freedom. And Musicians, who are stereotyped as vain and self centred, which is represented by Lester. Using these stereotypes effectively

Individual’s identity can be formed through significant events but these events can also change and create a new identity. In the film ‘The sapphires’, Kay is introduced as a victim of the stolen generation which changed her life and her identity as she grew up believing she was white. This is evident in the scene where they show Kay with other girls in her apartment in Melbourne. The use of middle angle shot allows the responder to see Kay being assimilated into the white culture which juxtapose the difference in clothing, where and how they live and the way they speak between Kay and Gail and her sisters. As the film progresses, we notice the change in Kay’s identity as she feels the need to identify herself a black. This use of close up

After viewing the film “GEN SILENT”, I was speechless by some of the experiences and challenges faced by the aging LGBT seniors. To me, it is a disgrace to see in this day and age that human beings are experiencing these challenges (emotional, social, and psychological) and stigma by their families, strangers and health care providers simply because of their sexual orientations or preferences. I feel that it is a disgrace for such an inequality to continue to be of existence in the 21st century because I believe as human beings we should all be more considerate and treat everyone with respect and dignity.

Who is Haile Germia? Haile Germia is an Ethiopian filmmaker, film director, screenwriter who was born March 4, 1946 and raised in Gondar, Ethiopia who now lives in the United States. He immigrated here to the United States in 1968 to pursue acting, and enrolled in the Goodman School of Drama located in Chicago. He is best known for his film Sankofa which raised a lot of awareness to the African American community. He is also known for the Los Angeles school of black filmmakers. He is a very influential professor that teaches at Howard University which is located in Washington, DC, which he has been teaching there since 1975.

The card game intercut with the flashback of the hex doll works. It sets the tone and establishes the world. While some tightening of dialogue is suggested, it’s a good start. Moreover, the teaser hooks the audience; both Marie Laveau and Marianne fascinate the audience.

The movie begins with a commentary by a black passenger, who is also a detective that was involved in a car accident. The driver also a detective has gotten out of the vehicle to interact with the Asian driver who has caused the accident. As they exchange racial insults, the black detective exits the vehicle and arrives at his crime scene. The movie moves on to a Persian shop owner and his daughter looking to protect their shop by purchasing a gun. He is immediately insulted by the gun shop owner because they are not speaking English in front of him. On another part of town, two black young men carjack the local district attorney and his wife. Later that night the district attorney wife is upset because a Hispanic worker is changing her locks

While the concept is terrific, the script and series of events would really benefit from more development to have it fully realize it’s potential.

The proposed change project for Verizon will focus on assisting customers with bad credit. In 2015, VantageScore 3.0 estimates that 30% of Americans have poor or bad credit (Detweiler, 2016). Credit scores typically range between 300 to 850. Poor credit is a credit score of 601 or lower. The 30% amounts to about 68 million Americans (Detweilier, 2016). The number of people with poor or bad credit is astounding. Men and women are not paying their bills. Unpaid student loans, cable bills, car loans and mortgages contribute to bad credit. Verizon has an opportunity to help the community and their customers overcome the obstacles of having bad credit.

There are many different elements that identifies the film Rear Window as a Hitchcock film. First off, there are two obvious ones, which are having a blonde woman in the film, as well as an animal. There multiple blonde women in the film, such as Lisa and “Miss Torso”, as Jeff calls her. Jeff’s neighbors have a small dog as well. Additionally, another obvious element is there are stairs in the film.

Additionally, Walter also belittles Beneatha's dream of becoming a doctor, implying that women are fit only for supporting roles: “Who the hell told you, you had to be a doctor? If you so crazy ‘bout messing ‘round with sick people – then go be a nurse like other women – or just get married and be quiet” (Gilbert et al., 1961). Yet, Beneatha isn’t concerned about getting married and is focused on her career, “Get over it? What are you talking about, Ruth? Listen, I’m going to be a doctor. I’m not worried about who I’m going to marry yet – if I ever get married” (Gilbert et al., 1961). Beneatha’s friend Asagai believes that love should be enough for women, however, Beneatha challenges this idea by stating that she needs more, such as a

This films depiction of life during the Civil War gives us a look into the many different point of views it was experienced from. Ada and Inman had gone through so much in such a short period of time they found their way back to each other. It was a beautiful love story cut short by the tragedy of death. They both faced many hardships during the war but both seem to find people that help along the way.

“The drug world organization is fundamentally gendered” (Anderson 2005). Anderson has continuously insisted that the illicit drug world, based on a patriarchally organized hierarchy where men continue to dominate, is also one that cannot exist without women's empowerment and agency. It is then critical to concentrate on the complex interplay between men and women. There are numerous ways in which women on the border between the United States and Mexico become involved in crime and the illicit drug economy. These roles are complex and contradictory. While drug smuggling and other forms of female involvement in crime on the U.S.-Mexico border often lead to victimization, neglect, and abuse, manipulation of these roles can serve as a vehicle for female empowerment and liberation from male control.

In the film Central Station (Central do Brasil), Walter Salles presents the characters as on a journey to self-discovery. It is a film about identity. Central Station is a melodrama of transformation based on an anomalous-duo comprising of Dora, a jaded retired schoolteacher, and Josué, a nine year-old boy, who embark on a cross-country journey in search of the boy’s father upon the unfortunate death of his mother. The film presents its analysts with many possible interpretations and significations due to its combination of different themes, visual allusions and narrative elements. Central do Brasil film can be interpreted in three ways: as an extended metaphor on the writing process and a narration of personal stories and experiences, as a figurative journey of Brazilian search for its identity depicted in Dora’s transformation and Josué’s quest for his roots, and as a theological allegory inviting a “theological reading of humans struggling to maintain a relationship to an absent God” (Bowman 1). Through a detailed analysis film’s content, production, and reception, this paper interprets Central do Brasil as an allegory representing the pursuit for identity and transformation.

Lazer Team is an outstanding film considering the Rooster Teeth Productions’ resources and their previous no attempts on making something as big as a full length feature film. The film was funded entirely via Indiegogo where almost 38 thousand people donated nearly $2.5 million.

Actions speak louder than words because no matter how much you tell someone something with your words they’ll never really believe you until some action is taken.